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Creative writing: A walk in the woods
Basic problems of creative writing
Creative writing: A walk in the woods
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Prologue
She had brownish red hair and blue eyes, which were actually gray without contacts on. She was wearing a leather fur jacket, and as she walked towards the alleyway of Dima’s Club a night club which was frequented by members of the Russian mob, she saw that the club was closed, and that there was caution tape all around, indication that something had happened here.
“Hands where I can see them,” a cop guarding the crime scene said as soon as he spotted the woman with brownish red hair wandering around, Alexis nodded doing as she was told, there wasn’t any point in trying to fight back, and raising her arms above her head, as the cop slowly and cautiously approached her.
“What is a lady like you doing here?” his partner asked in disbelief. “This is a crime scene.”
What was she doing here, in a night club, deep in Russian mob territory they ask, well trying to find Yuri of course. The only man that was still alive with any connection to her past. A past that she wanted to forget about, a past she had thought forgotten when she had fled the Motherland and come to the Un...
"Who the hell am I?" (Ellison 386) This question puzzled the invisible man, the unidentified, anonymous narrator of Ralph Ellison's acclaimed novel Invisible Man. Throughout the story, the narrator embarks on a mental and physical journey to seek what the narrator believes is "true identity," a belief quite mistaken, for he, although unaware of it, had already been inhabiting true identities all along.
In Chapter IV, Raskolnikov encounters a young girl that represents the motif of self-sacrifice through her potential of becoming a prostitute. Raskolnikov first encounters the girl on page 57, when the sight of an older man pursuing her interrupts his thoughts of his mother’s recent letter. He observes the girl and finds her current state peculiar. Established through imagery, the desolate state of the young girl is described as “wearing a little silk dress of thin material, but she had it on in a very odd manner with hardly any of its fasteners done, and in behind, just where the skirt began, at her waist, it was torn; a whole piece of material had come away and hung loose” (57). The ‘torn skirt’ gives a typical image of what young women and girls looked like in brothels in third-world countries.
Zero awoke to find himself standing, it was not something he was familiar with and he searched his memory for any recollection of it happening before. Quickly he discovered that large parts of his memory were missing, gone were the seemingly endless data bases of information. Quickly he sent out feelers trying for a connection of some sort but he drew a blank. It seemed that where ever he was now, had limited connection capacity. Instead he used his visual feed to survey his surrounding, it appeared he was in some kind of desert of discarded parts.
The previous week they had performed the spell successfully. After contacting Mordred, Merlin and Morgana had arranged to meet him and Aglain, the leader of the druid camp, in the woods near a small waterfall, halfway between Camelot and the grave of Gorlois. Morgana always went on her annual pilgrimage to her father's tomb at this time of the year, at the end of spring.
This shows that an idea like Raskolnikov's ordinary and extraordinary people can lead to horrible things like his murder of the two women but also hints at the fact it in the future may lead to a "great future deed". It is especially interesting to see that the idea put forth by Dostoevsky in the end is one of love being a transformative force. That this love comes from the severely religious Sonya, mirrors the idea of Christ's "new word" being love. Through careful examination of Raskolnikov's idea and its use as a metric for looking at the character one is better able to understand the novel, the character, and the possible larger implications of that message.
As soon as the door closed, and Jace was finally at last gone, Clary immediately sprang to her feet and locked the door. Tears had all ready formed at the corner of her eyes, before she ran towards the pretty canopy bed, and fell down upon its soft, gentle surface and sobbed as if her heart would break. Inside, she was completely devastated. She began to wonder just what exactly had minute, she'd been at home, relaxing in the bright, warm golden sun, working on a brand new painting, and the next, she was off riding into the deep, dark woods with Wayfarer following her father's very trail, and they'd stumbled upon the mysterious dark castle, and the final moment she was trading her life for her father's in order to save him.
Ralph Ellison speaks of a man who is “invisible” to the world around him because people fail to acknowledge his presence. The author of the piece draws from his own experience as an ignored man and creates a character that depicts the extreme characteristics of a man whom few stop to acknowledge. Ellison persuades his audience to sympathize with this violent man through the use of rhetorical appeal. Ethos and pathos are dominant in Ellison’s writing style. His audience is barely aware of the gentle encouragement calling them to focus on the “invisible” individuals around us. Ralph Ellison’s rhetoric in, “Prologue from The Invisible Man,” is effective when it argues that an individual with little or no identity will eventually resort to a life of aimless destruction and isolation.
