Since the rise of the “Silent Majority” of conservatives to the forefront of American politics in the Reagan era, the overall themes of country music have changed to the patriotic and conservative messages heard today in the genre. The first real instance found of country music going hand in hand with politics goes back to the 1964 presidential election where then democratic candidate George Wallace used the song “Stand By Your Man” by Tammy Wynette to gain support of the southern voters At the time the political landscape of the south was heavily fragmented, and not yet united as it would become during the Nixon and Reagan years. Country music is the most distinctive cultural product of the American south “which has long been the area of America most supportive of political reaction” With roots in the farms and hills of the hard-working southerners, the music that came from there evolved over time from simply “hillbilly” style into its own unique sound. During the Second World War the music often reminded soldiers of a simpler time and place, and gave them a sense of patriotism as many artists such as Bob Wills wrote songs that glorified America. In the 1950’s country was not all that popular as many considered it “The music of the southern redneck and thus elicited images of pickups with shotguns stacked in the back of the cabs, shotguns waiting to be used to terrorize or kill civil rights marchers or those who sympathized with them.” In order to examine how country music was used to gain a foothold in the minds of southern voters, one must first look at the musical landscape of the 1960’s. The new left was supporting white folk, rock and soul music, which carried the demographics of the “hippy” movement and the Americ... ... middle of paper ... .... University of Georgia Press, 1999. 81. Print. Feder, J. Lester. "When Country Went Right." American Prospect 17 Feb 2007: n. pag. Web. 9 Mar 2010. . Grissim, John. Country Music: The White Man's Blues. New York: Coronet, 1970. 9. Print. Johnson, Lyndon. The vantage point: perspectives of the Presidency, 1963-1969. Holt Reinhart and Winston, 1972. 549. Print. Lomax, John. Nashville Music City USA. Random House Value Publishing, 1987. 215. Print. Lund, Jens. Fundamentalism, Racism and Political Reaction in Country Music. 79. Print. Malone, Bill. Country Music, U.S.A.. 2nd. University of Texas Press, 2002. 373. Print. "The Conservative Evolution of Country Music." All Things Considered. National Public Radio (NPR): 18 Feb 2007. Web. 9 Mar 2010. .
Times have changed, and along with the times so has country music. American country music lovers have went from Loretta Lynn and Waylon Jennings, just two of the many classic oldies, to Carrie Underwood and Luke Bryan, two very appealing country music artists. However, it is not only the tune of the music that has changed, it is the image, the appeal, and overall the type of icons the media is portraying these modern music stars as. Icons such as Lynn and Jennings had identifiable features within their music as well as their appearance that spoke sweet southern belle and rugged twang. Whereas Underwood’s and Bryan’s appeal now is much more sexualized than it was during the oldies. These changes affect the way modern day singers are marketed compared to former country music stars, instead of focusing on talent it is now looks.
At the end of the day, racism and prejudice will always exist in some form for whatever reason is most convenient. Additionally, it’s not as if fans of country music are all raging bigots who dream of segregation and a return to slavery-driven southern values. After all, there are plenty of ‘southern pride’ songs that don’t feature race, nativism, and are beloved by most without an ulterior message that is appreciated by Stormfront. After all, Lynyrd Skynyrd’s Sweet Home Alabama features anti-segregation lyrics. Charlie Daniels Band wrote and performed The Devil Went Down to Georgia, lyrically referencing the south as far as Georgia by name alone. Yet both of these are hailed as quintessentially southern pride songs, meaning that southern pride isn’t the same as white pride. The reason the comparison matters, then, is because there is a significant overlap between the two. It is certainly possible to enjoy country music without wishing for a return to Aryan values, and the majority of country music doesn’t advocate it. But enough popular songs feature nativism as a theme to the point that it shouldn’t be ignored. There is a tangible connection between Southern Pride and nativism through music, and a definite connection between nativism and the White Pride movement. Music connects people and spreads ideas; culturally relevant music tends to stay around for a lifetime. Music has power, and the power of hate music is not one that should be
Werner, Craig Hansen. 2006. A change is gonna come: music, race & the soul of America. Ann Arbor: University of Michigan Press.
Country music is one of the most popular genres of music throughout America. There are many influential figures that have changed the way country music sounds, and how people interpret it. Two important people who have made a huge impact on country music overtime are Johnny Cash and Luke Bryan. From their early life, their career, and how society views them, they have opened the minds of people and country musicians all over the country. Johnny Cash’s songs help people to experience his life growing up through the Great Depression and how people lived back then. Through Luke Bryan’s songs people could understand what life was like for Luke growing up in Georgia and all the hardships he faced. Johnny Cash and Luke Bryan are two of the many country singers that have influenced country fans to be more optimistic and hopeful.
Country music, as we know it today, was first called “Hillbilly music”. The name “Country” was not widely used until around the 1950s. The creation of this Hillbilly music, very much like American culture, was influenced from many different cultures and styles of music.
