Control in Crews's Body and Cheever's Five-Forty-Eight
Harry Crews's Body and John Cheever's "Five-Forty-Eight" offer characters whose lives lack control. Although Crews's Bateman is a perfecting, attractive, and popular body builder, his life does not satisfy him. However, from the outside Bateman appears happy and content. On the other hand, Cheever's Ms. Dent is skinny, shy, emotional, and disheveld. Her description reflects the unsteadiness and the insecurity in her life. Although Bateman's personality contrast with Ms. Dent's, they have a similar need for control. Bateman and Ms. Dent search for control in the form of love objects. Bateman finds Earline Turnipseed an obese, virginal, simple and complacent "redneck." Ms. Dent finds Blake an unpopular, self-centered, abusive, and chauvinistic womanizer. Both character finds control; however, only Bateman does so through his love object.
Bill Bateman and Ms. Dent feel a lack of control and completion evident in their illnesses. Bateman suffers form bulimia: "[he] could not hold to the rigid diet of a champion, never had been able to, but he was a secret and accomplished puker"(105). His rigid diet does not contribute to his bulimia; rather, his intense obsession with control leads to his sickness. Displaying his own neurosis, Bateman uncontrollably fears failure. By punishing his body through weight lifting, bingeing, and purging he artificially feels successful and in control. Although Ms. Dent does not directly define his illness, she too suffers from a neurosis, plus clinical depression. Struggling with her illness, Ms. Dent "had been in the hospital for eight months"(81). While her obsession with Blake, her paranoia, her stalking, her uncontrollable emot...
... middle of paper ...
...on in Earline's far from perfect body. Perhaps now that his life satisfies, he will not feel so out of control, thus eliminating his need to binge and purge. Blake does in fact help Ms. Dent take control of her life, just not as she intended. Instead of gaining control through his life, she achieves control by tearing his life down. Ms. Dent tells Blake, "Oh, I'm better than you, I'm better than you, and I shouldn't waste my time or spoil my life like this. Put your face in the dirt"(89)! She finally realizes her own self-worth, and by literally lowering Blake beneath her in the dirt she cures herself. She realizes she may not have friends, family, love, and money, but she has dreams ;therefore, a reason to live. Through their love objects, whether a correct match or not, Bateman and Ms. Dent overcome the obstacles that are impeding their happiness.
...vel FAHRENHEIT 451, the main character is influenced by many different sources. Bradbury writes of a fire fighter that has realized that the society he lives in isn’t right and makes the protagonist want to make a change. Guy Montag is influenced by a teenage girl that makes him realize the beauty’s of the world. Guy is also influenced by a fire that burns a woman alive. Montag steals a book from that fire and that is the beginning of when he begins his mission to find out why his society has become the way it is, and his greater mission of changing society so that everyone in it can think for themselves. Captain Beatty is one of the greatest influences in Guy’s life because of his knowledge, the information of Clarisse’s death and when guy is forced to murder the fire captain. Making Montag’s greatest influences, Clarisse, the fire on Elm Street and Captain Beatty.
John Cheever does not merely state the theme of his story, he expresses his theme, as a good writer should, in a variety of metaphors and analogies coupled with powerful imagery. In The Swimmer, Cheever writes and underscores his primary theme of alcoholism in many ways, such as his use of autumnal imagery and the color green. However, there is also some very prominent symbolism and allusions that serve to highlight the theme while also augmenting the artistic and poetic nature of the story. One very important use of symbolism is in the “perverted sacraments” as originally pointed out by Hal Blythe in 1984. Along side these symbols, Hal Blythe, along with Charlie Sweet, later discovered a clear allusion to Ponce de Leòn in 1989.
On the way to New York, Harry tells Sally some things about men she doesn't know and is reluctant to believe. One thing he tells her is "men and women can't be friends because sex gets in the way." This only increases the tension between them. By the time they reach New York, Sally doesn't appear too happy with him. She seems angry with him, but anger is sometimes used to cover other feeling. This is also a classic feeling in the genre.
...ed for the worse, eventually leading up to Janie killing Tea Cake in self-defense. Janie experienced true grief and guilt for Tea Cake’s death, unlike the forced grief she showed everyone in Eatonville when Jody died. This grief, along with the disloyalty of her former friends during trial, makes Janie realize that she can survive on her own; Tea Cake’s death completes Janie’s journey to self-discovery.
... immensity of its horror finally makes him drop the pretense of knowing detachment he has held for so long. As he drunkenly sobs, “What’s funny? What’s so goddamned funny? I don’t get it” (Ch. 2, 23) his lurking humanity becomes evident. The subtly of interplay between The Comedian’s persona, his humanity, and even his hypocrisy strongly support his status as a living person alongside Dr. Manhattan.
Bateman is not just a nihilistic killer devoid of feelings or emotions. There is something inside of him that yearns for something more than what is just on the surface. Admittedly, this wanting is severely misplaced through murder, rape, and torture. By creating a character like Jean, however, the author is able to show Bateman’s caring, sincere reactions to her–something the film does not quite convey. American Psycho is not just a satirical take on a superficial Wall Street society, but it is also a tragedy. Recreating the dinner scene with Jean shows that underneath the surface Patrick Bateman is, indeed, a human being with real feelings and emotions. Therein lies the great tragedy that this superficial society has turned him into a monster.
