It is challenging to decide which is of greater importance when finding art pieces or artifacts for a museum: the historical import or the profit margin. For some, cost-effectiveness or revenue produced in future by marketing replicas will be a priority, but for others historical importance and representativeness of the real historical article will be more important. The discernment between buying the work of a young artist with great promise at the expense of a classic art piece being put away or sold, in reference to which decision would be more worthwhile for future generations, is extremely difficult. There are many different priorities, but they should be historical significance, historical representativeness, common sense and, finally, the marketability of the product.
If the marketability of a product is high, there is a chance that the historical value and artistic value were not in the first place. The historical value is often placed on the uniqueness of an object, the rarer it is, the more expensive it is, and the more willing historians will be to protect it. For example, if there were 52,000 soldier uniforms left over from World War 2, but only 10 left from World War 1, the significance in a museum would be placed on protecting the few left from World War 1. Theobald in [Source D] states, “If the shop’s only reason for being is money, then the museum is operating a gift shop.” From previous experience, “trinkets” or “treasures” oft found in gift shops have little or no historical or artistic value. The cause of this lack of value and uniqueness is because of easy replication of the item, which is often mass-produced like the souvenir artifacts mentioned in [Source D]. If there are to be 5,000 replicas of Van...
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...ious, inestimable magnum opus of Pablo Picasso’s or another impressionists’ artwork for a kindergartener’s doodles, even though the works may sometimes look similar or the child may show ‘promise’. It is an opinion that one should wait to buy artwork from an artist to display in a gallery until they are reasonably well known. This ensures some success with the display for the museum, and an escape from relative obscurity for the artist.
The most important considerations of a museum curator or private collector should be firstly the historical import of an artifact or art piece, then on the authenticity portrayed in the display (if in a museum), and finally, using common sense about both the items chosen for the exhibit and the marketing of souvenirs. Museums and art galleries should be about history and art, not capitalism and only the rosy points of history.
New York City is known for its extensive collection of art museums ranging from the Metropolitan Museum of Art which is usually the most renowned to others such as the the Solomon R. Guggenheim or the Whitney Museum of American Art which are popular in their own rights. This abundance of art museums makes the city very attractive for foreign visitors. However, this abundance of choice can overwhelm even the most informed visitors who have a finite amount of time to explore what the city has to offer. Although all of the above mentioned museums have great collections of their own, the often unheralded Frick Collections might trump them all in terms of exceptional works which include some of the world's most celebrated Western artists, such as Goya, Manet, Monet, Rembrandt, and Renoir.
People go to see artifacts in museums for experience. What could be a better experience than going to the place they are from? Yes, the trip could cost a little more, but you cannot replicate the historical value an object holds in its origin country. The price is nothing compared to the true understanding of the history we gain from going out and visiting the place they should be. The place they should be is their home, where they were found and formed, their origin country.
In Stephen Weil’s essay, he argues “the museum’s role has transformed from one of mastery to one of service” (Weil, 196). According to him, museums have changed their mission from one that cultures the public to one that serves
With works in every known medium, from every part of the world, throughout all points in history, exploring the vast collection of the Museum of Modern Art was an overwhelming experience. The objects in the Department of European Sculpture and Decorative Arts are an important historical collection, reflecting the development of a number of art forms in Western Europe. The department's holdings covered sculpture in many sizes, woodwork and furniture, ceramics and glass, jewelry, and tapestries. The gallery attracted my appreciation of the realistic qualities of the human body often portrayed in sculpture.
Duncan’s (1991) analysis of western museums is defined through the theme of “durable objects” as a criterion to judge the heritage of American and European art as a ritual of the modern state. In this manner western art museums are built like “temples” as a symbolic and figurative representation of greatness of western culture throughout the world: “[They] are more like the traditional ceremonial monuments that museum buildings often emulate—classical temples” (Duncan 90). This interpretation of American/European museums defines a dominant source of cultural heritage that ritualizes
...an picking the artifacts. Although I did learn about William Morris and his designs in my history classes I learnt about the concept behind his design decisions and in depth analysis of Morris’s evolution as a designer only when I started working on this exhibit. It is imperative that you do research before arriving on any decision in regard to putting up any exhibit. Furthermore after analyzing the different options, it is imperative that you have facts to back up your decisions of the artifacts chosen. Every artifact that you pick for your case should have direct relation to your concept and it should be consistent among all artifacts. Overall a lot of thought should be put into the exhibit and the concept must reflect the ideas distinctly.