Growing up, my dad controlled the radio almost always, and his choice was the local country station. This lead to hearing my fair share of Kenny Chesney, Keith Urban, and Martina McBride. They often sung about beer, front porches and Jesus, and none of that really resonated with me.I never truly hated the music, it was absolutely inoffensive listening, but very few songs struck a chord with me. That is until I heard the Dixie Chicks. They made beautiful use of harmony, melody, instrumentation, emotion and storytelling that worked together beautifully.
Country music originated in the Appalachian mountains of the Southern United States and has traditional folk roots that date from the early 20th century. The commercial history of country music began in the Southern United States in the 1920’s, during a ‘period of intense modernization’ (Ellison, 1995). It wasn’t until this time that country was considered a viable music genre. It was first identified as ‘hillbilly’ music in 1925 and later became known officially as ‘country’ by its designation on the Billboard Music charts (Shmoop, 2014). Widely considered the ‘Mother Church’ of country, the Grand Ole Opry in Nashville became the home of many emerging and already established artists (Tichi, 1994:21). Coupled with the rise of radio and barn dance programs, country’s popularity increased greatly. Ellison (1995) describes country’s evolution from ‘rustic radio programs’ to a genre with an ‘extensive national network of fans unparalled in other forms of popular music’. During the 1930’s, the Great Depression assisted in the spread of country music throughout the US, with many poor unemployed Southerners migrating north, t...
Roy, W. (2010). Reds, whites, and blues social movements, folk music, and race in the United States. Princeton: Princeton University Press.
After many of World War II’s harmful effects, the 1950s served as a period of time of musical change that reflected the dynamic of society as well as the traditional norms and values. Many factors contributed to this transformation. For example, the civil rights movement heightened many racial tensions, and the music produced consequently manifested this tension in itself. Rock-n-roll and R&B music universalized music typically associated with African-Americans, and many African-American musicians gained fame; however, as with any relatively-widespread success, there were many musicians as well who missed their opportunities due to the same racial segregation. While “radical” genres such as R&B and rock-n-roll laid the foundation for music future forms of music, the standard pop, jazz, and country music adhered to traditional values, and thus continued to maintain popularity amidst phenomena such as the Elvis craze.
According to Albert Murray, the African-American musical tradition is “fundamentally stoical yet affirmative in spirit” (Star 3). Through the medium of the blues, African-Americans expressed a resilience of spirit which refused to be crippled by either poverty or racism. It is through music that the energies and dexterities of black American life are sounded and expressed (39). For the black culture in this country, the music of Basie or Ellington expressed a “wideawake, forward-tending” rhythm that one can not only dance to but live by (Star 39).
Thesis Statement: Originating in the 1920s, country music developed four distinct generations and it reflected American’s lives and values.
Percival Everett’s “The Appropriation of Cultures” (2004), demonstrates the power of a symbol and the meanings that it can carry. In the story, Daniel Barkley is a highly accomplished African American man who graduated from Brown and frequently plays guitar near the campus of The University of South Carolina. From the beginning of the story, Barkley exposes a distinct independent personality that isn’t afraid to break stereotypes or labels. The first scene describes an instance in a bar where white fraternity boys were challenging Barkley to play ‘Dixie’ for them. Instead of refusing, like most would have done, he instead begins to play and take ownership of the song. Later in the story, Barkley decides to purchase a truck with a giant confederate flag decal in the back. Despite the strange stares and confusion
The development of Rock ‘n’ Roll in the late 1940s and early 1950s by young African Americans coincided with a sensitive time in America. Civil rights movements were under way around the country as African Americans struggles to gain equal treatment and the same access to resources as their white neighbors. As courts began to vote in favor of integration, tensions between whites and blacks escalated. As the catchy rhythm of Rock ‘n’ Roll began to cross racial boundaries many whites began to feel threatened by the music, claiming its role in promoting integration. This became especially problematic as their youth became especially drawn to ...
Country music has been around for many decades as well as Christian music. Country and Christian music are both very influential on people everywhere. Country music has great effects on society today. Christian music also has many effects on society today. Christian music and Country music have many similarities. Over time electrical guitars replaced more traditional instruments and country music became more acceptable to a national urban audience. Country music has many great influences on the artists and their fans.
The radio disc jockey leads in with, “And now, here’s a number from the Rolling Stones!” The drums throb, the guitars wail, and Mick Jagger belts out, “It 's only Rock and Roll, but I like it!” America liked it, too. From its roots in black gospel to its modern version, rock music has evolved along with and because of American societal changes. By the late 1940’s and early 1950’s, Americans were enjoying a prosperity that had not been seen since before the Great Depression of the 1930’s. This prosperity, along with other changes, helped to bring about a new American music as well. Since its beginnings in the 1950 's, rock music has been a reflection of and a catalyst for American social change.