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Creon character in Antigone
Creon as a tragic character
Creon character in Antigone
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Life is not just pretty skies and sunny days it consisted heartbreaks and heartaches’. This is apparent in Sophocles trilogy play “Antigone”. Sophocles’ illustration of man’s catastrophes highlights in the character Creon who becomes the King of Thebes after Eteocles and Polyneices (his nephews) killed one another (after Polyneices attack his own land and his own people). Creon being the new king makes a stand against a trader such as Polyneices and declared that his body be left unburied. Antigone (Polyneices sister) takes a stand against Creon and his unlimited power. Through this dilemma, Creon humanity is establishing as he transforms from a man held in high regards to a ruin man. One factor that makes Creon’s character a tragic hero is the name had. Being the brother of Oedipus mother/wife he made a name for himself not being overshadowed by the title his sister’s has. For example, Creon’s opinion is very much accepted for Thebes and Oedipus. Having overcome his sister shadow and being accepted and …show more content…
Creon stays to his self until the tragedy hit him even more than before. After the suicide of his son and wife, he lost all hope to staying the strong person that he is through the death of his sister family and the betrayal of Antigone and Paolyneices. For example, he stays true for the people through all the betrayal from his own niece and nephew. Even though most people would be too distraught with all the hurt that he went through, Creon did not because he stayed true to himself. His biggest fail was the guilt he felt after the death of Antigone because he knows that her death is basically his fault. For example, if he would done the right thing and let Polyneices be bury without consequences then Antigone would not committed suicide leaving the cycle of his own family committing suicide. With the guilt of her death cause a domino effect with the suicides of his son and
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
In the play Antigone, created by Sophocles Antigone is a foil to Creon because their personalities contrast. This makes Creon a Tragic Hero because he thinks that he is a god but in reality he is a mortal upsetting the god's and he will eventually meet his demise. At the start of the play the reader is introduced to a character named Creon, who is the king of Thebes, the previous king, Eteocles, was killed by his brother Polyneices. There is a law arranged by Creon, so nobody could bury the body of Polyneices but Antigone, the sister of both Eteocles and Polyneices, wants to bury her brother and is willing to risk her life to bury him. She eventually gets caught and is sentenced to death by Creon.
The hubris resonating throughout the play, ‘Antigone’ is seen in the characters of Creon and Antigone. Their pride causes them to act impulsively, resulting in their individual downfalls. In his opening speech, Creon makes his motives clear, that “no man who is his country’s enemy shall call himself my friend.” This part of his declaration was kept to the letter, as he refused burial for his nephew, Polynices. However, when the situation arises where it is crucial that Creon takes advice, he neglects the part of the speech where he says “a king... unwilling to seek advice is damned.” This results in Creon’s tragic undoing.
In the play Antigone, both Antigone and Kreon could be considered tragic heros. A tragic hero, defined by A Dictionary of Literary, Dramatic and Cinematic Terms, is someone who suffers due to a tragic flaw, or hamartia. This Greek word is variously translated as "tragic flaw" or "error" or "weakness". Kreon's hamartia, like in many plays, is hybris - Greek for overweening pride, arrogance, or excessive confidence. Kreon's hybris causes him to attempt to violate the laws of order or human rights, another main part of a tragic hero. Also, like all tragic heroes, Kreon suffers because of his hamartia and then realizes his flaw.
Antigone Sophocles When a dictator dies, his image and fame dies with him, but when a self-sacrificing individual dies, their legacy begins. This statement is true because oppressed citizens do not fondly mention a mean ruler, such as Creon from Antigone, after he passes away. Yet a martyr, such as Antigone, also from the story Antigone, is remembered for her self-sacrificing deeds. Creon will not be remembered because he did not allow Antigone to bury her dead brother Polynices, and decides to execute Antigone for trying while Antigone’s legacy will live on because she has the courage to defy Creon, and chooses to sacrifice herself for Polynices' honor.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
Antigone, written by Sophocles is a tale of a tragic hero who suffers with the recognition and realization of his tragic flaw. Although this short story is titled after Antigone, Creon is the main character and he provides the moral significance in the play. First, Creon withholds the respect of his citizens but it is clear to them he is not perfect through his pride (tragic flaw). Secondly, his radical reversal of fortune is made clear after he struggles with the recognition of his fatal flaw. Thirdly and lastly, his pity and fear flowers into an understanding of his prideful and destructive nature leading to his redemption. Nevertheless he is left with the burden of the deaths of his family, becoming a shell of misfortune and loneliness. Although Creon's actions cannot be labeled as courageous, his character traits pertain greatly to that of a tragic hero.