In modern market, there are not much commodities could worth more than art masterpieces, millions and millions of dollars flows in the art buying and selling market everyday. If the artist name is right, works can fetch sums that truly blow our mind. To figure out this strange and scandalous affair between art and money, we have to date back at least 600 years. There was a far more shocking collision between market forces and masterpieces in the Renaissance Florence. Almost all of the most splendid and exquisite art were created in the service of the rich and ruthless Medici family. There is no denies that the Medici had turned Florence in to one of the most beautiful cities in the world with their money. The Medici could be regarded as the very first collectors of great modern art, with their complicated emotions involved, such as their guilt, ambition of authority, and sexual lust. In the end, the Medici did not just collect paintings and sculptures; they had changed the very nature of art itself and even unleashed a monster that they could not control. In terms of religion, politics and persona, European art had changed their form and purpose over the influence of the Medici family.
A kouros purchased by the J. Paul Getty museum brings about skepticism of its legitimacy. According to Dr. Richard Serros the legitimacy of ancient works of art is often overlooked, as explained in the chapter titled, “Art and the Truth: The Getty Kouros and Provenance”. This is a notion worth noting as many priceless pieces of art may be seen as legitimate by several museums when in fact they are forgeries. These forgeries lack a true origin and may prove that many museums are indifferent as to where or from whom they receive ancient works of art.
People without knowing these books and paintings are really valuable, they have been keeping them knowing they were passed down generation. Other have just gotten rid of them by selling them and they are looking for others to collect them all once again. FBI's are doing what they can to help locate these valuable works of art, and they have put a reward to the ones who know or have these pieces. Researches
On our trip to Washington D.C. in eighth grade, we were able to visit several of the Smithsonian museums where we saw artifacts from cultures all around the world. These artifacts, like many others, came with the controversial question, should artifacts be returned to their cultures of origin? Many people, such as myself, see the many issues with returning artifacts to their countries of origin. I believe that museums should not have to return artifacts to the original countries because the trades are legal, the artifacts are unprotected, and people are interested in learning about the artifacts and cultures.
One notable aspect in the Romanian museum market is that, whilst the number of museum visits recorded a significant decrease (12 million visitors to 9.5 from 2007 to 2011), the number of museums has increased from 679 to 709 (Pârvulescu 2013), according to Mediafax . The museum market equilibrium was affected due to a drastic decrease in demand, although supply increased by 30 un...
A curator needs to be able to negotiate and be willing to compromise, as it is often the task at hand to borrow from museums or other locations. Teamwork and flexibility are also valued, as the job isn’t completely independent. Museums are designed for public enjoyment, so good communication a...
In exploring and understanding this subject, one must study the history and development of individual museums and galleries, observing the exterior architecture as well as the internal design, and the reasons behind any developments or renovations done to the buildings. In addition to this the location of the museum must be considered, to see if the surrounding architecture influences any modernisation or extensions taken out on the buildings, as well as considering the expectations and ideas of different cultures, and how they might manipulate the evolution of such places over the past fifty years.
Museum defines as an institution housing collections of objects of artistic, historic, or scientific interest conserved and displayed for the educational and enjoyment of the public. Museums are places of memory that provides the link of distant past to the present generation which also help the society to know the path their forebears trod. The main purpose of museum is neither to educate nor entertain but rather creates a memory bank would remind us of the past. No wonder most societies in different parts of the world traced their origin through the works of arts history. There are many types of museum includes museum of Antiquities-in which are housed ancient pieces of furniture or objects of art such as sculptures, paintings, ceramics, textiles and other crafts. Public record office museum serving as collection centre for famous documents, War museum containing relics of national wars, Maritime museum for maritime history, museum for architecture, with types, structures and styles of building, etc., Museum for Local/Indigenous Technologies, Science Museum, with objects depicting history of science and engineering and Natural History Museum. However, all types of these have their own roles of information institutions in national development. The main roles are to identify, acquire, preserve, and exhibit unique, collectible, or representative objects. The role of museum in the life of a nation involves conducting research into the vast natural history heritage and biodiversity of the country, serving as a repository, of natural objects, source materials and taxonomists in that country, creating scientific awareness, on natural history resources of the nation through annotated exhibitions for public enlightenment in display ga...
The subject of art conservation and restoration has long been debated in the art world. Experts and historians have never agreed that all art must be salvaged at any cost. This paper will examine what art conservation and restoration is, what is involved in these endeavors, and what has been done over the centuries to many of history’s cherished art pieces.