In both “The Color Purple”, published in 1982 and set in rural Georgia in the early 1900s and “Oliver Twist”, a contemporary novel set in London and published in 1838, the authors use corrupt representatives of authority to manipulate central protagonists and exemplify their weaknesses. In “The Color Purple”, this villain is Celie's stepfather, Alphonso, who is responsible for her psychological and physical torture and reflects the widespread misogyny of the era. Walker's purpose in setting the novel in the early 1900s is to reflect how society has changed for the better, but also to highlight parallels with modern life. Dickens creates an archetypal villain in Fagin, who constantly undermines Oliver psychologically. Dickens uses Fagin to contribute to his social commentary, a feature of “Oliver Twist” that enables Dickens to communicate strong views on the Victorian problem of exploitation of the vulnerable.
“The Color Purple”, an epistolary novel, is told from the narrative perspective of the central protagonist, Celie, in the form of cathartic letters to God, although the addressee changes to Celie's sister, Nettie, during the novel as Celie's faith in God falters: “what God do for me?”. This reflects the novel's purpose; nobody hears Celie’s voice. Using unheard letters allows Walker to communicate Celie's low status; Celie can only speak out through letters. Nobody else cares because she is a young, black woman and Alphonso is, as far as Celie's community is aware, her father. It can be said that Walker portrays Alphonso as a corrupt figure of authority to a great extent because he infiltrates all aspects of her life. A Marxist view can be applied; Celie's social circumstances determine her life, offering little opportunity...
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...s directly affected by Alphonso's abuse until adulthood, although his control over her can clearly be seen throughout the remainder of the novel. Oliver's opinion of Fagin does not change dramatically, although his final plea for mercy on Fagin can be seen as pitying rather than a reflection of Oliver's apparent idolisation of Fagin, which can be seen as a reversal of authority to an extent. However, it can be said that the characters are subsequently affected by their abuse in completely contrasting ways because Celie’s entire childhood and the majority of her adult life have been controlled by Alphonso’s influence, whereas Oliver is only a child; he has his adult life to compensate for his poor childhood. Generally, both writers successfully depict a strong, corrupt figure of authority relevant to the era in which the novel was written and also to a modern reader.
Alice Walker grew up in rural Georgia in the mid 1900s as the daughter of two poor sharecroppers. Throughout her life, she has been forced to face and overcome arduous lessons of life. Once she managed to transfer the struggles of her life into a book, she instantaneously became a world-renowned author and Pulitzer Prize winner. The Color Purple is a riveting novel about the struggle between redemption and revenge according to Dinitia Smith. The novel takes place rural Georgia, starting in the early 1900s over a period of 30 years. Albert, also known as Mr._____, and his son Harpo must prevail over their evil acts towards other people, especially women. Albert and Harpo wrong many people throughout their lives. To be redeemed, they must first learn to love others, then reflect upon their mistakes, and finally become courageous enough to take responsibility for their actions. In The Color Purple, Alice Walker effectively develops Albert and Harpo through redemption using love, reflection, and responsibility.
Margarida Ndlovu Literature Essay Celie’s Pants In Alice Walker’s The Color Purple the main character Cellie, was initially objectified by her step father Alphonso and her due respect was denied. In the novel the main character Celie turns to God.
In the preface to ‘the Colour Purple’ Walker identifies her religious development as the inspiration for her novel and labels religion and spirituality as the principle themes in the book. There are a number of principle characters who complete this journey however in many instances the religious element of the novel is overshadowed by other prominent themes such as personal development, female relationships and racial issues. These must be taken into consideration when assessing Walker’s success in delivering her theological message to her readers.
Set in the Victorian era, Sense and Sensibility and Oliver Twist, parallel but also contrast in many key elements. In both movies, mannerisms, class distinction, and the child's role in society were reflected by both writers. Through these analysis, I was able to achieve new insight into the conditions of the Victorian era.
The novel ‘Great Expectations’, by Charles Dickens, follows a young, socially inexperienced orphaned boy called Pip, through his journey, emphasizing his inability to adapt to life and relationships around him. His story is told through the eyes of the older Pip and highlights the aspects of society which Dickens disapproves of. His techniques throughout the novel help to give a better understanding of Pip's life. When Pip first encounters the escaped convict in the graveyard, the tense relationship between them is obvious to the reader, but all is revealed in chapter 39, where the readers meet both Pip and the convict again, and witness a role-reversal between them. The weather in the novel is significant; Dickens describes it in such a way that it creates an atmosphere using foreboding ominous imagery. This story of a lonely orphan in a mixed up world provides plenty of opportunities to consider the difficultly of an impoverished childhood in the nineteenth century and how hard it might have been for such a naïve and gullible young boy to survive in this time, especially with such harsh family circumstances. The theme of injustice, which is inherent throughout, explains some of the reasons why he has so many ‘great expectations.’
