Cosmetics: Depicting False Femininity in Vogue

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In today’s contemporary society, magazines, such as Vogue, depict women utilizing cosmetics to enhance their natural features in order to achieve the central goal of attractiveness. This idea of a consumerist society causes women to become objects of desire and victims of suppression, impacting their individual identities. The concept of consumerism allows Vogue to profit materially, targeting certain aspects of culture through three methodological tools of research, such as ethnography, textual, and political/economic analysis. Through the methodological tools of cultural research, I will analytically critique, how, through the use cosmetics in Vogue, the female gender is objectified and leads to profiting political, economic and social systems which distort the cultural identities of women.
In some societies, the identities of women can be shaped by cultural texts which are introduced by social structures, in a way that men dictate the limitation on the range of identities that a woman can hold. In impoverished countries, patriarchal societies believe cosmetics heightens the empowerment of a women over a man’s brain, by casting the spell of her beauty on them. Thus, this causes men to censor women from the practises of beauty, by restricting their connection to the world through the enforcement of fear, allowing men to play the role of the dominating gender in a relationship. Consequently, it can compel women to become cultural objects through the suppression of their identities. However, in the developed countries where women are acknowledged as equals, women cosmetically construct themselves to become culturally accepted as beautiful in their societies. I believe by applying cosmetics to their facial features, women introduc...

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...s looking good, leading them to feel the need to frequently buy make-up. Therefore, political, societal and economic interests promote the ideal beauty of women by marketing celebrities and leading them to shape the lives of women by influencing them to meet social expectations by hiding their natural identities.
Conclusively, I have analyzed how the portrayal of the female gender in certain cultural texts, such as Vogue, negatively impact and enforce unwanted change on femininity. Although cultural texts have negative influence on individuals in society, it tends to benefit the economic systems that are largely supported by political structures. Therefore, representation of women in media is significant in terms of how it infuses meaning into cultural texts and necessarily allows the society to elevate one interpretation of that cultural text over multiple others.

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