Conflict, Climax and Resolution in Antigone
Sophocles’ tragic drama, Antigone, presents to the reader a full range of conflicts and their resolution after a climax.
In Antigone the protagonist, Antigone, is humble and pious before the gods and would not tempt the gods by leaving the corpse of her brother unburied. She is not humble before her uncle, Creon, because she prioritizes the laws of the gods higher than those of men; and because she feels closer to her brother, Polynices, than she does to her uncle. The drama begins with Antigone inviting Ismene outside the palace doors to tell her privately: “What, hath not Creon destined our brothers, the one to honoured burial, the other to unburied shame?” Antigone’s offer to Ismene (“Wilt thou aid this hand to lift the dead?) is quickly rejected, so that Antigone must bury Polynices by herself. The protagonist, Antigone, is quickly developing into a rounded character, while Ismene interacts with her as a foil, demurring in the face of Creon’s threat of stoning to death as punishment for violators of his decree regarding Polynices. The main conflict thusfar observed is that which the reader sees taking shape between Antigone and the king.
Antigone is a religious person who is not afraid of death, and who respects the laws of the gods more than those of men:
Nay, be what thou wilt; but I will bury him: well for me to die in doing that. I
shall rest, a loved one with him whom I have loved, sinless in my crime; for I owe a longer allegiance to the dead than to the living: in that world I shall abide for ever. But if thou wilt, be guilty of dishonouring laws which the gods have established in honour.
Ismene is unmoved by the reasoning and sentiments of...
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...e pervading themes in Sophocles is the justice of the universe. We are to understand that, in some sense, cosmic justice ultimately prevails (718).
WORKS CITED
Abrams, M. H. A Glossary of Literary Terms, 7th ed. New York: Harcourt Brace College Publishers, 1999.
Segal, Charles Paul. “Sophocles’ Praise of Man and the Conflicts of the Antigone.” In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
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http://classics.mit.edu/Sophocles/antigone.html
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Watling, E. F.. Introduction. In Sophocles: The Theban Plays, translated by E. F. Watling. New York: Penguin Books, 1974.
Writing is a mirror of one's personality. When we write, we reveal a part of ourselves. We reveal our mind. We reveal our thoughts. If it is possible to exist, then it is possible to write, because writing is thinking, and thoughts are existence. This especially holds true to the mind of Edgar Allan Poe, who through writing time and time again about his love and loss through both poetry and general prose, generates the story of his life. In these pieces, not only does he create original plots, but deep within the fabric of these plots springs a background world of Poe's own life, deeper than any allegory he produces or any poem he completes. The dark corners of Poe's mind are distinctly represented in his entire work body. Experiences, mostly negative, are displayed as signs everywhere in each of his publications. Not everything is shown straight out, sometimes you have to search for hidden meaning. Sometimes, you have to think to understand thought. Intended or not, Poe left his imprint in "Annabel Lee," "The Tell-Tale Heart," and "Eldorado," all of which tell thrilling tales. Many read the bare surface of Poe's bold narratives, and not much else. There is a deeper meaning to the text which connects the dream world to reality.
Sophocles: A collection of critical essays edited by Thomas Woodward: Oedipus at Colonus. Whitman, Cedric H. Prentice-Hall, Inc. Englewood Cliffs, New Jersey. 1966.
... though, he was not loved nor recognized much for his talents during his lifetime. It wasn’t until he died and his literature rival begin dishing dirt on him, that people started recognizing Poe and his talents. Throughout Poe’s life, it seemed like writing was his way of letting out some of the pain that life had brought down upon him; a way to keep himself sane it almost seemed. It reflects his difficult childhood, his devastating love life, and his depressing views on life. That concludes Edgar Allan Poe and his literature.
Before the age of three, Poe was already an orphan after his Mother dying and his Father walking out on them (Frank 56). Poe was too young to remember his Mother since her death occurred when he was very young, but later in his life he grew resentful for being raised as a foster child. After the loss of his Mother, Poe would go on to experience the death of many more loved ones. This became the source of the terrible fear Poe would associate with death and dying, a common theme in many of his works.
Edgar Allan Poe born on January 19, 1809, was known as the creator of the modern detective story and innovator of the science fiction genre. Although, people identify him because of his horror stories as well as his haunting lyric poetry, there was a different side of him other than a gruesome, mysterious individual prowling in the shadows of moonlit cemeteries. Poe’s childhood was very tragic and affected his adult life when growing up. Poe was the second son of actors David and Elizabeth Poe. Shortly after Poe was born, his father abandoned the family in 1810 and the following death of his twenty-four year old mother in 1811, left Poe an orphan at the young age of three. Poe was adopted by a guy named john, who was a strict unemotional tobacco merchant and his wife Frances Allan, a week women with health issues. His original grandparents only took in his brother William Henry instead of Poe. He was educated with his father’s aid, in private schools, excelling in latin, writing verse, and declamation. Regardless of his education Poe was looed down upon and was considered an outsider by the upper class of Richmond society. It maybe because his foster parents never legally adopted Poe and also regarding his family background. In Poe’s time adulthood did not support actors in high manners, which this could have been attributed to his reputation. Poe childhood shaped him to be one of the most Famous creative poet there is.
