Cormac McCarthy’s lack of punctuation and use of archaic vocabulary throughout The Road allows McCarthy to mirror the bare, extinct environment of the post-apocalyptic world, while also conveying the sheer simplicity of humanity through a story-like narrative. Living in a post-apocalyptic world, it is clear throughout The Road that the sole purpose of the man and the boy is to survive. In this new world built on survival, the general concept of humanity is absent and irrelevant, relating to the simple syntax structure and lack sophisticated punctuation. The act of McCarthy leaving out apostrophes, commas, and quotation marks that modern day society views as crucial suggests the ultimate desolation of the environment and the unimportant nature
It has been three years since humanity was still alive. The year is 2020; very few people are left in America. A great series of large volcanic eruptions covered the region. No one could have prepared for them, and not one person predicted these tragedies. The author, Cormac McCarthy, shows the enticing travel of a father and his son. They must travel south for warmth, fight the starvation they are facing, and never let their guard down. They will never know what insane people might be lurking around the corner.
McCarthy’s novel is not about a boy trying to find his place in society, but about a boy trying to find himself and who he really is apart from society. John Grady begins the story with no answers, and at the end he still doesn’t have a clue. There is no resolution for him; there are only more questions, conflicts, and misunderstandings. I think that McCarthy’s point is that to live romantically is to live without cause, without real hope, and ultimately without love. Despite the author’s obvious compassion for John Grady and his idealism, he shows us through romantically descriptive writing that a romantic lifestyle cannot work in this world. The book ends with John Grady riding out into the sunset, having learned nothing, with no place to go. Until the character learns how to compromise with society and give up his romanticism, his life will have no purpose.
Often, we find ourselves facing dramatic events in our lives that force us to re-evaluate and redefine ourselves. Such extraordinary circumstances try to crush the heart of the human nature in us. It is at that time, like a carbon under pressure, the humanity in us either shatters apart exposing our primal nature, or transforms into a strong, crystal-clear brilliant of compassion and self sacrifice. The books Night written by Elie Wiesel and Hiroshima written by John Hersey illustrate how the usual lifestyle might un-expectantly change, and how these changes could affect the human within us. Both books display how lives of civilians were interrupted by the World War II, what devastations these people had to undergo, and how the horrific circumstances of war were sometimes able to bring out the best in ordinary people.
The most important part in writing a novel is to enable the audience to understand what is being communicated. Krakauer did so by clearly communicating his message to his audience. He wanted to share the story of McCandless, a young man who dreamt of conquering the wilderness alone. This conquest ultimately ended in failure and cast a feeling of sorrow upon his family and friends. With the exception of a slight difficulty to understand the story during certain chapters, Krakauer’s novel was full of thrill of emotion and life-lessons.
Filled with a plethora of themes and convictions, Cormac McCarthy’s No Country for Old Men excels in its endeavor to maintain the reader’s mind racing from cover to cover. The setting is the Texas-Mexico boarder; the story embodying a modernized western-themed Greek tragedy filled with drug runners and automatic weapons. Llewelyn Moss, a Vietnam veteran, finds himself on the run from forces that seem to be an instrument of karmic consequence. While on the run, Llewelyn is given the opportunity to end the madness that has arisen so immediately in his life. But he doesn’t. Instead he braves on, defying his own advice, and persistent on luck, only leaving him a misfortunate ending. To fully recognize the circumstance the novel surrounds itself in the reader must digress into the thoughts of the town’s Sheriff, an old vet just like Llewelyn, named Ed Tom Bell. From there and with a deep analysis of Llewelyn Moss, McCarthy succors light to why such an assessment was made amongst the lawless violence that has entered this town.
... of great change in America, an upheaval, a time when the once silent voices of the mainstream of society rose up and made themselves be heard. For better or worse it was a time that changed us all forever. In doing this essay I became truly aware of who those first bold few were as writers, pots and visionaries. During my research of the writers and poets Jack Kerouac has intrigued me the most from his first publication in 1950 of “The Town and The City”, to the disappointing seven years of rejection to having his most notable work “On The Road” published in 1957, to the tale of his downward spiral out of control “Big Sur” which may have been his best work before his death in 1969.
Authors of short stories, like Carter, have the freedom to write as much or as little as they want, in any manner they please. The genre of short stories is so vast and diverse that authors are allowed to write in different styles, lengths, and descriptiveness. However, the general public has specific expectations of films that producers, directors, writers, and actors must fulfill in order to create a successful film. In order for the audience to enjoy the film, Dan Rush couldn’t limit it to the ideas presented in Carver’s short story, he had to expand the details of the plot and provide more information to the audience. By providing more information and detail, this makes the film a more enjoyable and immersing experience for the audience.
Last but not least, O’Connor confirms that even a short story is a multi-layer compound that on the surface may deter even the most enthusiastic reader, but when handled with more care, it conveys universal truths by means of straightforward or violent situations. She herself wished her message to appeal to the readers who, if careful enough, “(…)will come to see it as something more than an account of a family murdered on the way to Florida.”
While writing, authors use a variety of literary devices to allow the reader to comprehend the main idea that needs to be taken from the story. Included in these literary devices is diction, and diction is crucial in the author’s development of the tone and theme that is produced. Without precise word choice, the reader would not know what kind of emotions to feel or what kind of ideas to think about the piece of writing. In the futuristically set short story, television runs everybody’s lives, and nobody can be who they are anymore due to their sitting in front of a television screen. The use of Bradbury’s selective wording throughout his story leads the reader to step into an eerie, yet strangely familiar setting. In the short story, “The Pedestrian”, Ray Bradbury uses diction to emphasize the morbid tone displayed throughout the story line and to emphasize the overall theme that technology can replace individualism.
The author skillfully uses literary techniques to convey his purpose of giving life to a man on an extraordinary path that led to his eventual demise and truthfully telling the somber story of Christopher McCandless. Krakauer enhances the story by using irony to establish Chris’s unique personality. The author also uses Characterization the give details about Chris’s lifestyle and his choices that affect his journey. Another literary element Krakauer uses is theme. The many themes in the story attract a diverse audience. Krakauer’s telling is world famous for being the truest, and most heart-felt account of Christopher McCandless’s life. The use of literary techniques including irony, characterization and theme help convey the authors purpose and enhance Into The Wild.
People always like to refer to themselves as “independent”. Independence may seem like a great ideal in modern society, but in a post-apocalyptic world, a sense of dependence is unavoidable. Maslow’s Hierarchy of needs help us to understand what people depend on. In Cormac McCarthy’s The Road, survival of the boy and the man is due to their dependence on their human nature and ability to support one another.
McCarthy’s novel clarifies the affects isolation made for the traveler’s in the story. In particular to the son, isolation affected him in a more discrete way than the father. Everything he sees and experiences goes into great affect in what makes
Tobias Wolff’s “Hunters in the Snow” and William Faulkner’s “A Rose for Emily” have related elements, but also divergent styles. The two stories expose that their characters were desperately looking and needed a change in their lives; either a change to help get over the limitation of the character’s freedom or a change in domination. The way Wolf and Faulkner wrote their stories caught many different types of audience by how similar and different their stories share, even though the stories were written in different time periods.
Baker, C. Crawford, P. Brown, B. J. Lipsedge, M. and Carter, R. Madness in Post-1945 British and American Fiction (Basingstoke : Palgrave Macmillan 2010)
This short story takes place in a post-apocalyptic world. It is unclear to the readers how the world got to be this way. This story takes place four years after all this chaos began. The narrator does an excellent job setting the scene throughout the story using lots of details. It is revealed throughout the story that it takes place during