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How Does Setting Influence The Plot
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What could three short stories about illegal immigration, life in 2053, and a man hanging off a window possibly have in common? Although the stories have different plots and subjects, the similar literary elements contribute to the way the reader feels, and the way the story is developed. In the short stories; “The Pedestrian,” by Ray Bradberry, “The Contents of the Dead Man’s Pockets,” by Jack Finney, and “The Trip,” by Laila Lalami, there are similar settings, themes, characters, and conflicts that help develop the story. Throughout the three selected short stories, the settings develop a suspenseful mood. In “The Pedestrian”, Mr. Mead is walking alone down the street, with no one else anywhere around; “To enter out into the silence that …show more content…
During “The Pedestrian”, Mr. Mead is walking alone, with no one around. He was even alone when he was arrested, “The car moved down the empty riverbed streets and off away, leaving the empty streets with the empty sidewalks and no sound and no motion all the rest of the chill November night.” Mr. Mead is the only character in the entire story of “The Pedestrian”, which is an important detail because that is a main part of his conflict. In “The Contents of the Dead Man’s Pockets”, Tom was also alone during majority of the story when he was on the ledge. The absence of his wife greatly contributed to his conflict, “It was the second feature she’d wanted to see, and she’d left in time to see the first. She’d be another three hours or- he glanced at his watch: Clare had been gone for eight minutes. It wasn’t possible, but only eight minutes ago he kissed his wife good-by.” By Tom being alone, it develops one of his major conflicts, of not being able to get a back into his apartment. “The Trip”, however, can be contrasted to the two previous stories. Unlike, “The Pedestrian” and “The Contents of the Dead Man’s Pocket”, Murad is with many people during majority of the story. During Murad’s main conflict of getting arrested, the narrator says, “The officer from the Guardia Civil wears fatigues, and a black beret cocked over his shaved head. His name tag reads Martinez. He sits inside the van with Murad and the other illegals, the dog at his feet.” Murad is with other illegals who are facing the same problems as him, where as in the other two short stories, the protagonist being alone play a significant role in developing the
To be called a walker you need to come from a place where you work all day but don’t make enough ends meat. Urrea explains the small towns and villages where all the poor Mexican citizens yearn for bigger dreams and a better lifestyle. He talks about the individual subjects and circumstances that bring the walkers to decide to cross the border and risk death. Urrea tells the stories of the fourteen victims and giving brief sketches of each individual lives in Mexico. The men were mostly workers on coffee plantations or farmers. They were all leaving their families who consisted of new brides, a wife and several children or a girlfriend they hoped to marry someday. They all had mainly the same aims about going to the U.S, like raising enough money to buy furniture or to build a house, or, in one case, to put a new roof on a mother's house. All of these men really craved a better life and saw the chance for that in the U.S. Being that these men are so hung...
In Jason de León's eye opening and heartbreaking book The Land of Open Graves, we get an indepth ethnological account of the many people who's lives have been shaped in one way or another by the Mexican-American border, and the weaponization of the inhospitable Sonoran desert. In this section of border crossing, 4 million undocumented migrants have been arrested (more than one third of all immigration arrests), and countless others have tried, failed, succeeded or died (1). De León also frames Border Patrol as a tool of state-sponsored structural violence and highlights the horrendous after effects of free trade policies for tens of millions of immigrants seeking to regain what they had lost. The author also details the ethical and moral
The author illustrates the “dim, rundown apartment complex,” she walks in, hand and hand with her girlfriend. Using the terms “dim,” and “rundown” portrays the apartment complex as an unsafe, unclean environment; such an environment augments the violence the author anticipates. Continuing to develop a perilous backdrop for the narrative, the author describes the night sky “as the perfect glow that surrounded [them] moments before faded into dark blues and blacks, silently watching.” Descriptions of the dark, watching sky expand upon the eerie setting of the apartment complex by using personification to give the sky a looming, ominous quality. Such a foreboding sky, as well as the dingy apartment complex portrayed by the author, amplify the narrator’s fear of violence due to her sexuality and drive her terror throughout the climax of the
In Ann Petry’s novel, The Street, the urban setting is exposed as an enemy with all who encounter it. This formidable adversary challenges anyone who wishes to brave the city including Luttie Johnson. Luttie forms a complicated relationship with the setting as she fights its challenges in attempt to find her place within it. Through her use of literary devices, Petry establishes Luttie’s relationship with the urban setting. Using selection of detail and imagery, the urban setting is revealed as the antagonist, and through personification, the conflict between Luttie and the wind is illustrated.
