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Literature has always attempted to explore the human psyche. Romantic works examine the emotion behind attraction and betrayal, love and desire. Fantasy novels take the reader to an imaginary world, filled with wonders. Gothic literature intertwines romance and horror, and often features the supernatural. Southern Gothic writing explores the gothic within the more realistic bounds of southern culture while revealing the grotesque––the base and broken nature of the human soul and how society is easily susceptible to ruin, both spiritually and physically. As today’s most important Southern Gothic writer, Cormac McCarthy crafts works and themes which delve into the nature of humanity, explore the depravity, futility, and, ultimately, reveal the hope that exists inside each individual.
A common sight within McCarthy’s novels is a human committing some sort of violent or depraved act against another human being. Lester Ballard in Child of God acts in a manner that society looks down upon, such as murdering a couple, but, according to Rosemary Reisman, McCarthy makes Ballard’s actions seem a part of human nature (3). It is not only in Child of God where McCarthy’s dark take on the nature of humanity is revealed. Outer Dark features many characters that display primitive, inhuman emotions. Within the book, the tinker character is a symbolic representation of evil according to Edwin Arnold. The tinker’s actions, lack of humanity, and swindling ways all cause pain and death around him (3). As all of this sin is being committed, retribution comes down to enact punishment. The trio of killers in Outer Dark is the physical representation of Culla’s sins toward himself and his sister, with whom he had an incestuous relationship and ends up des...
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...cCarthy." The Hollis Critic. Vol. 18. Detroit: n.p., n.d. N. pag. Rpt. in Contemporary Literary Criticism. Ed. Jeffrey W. Hunter. Vol. 57. N.p.: Cengage Learning, 2011. 332-37. Print.
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McCarthy, Cormac. Child of God. New York: Vintage Books, 1973. Print.
---. Outer Dark. New York: Vintage Books, 1968. Print
---. The Road. New York: Vintage Book, 2006. Print
Reisman, Rosemary M. Canfield. “Child of God.” Masterplots. Fourth Edition. 2010. 1-3. Literary Reference Center. Web. 25 Nov. 2013.
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...n & Co., Inc., 1962); excerpted and reprinted in Contemporary Literary Criticism, Vol. 3, ed. Carolyn Riley (Detroit: Gale Research Inc., 1975), p. 526.
215-225. Rpt. in Contemporary Literary Criticism Select. Detroit: Gale, 2008. Literature Resource Center. Web. 30 Mar. 2014.
Imagine a world where everything is black and covered in layers of ash, where dead bodies are scattered throughout the streets and food is scarce. When earth, once green and alive, turns dark and deadly. A story about a man, his son and their will to survive. Within the novel Cormac McCarthy shows how people turn to animalistic and hasty characteristics during a post-apocalyptic time. Their need to survive tops all other circumstances, no matter the consequences. The hardships they face will forever be imprinted in their mind. In the novel, The Road, author Cormac McCarthy utilizes morbid diction and visual imagery to portray a desperate tone when discussing the loss of humanity, proving that desperate times can lead a person to act in careless ways.
... Is the Night." Modern Fiction Studies 4.2 (Summer 1958): 136-142. Rpt. in Novels for Students. Ed.
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Meyer, Michael. The Bedford Introduction to Literature. Ed. 8th ed. Boston: Bedford/St. Martin's, 2008. 2189.
Harmon, William, and C. Hugh Holman. Handbook to Literature. Upper Saddle River, N.J.: Prentice Hall, 1986.
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Hunt, Jonathan. "In Darkness." The Horn Book Magazine Mar.-Apr. 2012: 111+. Academic OneFile. Web. 29 Apr. 2014
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