In the short story The Swimmer by John Cheever, one of the dominant themes is the passage of time. In this short story time seems to pass as reality does with us unaware of its passing. The main character is the protagonist hero, Neddy Merrill who embarks on a traditional theme of a homeward journey. The scene opens on a warm mid-summer day at an ongoing pool party with Neddy and his wife Lucinda. The pool is “fed by an artesian well with a high iron content, was a pale shade of green.
There exists a group of people who live the final years of their lives in glass boxes. They are perfectly capable of seeing outside, but incapable of reaching out to the world around them. Their emotions can not be shown through facial expression, and as their condition continues, speech also becomes difficult or even impossible. These people are men and women of all races and geographical areas, constituting one percent of the world’s population over 50 years old. Parkinson disease is their affliction. Although Parkinsonism has been around almost as long as recorded history, there is yet to be found a cause or a cure. Medications tame the symptoms and prolong life, but are incapable of reversing the disease progression.. Diagnosis relies exclusively upon clinical signs and symptoms, because almost all laboratory and radiography tests are normal in the Parkinson patient. For this reason early diagnosis is very difficult. The fact that early signs of Parkinsonism can easily be overlooked as normal aging, further complicates diagnosis. Therefore, primary care physicians of the middle-aged and elderly population must be extremely sensitive to patients’ outward appearance and changes in movement ability.
The movie begins with Bateman who is the narrator of the movie explaining his daily routines, which are textbook activities of a high society individual they consist of working, hanging with friends and having a drink on a Friday night. One of Bateman’s associates flaunted their business cards to show his vanity and this is what set Patrick Bateman off.
In the book, “The Catcher in The Rye” by J.D. Salinger, the main character is very strange in numerous ways. His name is Holden Caulfield and boy has he got something wrong with him. He rambles on and on about nonsense for the first 20-something chapters of the book. He only likes 3-4 people in the book. He smokes and drinks heavily at the ripe age of seventeen. He has been expelled out of numerous prep schools, and feels abandoned and not wanted. He has some sort of mental illness and I think I know what it is. I believe that Holden Caulfield has a mental illness known as Borderline Personality Disorder, also known as BPD. The reasoning for my thinking is that Holden’s actions match up with the symptoms of this illness and the isolation he
President Barack Obama has said, “Too many Americans who struggle with mental health illnesses are still suffering in silence, rather than seeking help”. While many mental disorders can easily be treated, they are extremely taxing on the victim and are challenging to diagnose. In final analysis, Holden Caulfield suffers from post-traumatic stress disorder, bipolar disorder (manic depression) and psychosis. From a psychiatric point of view, there is hope for Holden in the future, but only if he is genuinely avid in getting back to a state of normalcy.
Of all literary works regarding dystopian societies, Ray Bradbury’s Fahrenheit 451 is perhaps one of the most bluntly shocking, insightful, and relatable of them. Set in a United States of the future, this novel contains a government that has banned books and a society that constantly watches television. However, Guy Montag, a fireman (one who burns books as opposed to actually putting out fires) discovers books and a spark of desire for knowledge is ignited within him. Unfortunately his boss, the belligerent Captain Beatty, catches on to his newfound thirst for literature. A man of great duplicity, Beatty sets up Montag to ultimately have his home destroyed and to be expulsed from the city. On the other hand, Beatty is a much rounder character than initially apparent. Beatty himself was once an ardent reader, and he even uses literature to his advantage against Montag. Moreover, Beatty is a critical character in Fahrenheit 451 because of his morbid cruelty, obscene hypocrisy, and overall regret for his life.
In John Cheever’s, “The Swimmer”, on a hot summer Sunday ,while sitting by the pool with his wife and neighbors, as they all complained about their hangovers, a man of higher status named Needy Merrill decides to get home by swimming through the pools in his county. When Needy first starts off his journey he feels young and enthusiastic; he is then greeted in a joyous manner by his neighborhood friends. Apparently, Needy is a well-known and respected man. As his journey progresses he starts seeing red and orange leaves; he then realizes that it was fall. In the middle of his journey he starts to endure some turmoil, but he does not let that stop his journey. As his journey ends, Needy starts to come encounter with some people who constantly mention his misfortune and struggle with his family. Needy does not remember any of the turmoil that had been going on in his life, and starts to wonder if his memory is failing him. Towards the end, many of the people that came encounter with treated him rudely. Needy realizes that something must have went wrong in his life. When Needy arrives home, he sees that his house is empty and that his family is gone. In “The Swimmer “, John Cheever uses setting to symbolize the meaning of the story.
The major reason for the Babadook’s appearance in the film is the death of Amelia’s husband on the day of Sam’s birth, which has haunted her since the day it happened. Had the antagonist of the film been a male, it is likely that the character’s mental illness would be portrayed much differently, and the viewer would identify with the victims rather than with the antagonist. Even today, it is likely that a man with mental illness in a horror film would be portrayed as a violent killer. Although not necessarily considered a horror film, American Psycho provides an example in its main character, Patrick Bateman. Patrick Bateman portrayed by Christian Bale in the 2000 film, could be diagnosed with any number of mental illnesses, like antisocial personality disorder or borderline personality disorder. Of course, throughout the film, Bateman is a violent serial killer who derives pleasure from his kills. More often than not, women in modern horror cannot be like Patrick Bateman, but rather they are the victims or in the case of the Babadook, a grieving mother who cannot control her emotions. In the case of Patrick Bateman, we identify with his innocent victims. As both the victim and the antagonist, the viewer identifies with Amelia for most of the film, After, the viewer is again able to identify with Amelia as the “final girl” as she becomes a “badass” and is
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.