A disconnect between genders was exhibited in early Russian culture. The objectification of women was a common problem in the Soviet society. In Mikhail Sholokhov’s And Quiet Flows The Don, there is an abundant amount of examples detailing men’s attitudes toward women. Early on in the novel there is a disturbing depiction of rape between Aksinia Astakhov and her father. It is difficult to comprehend the motives behind an act of rape, especially when coupled with incest, but that is not occurrence of rape within the novel. Further on there is a particularly vivid account of a gang rape scene between multiple Cossack soldiers and a young woman. Although particularly difficult to read, this moment further illustrates the female objectification present in this time-period by clarifying the commonality of the abhorrent treatment of women. Furthermore, it is revealed that the men are more than willing to resort to violence if it is necessary to keep the rape a secret, “Breath a word… and, by Christ, we’ll kill you!” (186). In a different aspect of everyday life, at times it seems that women are not...
Raskolnikov is an impoverished ex-student living in St. Petersburg, the grimy, plagued, and urbanized capital of the Russian Empire. He “is nothing but a poor half-crazed creature, soft in temperament, confused in intellect” (Waliszewski), a maverick who believes he must deliver society from mediocrity. Deluded, he murders Alyona Ivanovna, a pawnbroker, and her unsuspecting half-sister, Lizaveta. Throughout the story, Raskolnikov undergoes transformations in all facets of his life, many of which are attributed to his infatuation with Marmeladov’s humble daughter, Sonia. Forced into prostitution, she is seen by Raskolnikov as a fellow transgressor of morality, but also as a savior that will renew him. This new development causes him to decry his nihilistic lifestyle as desolate and insufferable and to expiate, ending his self-imposed alienation and long suffering. Notwithstanding the title, the story has little to do with the crime or the punishment; the true focus is the turbulent internal conflict of Raskolnikov - the constant doubting of his motives and the psychological torment he endures.
Raskolnikov kills the pawnbroker ,Alena Ivanovna, not for the money or the valuables she had in her apartment.The reasoning behind Raskolnikov wanting to kill Alena is because she is immoral, who cheats the poor and considers her as a creature. She would brutally beat and abuse her step-sister, and pressure her do all the dirty work for her. After killing Alyona Ivanovna, Raskolnikov steals her possessions. Instead of selling the items , Raskolnikov hides the objects under a rock. Raskolnikov reasons this murder was for the greater good for the people, because Alyona’s money could go to help the people of the town. Raskolnikov knew no one would have the strength or means to get rid of “this creature” referring to Alyona Ivanovna. Raskolnikov thoug...
I entered her bedroom, where she was last sighted. A peevish odour was rising from the bed. Mist started rising, the room was surrounded with gases and it was all I remembered of the past.
Identity and Invisibility in Invisible Man. It is not necessary to be a racist to impose "invisibility" upon another person. Ignoring someone or acting as if we had not seen him or her, because they make us feel uncomfortable, is the same as pretending that he or she does not exist. "Invisibility" is what the main character of Ralph Ellison's Invisible Man called it when others would not recognize or acknowledge him as a person.
"The person said something bad occurred at Sally's, and I should hurry. I hope one of those—those malfunctions she’s always helping didn’t hurt her. You know how she is. Everyone’s tried to warn her, but she won't listen."
"Where was she seen last," the detective asked. His face was stolid yet I could hear the pain and panic in his voice.
As the sun slowly settled, darkness began to overcome the Earth. Sickness—had come. The sickness slowly but readily crept into each home. It was the Midnight Theft. The destructive plague stole during midnight—it stole lives. Deep in the heart of Tukenasville, people were dying, and the whole country was beginning to perish. The flowers withered as they bloomed. The mountain peaks crumbled under steer weight. Animals fled to holes to live out the final moments of their life. People were distraught, and chaos was invading every planet in the macrocosm. People called me Nikolaou Gonfalon. I was the last of the Warriors of Phos. Long ago, the Sisters of Moiré ordained my doomed fate. I tried to bargain with them to change it, but in the end, I captured them and locked them up in a repository on a cliff. I was to lead the expedition to find the cure for the Midnight Theft. That, however, was not the reason why I would go on this journey. My best friend, Tolem, was dying of a rare illness called Takigifeay. It was causing the slow built up of lactic acid on his bones. I knew that death would come to him soon. Legend spoke about a necklace that can bring life to anyone or thing. It was said to have been belonged to an Oceanian, one of the water people. The Lost Jade Necklace of Serenity was what it was called, and it could bring healing to the Earth. Nonetheless, it could be the obliteration of mankind, also. I began to pack since my journey was to start at that moment.