Sophocles’ Oedipus the King features a tragic storyline, conveyed through two of its main characters, Oedipus and Jocasta. Starting after their marriage, Sophocles begins writing of Oedipus’ journey to discover who murdered Laios, former king of Thebes. While ruthless in his attempt to discover the truth, Oedipus and Jocasta slowly panic upon discovering that the latter gave birth to current King Oedipus. Their misfortunate only worsens as they develop ways to cope, ultimately trying to forget and destroy their knowledge. Sophocles successfully shares Oedipus the King through utilizing characters Laios, Jocasta, and Oedipus to convey a recurring pattern which suggests ignorance is bliss.
While Laios dies prior to the first scene, those who outlive him suggest he lived happily, under the impression that his son already died. Since Laios does not appear in Oedipus the King, it becomes difficult to analyzing his opinions about his own life. Laios only survives in the whole plot, and does not appear in the actual play. Despite miniscule descriptions of Oedipus’ agony, there is no proof that Laios was unhappy (1-39). In fact, Laios believed that his son was killed by the Theban shepherd after hearing of Apollo’s prophecy. Sophocles keeps Laios from emotional despair, instead killing
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Laios escapes sorrow and dies early on to introduce the idea that ignorance is bliss, which Sophocles returns to throughout his writing. Jocasta avoids reality by killing herself before actually having proof that Oedipus is her son. While Oedipus relentlessly attempts to find Laios’ murderer, his reality ruins any attempt at a normal life, and he blinds himself to avoid excessive misery. Jocasta, and Oedipus take away their concepts of knowledge in order to allay their pain, even if that means taking violent measures to destroy their
In the beginning of the play, Oedipus could see perfectly with his natural eyes. However, he was blinded to the person he actually was, an incestuous murderer and a complete fulfillment of the prophecy made years ago. After deep contemplation of Jocasta’s story of her husband’s murder, Oedipus begins to realize that he is the one responsible for taking the life of Laius. As this realization sinks in, Oedipus makes known to the reader that he is willing to accept the fate of the curse he has brought on himself as the person accused of doing the evil act. Oedipus will be the one “no citizen welcomes to his house” (206, 903). Unfortunately
...f King Laius and a reversal of fortune. Ironically, he had cursed the murderer to a “life consumed in evil and wretchedness.” Thanks to Oedipus’ own pride and conceited ego, malediction had turned upon him. Likewise, Oedipus’ own stubbornness and willpower towards solving the mystery behind Laius’ death, ironically lead to the revelation of who his actual parents were. A feeling of catharsis was expressed as it was made clear that the ultimate tragedy was the result of the tragic hero’s hubris and ironic actions.
Here one sees that even after obtaining all this knowledge Oedipus, who does not believe any of it, goes on his journey to find Laius’ murderer. At this point one theme makes itself clear, Oedipus refuses to accept the truth in his life, and Sophocles makes it a point to bring this up several times through the use of tragic irony, symbolism, and repetition throughout the play.
Jocasta’s and Laius’ fate all depends of Oedipus. The story begins with the Oracle giving them horrible news. It tells them that they will have a child, Oedipus, but when he grows up, the boy will in turn kill Laius and then it says that the boy will sleep with Jocasta after Laius dies. Both of the parents are in distress over this news, so when the little boy is born they tell a servant to put him on a mountain and leave him there to die. Years pass by and the King and Queen keep thinking that they are safe; however when Laius is on a crossroad on his way to speak to the Oracle Oedipus, his son, comes along. Lai...
Teiresias blatantly tells Oedipus the truth of what is happening around him, and Oedipus dismisses all he says. Oedipus’ pride blinds him to all the evidence that points to him as the murderer of his own father. When Iocastê tells Oedipus the details of Laïos’s murder, Oedipus is too ignorant to see that he was the one who murdered the previous king and placed a curse upon himself.
take the boy out and kill him when he was still a child. The kind old shepard
Oedipus lacks the Greek guiding principle of knowing thyself. He is ignorant to the fact that he is the son of Laius and Jocasta. Oedipus shows this when he finds out that Laius, who is the king of Thebes and his father has turned up dead. When Oedipus learns this he says, “A thief, so daring, so wild, he’d kill a king? Impossible unless conspirators paid him off in Thebes” (Oedipus The King 140). Unknown to Oedipus, the killer of Laius is himself. Even though Oedipus has done this unknowingly, he has still committed a terrible crime. Oedipus again shows his ignorance when he tells Jocasta about the fate a drunken man had given him. When he tells the story he says, “you are fated to couple with you mother, you will bring a breed of children into the light no man can bear to see-you will kill your father, the one who gave you life!”(Oedipus The King 873). Oedipus later talks about how he chose to run away from Polybus and Merope in order to prevent the prophecy from becoming reality. Since Oedipus is ignorant to whom his real parents are he unknowingly runs away to Thebes where he meets his fate. In Sophocles’ Three Theban Plays Oedipus isn’t the...
Oedipus’ personality clearly reflects pride and determination throughout the play. When Oedipus heard the oracles’ prediction that he was to kill his father and marry his mother, he was determined to prevent the prophecy. Therefore he left his homeland of Corinth never to return. Then when he solved the Sphinx’s riddle, Oedipus’ pride rose to a new level. He was praised by the people of Thebes, resulting in his marriage to Jocasta, Queen of Thebes. Oedipus also shows his determination when in search of Laius’ murderer. He stated that he would avenge the King’s death as if Laius were his own father. He cursed the murderer, announcing “May he drag out an evil death-in-life in misery.” These characteristics of pride and determination, which Oedipus emanates throughout the play, may appear to be positive attributes to one’s personality. However, Oedipus’ actions, based on these characteristics, are what led him to his eventual downfall and suffrage.