Creon and Antigone, main characters in the Greek tragedy Antigone by Sophocles share some of the same characteristics that make up a tragic hero, but to varying degrees. Antigone, daughter of her mother/grandmother, Jocasta, and father, Oedipus is head strong, proud, and stubborn. She had three siblings, Ismene her sister, and two brothers Eteocles and Polyneices who found there deaths at the end of each others sword in battle over which would become king of Thebes. Antigone's pride fullness and loyalty is revealed when Polyneices is denied proper burial by her uncle and king Creon. The two buttheads in the political for Creon and personal for Antigone situation and bring about the downfall of the royal family.
Over time, history has given society many to whom we call true heroes. There are many reasons these heroes have been looked up to such as: bravery, dedication, confidence, and inspiration. However, a tragic hero requires a few different qualities. Aristotle describes a tragic hero as a “member of royalty,” someone who “must fall from tremendous good fortune,” and someone who creates pity for him or herself (“Connections: A Theory” 2000). In Greek drama, Sophocles’ Antigone and Euripides’ Medea both contain several possible tragic heroes including Medea, Jason, and Creon. More specifically, in Antigone Creon exemplifies the qualities of a tragic hero best due to his prominent power as king of Thebes, the way he holds strong to his stubborn pride, and the sympathy felt for him in his tragic downfall.
Since the play’s inception, there has always existed a contention concerning the true hero of Sophocles’ Antigone. It is a widely held belief that Antigone must be the main character simply because she and the drama share name. This is, of course, a very logical assumption. Certainly Sophocles must have at least meant her to be viewed as the protagonist, else he would not have given her the play’s title. Analytically speaking, however, Creon does seem to more categorically fit the appellation of “Tragic Hero.” There is no doubt as to the nature of the work, that being tragedy. Along with this genre comes certain established prerequisites, and Creon is the only character that satisfactorily fits them all.
Throughout history rulers have used force in the pursuit of the acquiring more power and wealth, regardless of the consequences. The use of force may lead to the fulfillment of ones current interests or goals, but continued abuse of this power in pursuit of ones own interests has historically lead to the downfall of those in power. In the text The Prince Machiavelli says, “It is much safer to be feared than loved, if you cannot have both”. This quote suggests that when given the choice it is better for a ruler to use his power, through force if necessary, and be feared than to do what is right for the people and lose everything. In Sophocles’ Antigone, Thucydides History of the Peloponnesian War, and Sophocles’ Republic the analogy of the double-edged
Creon's insecurity blinds his ability to direct order in his country properly. After Antigone buried Polyneices Creon felt he needed to take a strong stand or people would think he would always be lenient toward criminals. However, to achieve this Creon felt he needed to take drastic action against Antigone. He once even said to his son, Haimon, who was about to marry Antigone, "The woman dies. I suppose she'll plead family ties. Well, let her. If I permit my own family to rebel, how shall I earn the world's obedience?" (19) This quote shows that Creon feels that to prove himself to the country he needs to earn the "world's obedience".
The throne of the king of Thebes was passed from King Laius to Oedipus to Creon, making Creon a noble and royal figure. Being a part of the nobility is the first part of the requirement of being a tragic hero involving being a noble and having noble character. Along with having a noble title, Creon possesses the attribute of being noble and honorable. Putting aside Creon’s pride and selfishness for now, he still has the wellbeing and safety of his country, Thebes, at heart. Creon explain...
Creon was a virtuous character who believed after the war of Thebes, where both of his nephews, Eteocles and Polynecies, died at the hand of each other, that Polynecies was a traitor. He was the brother who decided to fight against Thebes. Creon, being the only male left in the royal family, took on the role of King without thinking of gaining the support of the people of Thebes first.