In The Color Purple by Alice Walker, numerous symbols influence and drive the plot of the novel. One of the most important symbols that Walker incorporates into the plot is the letters written by Celie to either God or Nettie, signifying the power of voice. The epistolary format of the novel itself enables readers to understand Celie, whose letters are initially addressed to God. After being raped by her stepfather at the age of fourteen, he tells her to “never tell anybody but God” (Walker 1); thus, Celie’s original letters are presented more as confessions and prayers. This first letter itself “initiates the story of Celie's unrelenting victimization” (Bloom, and Williams 77-88), and the audience notices that the way in which Celie narrates the events occurring in her life over the course of the next several letters lacks sentiment and opinion....
Use of Language to Portray 19th Century London Society in Oliver Twist by Charles Dickens
Dickens’s foundation for his battle with society began at a very young age. As a child, Dickens became immersed in the harassment that accomp...
Charles Dickens novel, Oliver Twist, centers itself around the life of the young, orphan Oliver, but he is not a deeply developed character. He stays the same throughout the entire novel. He has a desire to be protected, he wants to be in a safe and secure environment, and he shows unconditional love and acceptance to the people around him. These are the only character traits that the reader knows of Oliver. He is an archetype of goodness and innocence. His innocence draws many people close to him. Each character is attracted to his innocence for different reasons, some to destroy it and others to build it. Their relationships with Oliver reveal nothing more about his personality. They reveal more about their own personalities. Therefore, Oliver is used not as the protagonist of the story, but as the anchor for the development of the other characters.
Baga, A. (2010, June). Celie's Emancipation Process in Alice Walker's "The color Purple". Retrieved September 5, 2013, from http://www.umc.edu.dz/theses/anglais/BAG1207.pdf
Sedgewick observes, one’s social position is affected by various axis of classification such as gender, sexuality, race, class and the interplay of these social identities. In The Color Purple by Alice walker, Sedgewick’s observations ring true. Celie, the main character in Walker’s novel, is a perfect example of these observations put forth by Sedgewick. Celie’s social position is indicative of her gender, sexuality, race, and class; as a Black woman living in Georgia in 1910 to 1940, one can expect to witness the general ‘acceptable’ racism present within the novel towards people of color. Despite the ‘acceptable’ racism, the novel accentuates the hardships and struggles the women of color in this novel have to go through. The social positions of the characters, more so Celie and Sofia, in Walker’s The Color Purple are based on the social identities of their gender, race, class, sexuality, and ethnicity.
Throughout The Color Purple, Alice Walker conveys the importance and the power of female friendship in all forms. It shapes and forms the strong bond of female companionship as means of refuge from oppression, male dominance and a world full of violence perpetrated against women which the female protagonists wish to break free from. Walker constantly reminds the reader of the gruelling pursuit of identity that all are in search for, both in Africa and America. For females to gain equal recognition as individuals who deserve fair and just treatment in a patriarchal society where, as Albert states “Men suppose to wear the pants” in society. In conclusion, not only leading Celies personal growth as an independent woman but also to the extraordinary establishment of a female solidarity network within the novel.
The novel The Color Purple by Alice Walker is the story of a poor, young black girl, growing up in rural Georgia in the early twentieth century. The novel follows the protagonist, Celie, as she experiences such hardships as racism and abuse, all the while attempting to discover her own sense of self-worth. Celie expresses herself through a series of private letters that are initially addressed to God, then later to her sister Nettie. As Celie develops from an adolescent into an adult, her letters possess m...
The Color Purple follows Celie's transformation from an ugly duckling into a beautiful swan. What is remarkable is the fact that this transformation does not merely compose the plot of the novel, it also dominates the layout of the pages. The book's chapters are not written in a typical fashion as each chapter is a letter written from Celie to God, Celie to her sister Nettie, or Nellie to Celie. Alice Walker utilized this method of storytelling to give the reader a very personal glimpse into Celie's mind and soul. The writer gets a feel for Celie through her writing style- she uses specific phrasing to express herself and, over time, her mechanical writing skills improve greatly. We see Celie's thought process as she makes decisions and then writes about them. This powerful narration is the main driving force behind the words.
Charles Dickens shows notable amounts of originality and morality in his novels, making him one of the most renowned novelists of the Victorian Era and immortalizing him through his great novels and short stories. One of the reasons his work has been so popular is because his novels reflect the issues of the Victorian era, such as the great indifference of many Victorians to the plight of the poor. The reformation of the Poor Law 1834 brings even more unavoidable problems to the poor. The Poor Law of 1834 allows the poor to receive public assistance only through established workhouses, causing those in debt to be sent to prison. Unable to pay debts, new levels of poverty are created. Because of personal childhood experiences with debt, poverty, and child labor, Dickens recognizes these issues with a sympathetic yet critical eye. Dickens notices that England's politicians and people of the upper class try to solve the growing problem of poverty through the Poor Laws and what they presume to be charitable causes, but Dickens knows that these things will not be successful; in fact they are often inhumane. Dickens' view of poverty and the abuse of the poor