Oedipus Rex, also known as Oedipus the King, is one of the most ironic plays ever written. Sophocles, the author, is a famous philosopher of the ancient times. The Play is about Oedipus, the king of Thebes, who unwittingly killed his father and married his mother. An oracle warned Laius, the king of Thebes prior to Oedipus, that his son would slay him. Accordingly, when his wife, Jocasta, bore a son, he exposed the baby on Mt. Cithaeron, first pinning his ankles together (hence the name Oedipus, meaning Swell-Foot). A shepherd took pity on the infant, who was adopted by King Polybus of Corinth and his wife and was brought up as their son. In early manhood Oedipus visited Delphi and upon learning that he was fated to kill his father and marry his mother, he resolved never to return to Corinth. Travelling toward Thebes, he encountered Laius, who provoked a quarrel in which Oedipus killed him.
Oedipus finds out that he is the killer of King Laius and will become the archetypal sacrificial scapegoat for the city of Thebes. Throughout this passage from the play, Oedipus is continually gathering incriminating evidence against himself from the source of his own wife and mother, Jocasta. He discovers through her attempted reassurance that his quest from Corinth set his fate to be the killer of his biological father and the sacrificial scapegoat for the welfare of the people and land of Thebes.
For Oedipus, prophecy is not the main source of his fall towards society; rather, his hubris blinds himself from recognizing his personal sin in the world, thus leading to his demise. Sophocles even skillfully uses a metaphor through the words “ as led by a guide” to further explain the “supernatural being” that ultimately decides the tragic fate of the family of Oedipus. In addition, through the death of Jocasta, the reader is immediately attuned of Oedipus’ raging moment of violence and will be petrified by the overwhelming power of the gods, thus realizing the importance of being cautious before making a final choice. Indeed, after an individual settles on a decision, the gods take control of the person’s fate, hurling numerous consequences to him if he makes the wrong decision. Moreover, as Oedipus suddenly becomes the unintended victim of the gods through his sinful decision to execute Laius, he is forced to relinquish his predominate impetus for pridefulness in exchange for a heart of deep realization and forgiveness. At the end of the play, Oedipus sacrifices everything in order to remove his guilt through the consequences of his atrocious actions witnessed by the gods. After Oedipus realizes the astringent fate he was destined to encounter through his sinful murder of Laius, he immediately attempts to take responsibility for his
Rejecting the truth and being oblivious to all of the apparent signs will lead to his disastrous end. Sophocles expresses the next chronological action of Oedipus’ mistakes that tragically ruins him. Denial is the act of proclaiming that something is not true. Ironically, Oedipus often does this when the truth is presented to him. He lets his pride get in the way and builds a wall to protect his ego. For example, Oedipus says “much as you want. Your words mean nothing-futile” (lines 416). This is the scene where Tiresias finally revealed the truth to Oedipus because of his persistent desire to know. Tiresias told Oedipus that he was the one responsible for Laius’ death. Oedipus quickly dismissed the acquisition, once again letting his pride blind him from the truth. While at the same time, his stubbornness is getting in the way of listening to Tiresias. By Oedipus making this statement, it is clear that he is too stubborn to hear what anyone else has to say, especially if it is negative. It is also very ironic how in the beginning, Oedipus badly wanted Tiresias to tell him what information he knew about Laius’ killing, but when Tiresias was forced to say it, Oedipus immediately silenced Tiresias. Oedipus did not want to listen to him nor did he give him a chance to explain. He also accuses other people and puts the blame on them whenever he is uneasy
Sophocles demonstrates in the play Oedipus the King that a human being, not a God, ultimately determines destiny. That is, people get what they deserve. In this play, one poorly-made judgment results in tragic and inescapable density. Oedipus fights and kills Laius without knowing Laius is his father. Then, Oedipus's pitiless murdering causes several subsequent tragedies such as the incestuous marriage of Oedipus gets into the flight with Laius. However, Oedipus's characteristics after Laius's death imply that Oedipus could avoid the fight as well as the murder of his father, but did not. Ultimately, Oedipus gets what he deserves due to his own characteristics that lead him to murder Laius: impatience, delusion, and arrogance.
Oedipus, when Jocasta re-tells the details of how Laios was murdered, begins his approach to denial. At first, he searches for more and more information that might prove he didn’t really kill his father. This shows the reader that Oedipus seems to know subconsciously that he is the slayer of his father. Everyman, in the first scene, quarrels with Death about going on the long journey. He pleads for even a few more days before making him take this voyage. Both characters argue “Not me…it can’t be!…'; Both also look for a person or reason to displace their burden in order to avoid facing their strife.
Greek Drama had three main categories The Comedy, Satyr Plays, and The Tragedy. The most popular of the three is The Tragedy, its themes are often such as loss of love, complex relationships between men and the gods, and corruption of power. These dramas taught the people of the city the difference between good and bad behavior and the ramifications of going against the gods. According to Aristotle, the perfect tragedy consisted of the downfall of the hero through a great misunderstanding, causing suffering and awareness for the protagonist meanwhile making the audience feel pity and fear. The prominent writer who Aristotle based his perfect tragedy theory was Sophocles, his drama Oedipus the King had all the elements of a perfect tragedy.