A tragic drama is defined as a drama where the hero, or the main character, is brought to devastation or to endure pain and distress. It is usually an outcome from one’s tragic flaw or weakness. The demise of Othello and the downfall of Oedipus are brought about from their own flaws. Othello’s reliance and dependence on the wrong person, jealousy, and low confidence would lead him to choose the wrong choices. Oedipus holds the flaws of stubbornness to accept the truth, acceptance of his fate and arrogance.
In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics…(Glassberg)”. Oedipus was considered to be a good man in the beginning, but because of his tragic flaws this lead him to his downfall. He went from happiness to being miserable when he found out the
That moment is a requirement for the idiot to become a tragic hero. 3. This is a requirement to qualify as a tragic hero. He must come to a point of enlightenment – a point he knows/ realizes what his mistake is/ was; a moment of agagnorisis – of enlightenment to know what the problem was in his own character. This is what makes him tragic; that he discovers the mistake in his own character but it is too late.
Brutus’ ultimate downfall by one or two negative traits would have shocked the intended audience and perhaps affected how they viewed themselves, making Brutus a very effective character. Shakespeare created a slightly flawed character have a moment of clarity followed by a violent death, and he did this to notify the public of a major problem with his day’s ethics. The noble Brutus was destroyed by a handful of minute details in his own character. This alarming message is the reason this play is still studied. Works Cited "Hero."
This downfall is triggered by a fatal flaw in the tragic hero's character. During the play the audience must have many different feelings towards the hero, from respect to anger and maybe even pity. These may also turn to terror, as people close to the hero are hurt. Fate is seen to be predetermined and ensures that justice is seen to be done, which always means the death of the hero. Before the tragic hero dies they will learn the truth of their situation and make some attempt to amend the wrongs committed.
A hero of a high and/or valued position becomes a tragic hero when he or she inherits unfair misery. This is due to the tragic flaw (a significant fault or error) of the hero, which is a flaw of not wanting to stay submissive to what the hero sees a potential takedown of his or her dignity and correct status. The tragic flaws result in the hero to be the victim of a “total reversal of fortune” or downfall which provokes feelings of “pity and fear.” The “total reversal of fortune” will be huge and not expect as it usually will have the tragic hero dead. According to Professor Andrew Bradley, “the tragic hero suffers due to some taint arising out of goodness.” What professor Bradley is saying is a tragic hero suffers because some out of portion
One of the flaws that lead Othello to his downfall is the fact that he has very poor judgement, which is indisputably seen through the consistent trust that he finds in Iago. His downfall also occurs due to his overwhelming struggle against jealousy, which materializes primarily from the relationship that his wife has with Cassio. Furthermore, Othello’s insecurities cause weakness in his character, allowing the antagonist of the story, Iago, to use them in order to lead Othello into his downfall. With these faults in his character, it is evident that Othello’s downfall comes about due to his major character flaws. Regardless of whether someone in real life or a character in literature has poor judgement, it is common that they can have issues with trusting the right people, and that they tend to not trust those who they should find trust in the most.
Overweening pride and a haughty personality are faults of conscience according to what Aristotle perceives to be a characteristic of a tragic hero. Driven by partial-realizations, Willy Loman was a man whose miserable reality of his life was distorted and that led down to his mortal sacrifice for his family. Aristotelian law on the nature of tragedy takes the entire plot as the beginning, middle, and the end of the tragedy (Raymond 1). When filing in the requirements of a tragic hero, Willy’s downfall was flawed from the start for not being able to attain a realistic point-of-view, but overall, the climax of the tragedy is centered on the second act in the restaurant. Willy’s pride and dignity is transferred to his son, Biff.
His nature is exceptional in the sense that it is very much like our nature, except that it is intensified. The tragic hero is also involved in conflict, which could be either conflict with someone else, or conflict within himself. The tragic hero is also described as inspiring pity on the part of the viewer because of the intensity of the suffering that the tragic hero is undergoing. Furthermore, the tragic hero is seen as wretched, nevertheless, the audience does not see him as contemptible. Instead, the audience sees the
First and foremost Brutus is the Tragic Hero of the play as has been said. Now with the title of Tragic hero comes a weakness, a tragic flaw in the characters personality. One of these tragic flaws includes Brutus’ ambition. Like for instance, when he joined the conspirators he immediately took over. When they were considering asking Cicero to be one of the conspirators Brutus would not have it even though he was the only one who objected.