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Compare the road by cormac mccarthy to
Violence in mid 20th century literature
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My presentation will be about the depiction and meaning of violence and human nature, in C.M.’s novels.
The human mind harbors a very rich imagination when it comes to the envisioning of our demise, demonstrating the individual’s appeal towards this notion, because we love to play with the idea of an impending apocalypse and what comes after it.
The world Cormac McCarthy wrote about is certainly the grimmest and most decayed place a person may live in, because of the absence of law managements and higher authorities which should guide or oppress the population, and the freedom humanity has at its hands. McCarthy wants to point out the reality that humans should be allowed to exercise their free will, but must not exaggerate, and develops circumstances which display the extent to which people are willing to abuse their independence and unleash their dark side. because the majority of the inhabitants of this planet are willing to resort to other means of survival, which are selfish and immoral, if not for the existence of legislation and order.
Cormac McCarthy’s post-apocalyptic no...
This story contains an almost equal balance of good and evil, though it also raises questions of what is truly good. It blurs the line between good and selfish or thoughtless. Characters’ actions sometimes appear impure, but in the long run, are good.
Throughout Cormac McCarthy’s essay “The Kekulé Problem” he uses numerous different rhetorical elements. Some of these elements are more crucial to the understanding and appreciation of this piece than others. Three elements, in particular, stand out as more important than all the rest, and these are his introduction, his use of the three appeals, and his diction.
...ld such dangers have any significance to life? Jim Carroll tells the real story of his fear of the end and the mixed feelings of what matters, what doesn't. His fear is accompanied by confusion of how to live, today, with the possibility of being killed tomorrow.
Even by looking forward to the anticipation of the future and the novelty of the present, there is the risk of being lost in the familiar past, a concept that “No Simple Thing” employs. This can be explained by a simple evolutionary trait. As a species, humans have the tendency to plan in preparation for future possibilities. It is necessary to analyze and interpret the past for the future. This, however, can be a slippery slope of delving too deep and centralizing energy for what cannot be changed, as seen in
By focusing on macro-level regenerative violence, McCarthy embraces Paul Valery’s thesis. This theory of the Assumed Infinity can be conceptualized through the concept of the trend versus momentary fluctuations, and the importance of each] in its own right. Specific moments in life are where there are bursts of adrenaline, feelings of emotion, etc, and are short and are encapsulated in a moment. Trends ignore all of the miniscule bumps along the road, no matter their importance, and rather focus on the form and the end goal of the pattern. Paul Valery states that in compliance with this theory and in thriving for unattainable perfection, he “fashioned for myself a poetry void of hope, a poetry that had no other purpose and almost no other law than to establish for me a way of living with myself, for a part of my days. I set no term to it, and I imposed conditions enough to provide matter for labor without end.” In Valery’s mind, the path towards perfection began with no hope and focused on the bare minimum of laws. Essentially, a destruction of all the unnecessary parts of the world, and focusing only on the bare necessities. This poetry which Valery describes is the beginning of his work, which he describes as “matter for labor without end.” The concept of working with no end is an embrace of the concept of
Power and control are universal themes in literature. Steven Spielberg in Minority Report and Tom Rob Smith in Child 44 explore a different interpretation of these themes to attempt to explain their role in society. The authors display this by contrasting societies; one set in 2054 while the other in 1953. Free will and Fear; are the two key ideas which are expressed through the texts. Spielberg sets Minority Report in a dystopian universe, where freewill is at a minimum and control over society is at an all time high, while Tom Rob Smith uses the Soviet Union, another dystopian society to investigate the relationship between fear and it’s use to gain power and control.
The connection that McCarthy made between the book and the events in the world, or society of today, are that of close resemblance of what humanity really is. The real side of human thought and action when pushed and developed in an unforgiving environment. Each concept reviles the connection of what people in the story and people in our own world are really about. That in reality, there are people that are just pure evil, and humanity has a dark side to it. When shaped and forged in the hardships which the kid and many other people in the story are dealt with they become that very same evil that in today’s world people face.
Priola, Marty. "The Textual McCarthy I: 'Christian' readings of the novels." The Cormac McCarthy Home Pages. Accessed: July 27, 2003. http://www.cormacmccarthy.com/archives/textual.htm. (Note: Link no longer valid as of January 06, 2004.)
The author remarks that the violence in the early works of McCarthy is random and most likely going to happen again. This is contrasted with the violence of the Trilogy, which represents a thematic element in the story and is high point of tension.
McCarthy’s setting never varies throughout his entire novel. Every scene is dark, the landscape is always forlorn and destroyed, the endless journey seems to be hopeless, “nights beyond dark beyond darkness and the days more gray each one than what had gone before” (3). The author creates a post-apocalyptic world deprived of life, joy and hope.
We also see represntatino of violence within Marguertie Feitlowitz book, A Lexicon of Terror, although different than “The Offical Story,” in regards to how violence is presneted to the reader. Rather then having settle hints to the viewer and or the reader; violence is laid out through personal accounts of indvidudals who face such socital traumas. Within Feitlowitz book, she teels the story of a young women named Susan who on a normal day while riding the bus in broad daylight was abducted, Feitlowitz states: “ “Por el pelo, no” a women pleaded softly as Susana was dragged passed her, “not by the hair.” … What Susana members clearly is the silence: except for the women, no one said a word “ (173). It later states that Susana was being “stripped,
In The Road by Cormac McCarthy, a man and the boy live in a post-apocalyptic world in which fire has destroyed much of the landscape leaving forests and cities in ash and ruins. They spend a majority of their days trekking a southbound road, and throughout their journey on the road, they are unremittingly challenged by their environment. The threat of cannibals capturing them, the possibility of hypothermia, and imminent starvation are constant terrors. Each trial they face is met with the man’s constant attempts to encourage the boy. Due to the troubles they face and the security they lack, it is difficult for the man to keep the faith to continue on their journey. Because of the many mentions in the novel, the man and boy’s recognition of an omniscient being is proof they rely on a god to be their motivation and the man’s hope for the future is fueled by a higher power acting as their guiding light.
The first page of the book the road written by Cormac McCarthy used many narrative techniques. McCarthy wrote the novel in 3 rd person making it less bias, but more mysterious as nothing is revealed in the description of the 2 characters mentioned. The sentence structure is long and describing the location with no dialogue shown. The location was described, but no specifics, no names of the location all that was known is it is in the woods. Two characters are introduced, but not described one presumably a male adult and another a child. This technique McCarthy uses keeps the audience in extreme suspense as no information has been revealed and encourages the reader to keep reading if they want to know more.
In Joyce Carol Oates’s short story, “Heat”, the author is showing the reality of violence through the time period of the story. The story is two girls, Rhea and Rhoda, who torment the other children in their county in various ways and eventually end up getting hurt. I will look at the theme of power, the theme of revenge, and the theme of fate to prove that the author is showing the reality of violence.
Complete free exercise of will inhibits individual and societal freedom. According to Mill, one may act as one chooses unless one is inflicting harm onto others. He argues that one is free to behave “according to his own inclination and judgment in things which concern himself” as long as “he refrains from molesting” (64). The problem arises in the freedom allowed to the individual performing the potentially dangerous act. People are often blinded by the situation in which they are in and by their personal motives which drive them to act. Humans, by nature, have faults and vices that are potentially harmful. It is the responsibility of society to anticipate harm, whether to oneself or to others. Once dangerous patterns and habits are recognized it is imperative to anticipate and prevent injury from reoccurring. To allow any individual to be inflicted harm forces citizens to lose tr...