In the following paper, I plan to discuss the source of conflict between the title characters of Antigone and Creon in Sophocles’ “Antigone”. I also plan to discuss how each character justifies his or her actions and what arguments they give for their justifications. I will also write about the strengths and weaknesses of these arguments. The final points I try to make are about who Sophocles thinks is right and who I think is right.
Best known for his poems and short fiction, Edgar Allan Poe deserves more credit than any other writer for the transformation of the short story into a respected literary work. He virtually created the detective story and perfected the psychological thriller. He also produced some of the most influential literary criticism of his time. Although he contributed so much to the writing world, little is known about the Poe himself. Historians have been trying for years to piece together the life of this literary genius. In almost every biographical publication Poe’s life is divided into three sections: his early life, his career, and his death.
In the awe-inspiring play of Antigone, Sophocles introduces two remarkable characters, Antigone and Creon. A conflict between these two obstinate characters leads to fatal consequences for themselves and their kindred. The firm stances of Creon and Antigone stem from two great imperatives: his loyalty to the state and her dedication to her family, her religion but most of all her conscience. The identity of the tragic hero of this play is still heavily debated. This tragedy could have been prevented if it had not been for Creon's pitiful mistakes.
Woodard, Thomas. Introduction. In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
In the play Creon goes against the Gods by making it illegal to bury Polyneices, Antigone’s brother because he is deemed a traitor. The burying of a dead body is seen as a necessity by all of Greece as it is an unspoken law of the Gods. Antigone goes to bury her brother so his afterlife will be better. She does it in spite of the law that Creon has made. “It is the dead, not the living, who make the longest demands” (192) She tries to explain to her sister, Ismene, that they must bury Polyneices, but even that close relationship has trouble because of the law. Ismene is unwilling to suffer the consequences of the law, to save her brother’s soul “Forgive me but I am helpless: I must yield to those in authority” (192) Even the two sisters who have just lost both of their brothers have different views on the matter. One will not stray from the law and what is deemed right by their king, while the other will accept any punishment, even death just to do what she believes is right.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
The idea of losing a loved is a powerful emotion and one that virtually every person can relate to. It was with this concept in mind that Edgar Allan Poe crafted his classic narrative poem “The Raven.” For some, poetry acts as a means to express different ideals, either social, intellectual, or philosophical. For Edgar Allan Poe, poetry was at its best when it conveyed beauty through the expression of simple yet powerful emotion. In Poe’s mind, there was no purer manifestation of poetic beauty than the deep emotion felt from the loss of a beloved woman. Is with this in mind the Poe employs setting, tone, and symbolism to relate the powerful emotion of never-ending despair to connect with his audience in the classic poem “The Raven.”
Abandoned as an infant by his father, Poe lost his mother to tuberculosis at the age of three, and was sent to live with foster parents. There he was raised but never adopted. Also, his relationship with his foster father was quite tumultuous. Shortly after their death, he married his cousin Virginia Clemm, who also ended up contracting tuberculosis and died after a long hard battle with the disease. This had a very hard impact on Poe. Furthermore, it is known that Poe also had a serious problem with alcohol, as well as there are reports that he likely suffered from a mental illness, as evidenced by a letter he wrote stating that he had tried to commit suicide (Quinn 1998). Also, throughout his life, Poe struggled to be a writer, though his ways always ended up keeping him from achieving, while he was alive, what he was capable of. As one can see, Poe lived a life that was defined by death, hardship, and his own possible insanity. This makes it much more clear as to why he chose such dark themes for his works.
Edgar Allen Poe was born in Boston Massachusetts in the early nineteenth century. It is well known that Poe endured a difficult life, and tragedy began at an early age. At three years old, he witnessed his mother’s death (Bloom). Then, he was taken into custody of the Allen family who remained his benefactors until he attended the University of Virginia. However, Poe did not remain at the university past 1826 because his foster father would not pay off a debt that Poe had, and he also would not pay tuition (bloom). From the University, Poe traveled back to Massachusetts where he joined the army. It was in the army in 1827 that Poe published his first work, called Tamerlane and Other Poems under anonymous (Merriman). Not long after his first publication, tragedy struck again. His foster mother died in 1829, the same year his second book was published. It was only two years later that Poe met his future wife while living with his aunt and his brother. Henry, his brother, died of tuberculosis just like their mother did soon after Poe moved in (Merriman). The next few years, Poe published several works and became an editor at th...