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Literary theory appplied on wuthering heights
Analysis of the setting of Wuthering heights
Literary criticism of Wuthering Heights
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How does Brontë create atmosphere and suspense in chapter 3 of
Wuthering Heights?
Emily Brontë creates atmosphere and suspense using her own artistic
techniques, one method that she uses is palimpsestic which is
narratives within narratives. This is Emily’s only novel, it is an
extraordinarily powerful and disturbing tale of the tempestuous
relationship between Catherine and Heathcliff.
From the start of the chapter, Brontë begins building suspense. After
Lockwood has retired to his bed, he has several puzzling and
uncomfortable experiences. For example,
‘Writing scratched on the paint repeated in all kinds of characters
large and small - Catherine Earnshaw, here and there varied to
Catherine Heathcliff, and then again to Catherine Linton’
This quote builds on prior knowledge of the mysterious ‘Catherine’.
This is Lockwood’s first encounter with her and it is the same for the
reader. The fact that the words are scratched into the wood is an
indicator of Catherine’s frame of mind. This could be said to be
confused, isolated, unhappy and slightly obsessive. The reader is
instantly engaged and wondering why it is there and what it can
signify. The atmosphere is already tense and spooky, and these
scratchings add to this.
The fact that we meet Catherine in ‘words’ (scratchings and a diary)
is an indicator of how important both Brontë and the people in the 19th
century viewed the power of the written word. It was seen as the
highest form of art and a direct link between the authors mind and the
readers understanding. It is a clever plot which will only be
understood when the reader gets to the end of the novel.
It is tricky to derive who the author wants you to sympathise with.
The pendulum swings both ways, you could sympathise with Heathcliff
because he had an undying love for Catherine and she never really knew
about it, and he still does love her. Although at first we view
Heathcliff as a ‘pitiless, wolfish man’ who is bitter and resentful of
life because of his up bringing which was being beaten by Hindley,
Catherine’s older brother. Or you could sympathise with Catherine, who
really did love Heathcliff but was so wrapped up in her own little
world of being a lady, rich and having fancy parties thought that it
degrade her to marry Heathcliff as he was called a ‘Gypsy’. Personally
I would sympathise with Heathcliff who’s love for Catherine is
extremely obvious but she can’t see it and ends up marrying Edgar
Linton. Who is rich, respected and will provide her with a home, money
etc.
Throughout the chapter the atmosphere builds up even more. After
Lockwood has seen the names he starts to fall asleep and has yet
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Have you ever read a book where you have a hard time keeping track of characters and events and the order of the book? Well than you must have come across this gothic novel called “Wuthering Heights” by Emily Bronte. She combines more than one element of a gothic novel and that is craziness, obsession and villain heroes. The novel is formed around the two similar love stories of Catherine Earnshaw and Heathcliff and the young Catherine Linton and Hareton Earnshaw. The motif of this book is full of doubles and repetitions; it has two protagonists as mentions earlier, Catherine and Heathcliff, two narrators, Mr. Lockwood and Nelly, and two houses, Wuthering Heights and Thrushcross Grange. In spite of all this, Emily Bronte wasn’t just torturing us for no reason but the cycles in violence and the repeating or scrambling the characters names even in intermarriages tells us that it is trapped in something overpowering and unresolved. Assume the chaos of doubling and repetition, their symptoms are increasing on an unresolved issue that drives this entire story around for the sake of Catherin and Heathcliff unresolved passion. Catherine and Heathcliff share a love so deep that the two souls seem to have intertwined into one. In result Bronte deliberately arranges the characters, and the place into pairs. She shows the particular difference on the double to demonstrate both the imaginary ideal and the tragic reality of relationships that are surrounded by the restraints of class, and society.
According to Steven Vine, the title of the novel Wuthering Heights was much more than a title, but was actually the basis for which the entire novel was written. The complex term “wuther” from the title has many definitions that are shown throughout the novel. The main definitions of wuther that appear through the novel are “An attack, onset; a smart blow, or stroke” and “to tremble, shake, or quiver.” Vine argues from these definitions that Wuthering Heights’s wuthering occurs as a quivering from inside and outside attacks, which can be seen through the interactions between the characters within Wuthering Heights.
Her selfishness lies within the reality that she married Linton for the things he could have provided for her. Nothing parted Catherine and Heathcliff. Not God, nor Satan, it was Catherine herself – Catherine was the cause of her broken heart. Along with breaking her heart, she also broke Heathcliff’s, which led him to loathe and yearn for vengeance against what Heathcliff thought was the cause of Catherine’s death – her daughter.
Heathcliff and Cathy have a sadistic relationship. They are only truly in love when they are hurting each other. As Catherine lay dying, she wants Heathcliff, her love, to join her in death. She pleads to him:
Wuthering Heights Is a book by the famous author Emily Bronte who was born on July 30, 1818. The book was first published in London in 1847 as a three volume set. The author in the three volume set was printed under the alias Ellis Bell. In fact Bronte’s real name didn’t appear until 1850 on an edited commercial version. Although today Wuthering Heights is regarded as an American classic when it first came out it had mixed reviews because it went against the Victorian standards.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
A) Catherine’s love for Heathcliff is torn between both Heathcliff and Edgar Linton – conflicting loyalties. Her love for Heathcliff is prompted by impulses to disregard social conventions. Her love for Heathcliff causes her to throw tantrums and to run around the moor. She considers Heathcliff her soul mate: their life growing up together, their enjoyable times on the moor, and her freedom and innocence of her childhood. “If I’ve done wrong, I’m dying for it. It is enough! You left me too – but I won’t upbraid you! I forgive you. Forgive me!” represents Catherine’s love and yet her cruel treatment of Heathcliff for marrying Edgar to attain material and social gains.
In chapter three, Lockwood opens a window to Catherine Earnshaws childhood through perusing through her books “Catherine’s library was select…scarcely one chapter had escaped a pen-and-ink commentary…scrawled in an unformed childish hand” we can see that her collection of books was limited but nevertheless well used. Two voices also come to the fore one being Lockwood’s and the other the autobiographical elements of Emily Brontë’s voice, ‘pen-and-ink commentary’ and ‘unformed childish’ the pre-modifiers reveal that the Brontë sisters also wrote in the margins of the novels they owned as paper was a scarce material.
Cathy had to say, about how much she loves him but cant really be with
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
The concerns, values, ideals and beliefs of a historical period can be understood through the analysis and deconstruction of texts written in said period. Through texts, one is able to gain a greater and richer understanding of the intricacy of societal values and ideals as these things permeate through all texts created in the time period.
Bronte also proves that non-human things can change, such as the manner of Wuthering Heights. The idea that people and objects can transform is shown throughout the novel through many examples. The protagonist of the novel, Heathcliff, was shown to have gone through the biggest transformation. In the beginning of the novel, Heathcliff is an orphan brought home to live with a high-class family. He is described as “a dirty, ragged, black-haired child; big enough both to walk and talk.yet when it was set on its feet, it only stared round, and repeated over and over again some gibberish that nobody could understand” (Bronte page 36).