In Borderlands, the realities of what happens by the border instill the true terror that people face every day. They are unable to escape and trapped in a tragic situation. After reading my three classmates’ papers, I was able to learn a lot more about this piece than I originally encountered just on my own. I was able to read this piece in a completely new light and expand on ideas that I did not even think of.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Fifteen years separate Washington Irving’s short story “The Legend of Sleepy Hollow” with Nathaniel Hawthorne’s short story, “Young Goodman Brown.” The two share an eerie connection because of the trepidation the two protagonists endure throughout the story. The style of writing between the two is not similar because of the different literary elements they choose to exploit. Irving’s “Sleepy Hollow” chronicles Ichabod Crane’s failed courtship of Katrina Van Tassel as well as his obsession over the legend of the Headless Horseman. Hawthorne’s story follows the spiritual journey of the protagonist, Young Goodman Brown, through the woods of Puritan New England where he looses his religious faith. However, Hawthorne’s work with “Young Goodman Brown” is of higher quality than Irving’s “The Legend of Sleepy Hollow” because Hawthorne succeeds in exploiting symbols, developing characters, and incorporating worthwhile themes.
During the long journey to California the Joads, and other migrant travelers, encountered many warnings of what California was going to be like from migrants who were returning home, mostly destroyed by the true reality of California. They got a warning in the camp they stayed at on the side of the road while Tom, Al, and Casey were fixing the car. There was...
Ellison, Ralph “Invisible Man” The Places Where We Dwell Reading and Writing About New York City. Juanita But, Mark Noonan. Dubuque, Iowa. Kendall/Hunt Publishing 2007, P 196-199
Ruben Martinez was fascinated with the tragedy of three brothers who were killed when the truck carrying them and 23 other undocumented migrants across the Mexico – United States border turned over in a high-speed chase with the U.S. Border Patrol. “Crossing Over: A Mexican Family on the Migrant Trail” is a story about crossing and life in the United States.
Physical surroundings (such as a home in the countryside) in works of literary merit such as “Good Country People”, “Everyday Use”, and “Young Goodman Brown” shape psychological and moral traits of the characters, similarly and differently throughout the stories.
Stillinger, Jack, Deidre Lynch, Stephen Greenblatt, and M H. Abrams. The Norton Anthology of English Literature: Volume D. New York, N.Y: W.W. Norton & Co, 2006. Print.
“Its deserted streets are a potent symbol of man and nature 's indifference to the individual. The insistence of the narrator on his own self-identity is in part an act of defiance against a constructed, industrial world that has no place for him in its order” (Bolton). As the poem continues on, the narrator becomes aware of his own consciousness as he comes faces nature and society during his walk. He embraces nature with the rain, dark and moon but he also reinforces his alienation from society as he ignores the watchman and receives no hope of cries for him. The societal ignorance enforces our belief that he is lonely on this gloomy night. “When he passes a night watchman, another walker in the city with whom the speaker might presumably have some bond, he confesses, ‘I… dropped my eyes, unwilling to explain.’ Likewise, when he hears a voice in the distance, he stops in his tracks--only to realize that the voice is not meant "to call me back or say goodbye" (Bolton). The two times he had a chance to interact with the community, either he showed no interest in speaking or the cry wasn’t meant for him. These two interactions emphasize his loneliness with the
Evans, Robert C., Anne C. Little, and Barbara Wiedemann. Short Fiction: A Critical Companion. West Cornwall, CT: Locust Hill, 1997. 265-270.
Edgar Allan Poe (1809-1849) pioneered many of the most enduring forms of American popular culture, including detective story and the Gothic or sensational tale. I will compare and contrast five short stories of Poe: The Gold-Bug, The Purloined Letter, “Thou Art the Man”, The Cask of Amontillado and The Pit and the Pendulum. The genre, the purpose and role of the narrator and the parallelism between all of the stories will be examined.