This essay will examine both "The Speckled Band" by Conan Doyle and "Visitors" by Brian Moon and will look at how each one conforms to or diverges from the conventions of the detective story and also how each story is representative of the century it was written in by how it presents the woman, the hero and the villain. The conventions of the detective story were mostly established in the early twentieth century yet "The Speckled Band" was written in the late nineteenth century. However, it still conforms to most of the detective story conventions, therefore I conclude that it deserves to be called a detective story One of the conventions of the detective story is that the detective if frequently an amateur. In "The Speckled Band" Holmes does not work for any official body, like the police, for example. He is not, however, an amateur in the sense that he solves crimes for a hobby, he says, “as to my reward, my profession is my reward.'; Holmes is an amateur in the root sense of the word “someone who works simply for the love of it'; However the way that Holmes uses the word “profession'; shows that he does not consider himself to be an amateur. Another convention of the detective story is that the detective will have a confidant through whom he can explain his reasoning to the reader. Holmes has a confidant, Watson, who is the stereotypical gentle doctor who is plain and uninteresting so as not to draw attention away from Holmes. “I had no keener pleasure than in following Holmes in his professional investigations'; this implies that Watson lead an uninteresting life, without many interesting hobbies or pastimes. Another convention of the detective story is that the detective is in competition with the police, however, in "The Speckled Band" Holmes is not in competition with the police. Holmes does, however, express his disgust with the official police force “ fancy his having the insolence to confound me with the official detective force'; this line shows that Holmes considers the police force to be incompetent and ineffective. A convention of the detective story is that it has a variety of suspects for the detective to choose between, "The Speckled Band", however, does not have many suspects, only Dr Roylott and the gypsies. Roylott is a suspect for the murder as he is violent “uncontrollable in his anger'; and the local... ... middle of paper ... ...tray a hero and a criminal, the difference is that in ‘The Speckled Band’ they are different people while in ‘Visitors’ they are arguably the same person. In ‘Visitors’ the police are expected to act the heroic role but don’t look or sound the part, in this way ‘Visitors’ appears not only to fail to comply with the conventions but also to be a paradoxical story. My essay has shown that both stories conform to a certain extent to the conventions of the detective story. Both show views of the woman, hero and villain, and in ‘The Speckled Band’ this highlights the complacent, satisfied attitude of the Victorians, while ‘Visitors’ shows the less complacent, worried, changing attitude of the late twentieth century, influenced by the social devastation of two world wars. After looking at ‘Visitors’ and ‘The Speckled Band’ I have come to the conclusion that ‘Visitors’ does not really deserve to be called a detective story as it does not really have a detective in it or even a crime to solve, however I still think that ‘Visitors’ is an exceptional story in its own right and a better story than ‘The Speckled Band’ because of how the important issues it brings up are dealt with.
For a while he finished the stories, but with debts and great public support he created another collection of the Holmes stories, due to the fact they were in high demand. Conan Doyle sadly died in Crowborough, Sussex, England, on July 7, 1930. Holmes is an intellectual detective who although spends a lot of the time by his self still depend on a valiant partner to accompany him on his cases, in this case Dr Watson. Dr Watson, in the Sherlock Holmes stories, is portrayed as particularly as an average British person helping his friend in his cases. Because he is portrayed as this it helps us see ourselves in the story along with Holmes therefore, intriguing the reader to usually read more.
Schneider L, Mori L, Lambert P, Wong A. The Role of Gender and Ethnicity in Perceptions of Rape and Its Aftereffects. Sex Roles [serial on the Internet]. (2009, Mar), [cited March 16, 2014]; 60(5/6): 410-421. Available from: SocINDEX with Full Text.
Professor’s comment: This student perceptively examines the role of the city as a setting and frame for detective fiction. Focusing on two early examples, Poe’s “Murders in the Rue Morgue” and Hoffmann’s “Mademoiselle de Scudery,” both set in Paris, his sophisticated essay illuminates the “cityness” or framed constraint that renders the city a backdrop conducive to murder—such as the city’s crowded, constricted nature, promoting vertical rather than outward movement and increasing hostility and the fact that so much urban life occurs at night, a reversal of the natural order and facilitating illicit activity. He compels us to look in new ways both at the city and at detective fiction.
The Pacific coast port city of San Francisco, California provides a distinctively mysterious backdrop in Dashiell Hammett’s The Maltese Falcon. Unlike many other detective stories that are anchored in well-known metropolises such as Los Angeles or New York City, Hammett opted to place the events of his text in the lesser-known, yet similarly exotic cultural confines of San Francisco. Hammett used his own intricate knowledge of the San Francisco Bay Area - coupled with details collected during a stint as a detective for the now defunct Pinkerton Agency - to craft a distinctive brand of detective fiction that thrived on such an original setting (Paul 93). By examining the setting of 1920’s San Francisco in The Maltese Falcon, it becomes apparent that one of Hammett’s literary strengths was his exceptional ability to intertwine non-fictional places with a fictional plot and characters in order to produce a logical and exceedingly believable detective mystery.
Woolrich reinforced the detective fictions of yesterday, introducing to the American audience new detectives, who not only wheels a gun but also uses their knowledge of psychoanalysis to catch the perpetrator and solve the crime. Though Woolrich extends his knowledge of the human mind, he, just like MacDonald, Chandler and Hammett gives reference to 18th-century authors which include Sir Arthur Conan Doyle and Edgar Allan Poe.
A comparison between Roald Dahl's Lamb to the slaughter and Sir Arthur Conan Doyle's The Speckled Band
Before the methods of investigation can begin the detective must acquire a case, which is no easy task. Private investigators rely on their own marketing and advertising. The most common cases P.I.’s are presented with are the unsolved and/or forgotten cases left over from the justice system or suspicious wives in pursuit of catching their cheating husbands. Gender importance is prevalent from the very beginning of the book. The mother of the victim, Janice Kepler knocks on the door. “Is this Millhone Investigations?” Millhone replies “We’re closed, is there anyway you could come back tomorrow and I’ll setup an appointment for you once I check my book?” “Are you his secretary?” “I tried not to sound irritated since the mistake is not uncommon, I’m him.” (4).
It is not a topic that is brought up often, especially at schools or at gatherings, yet it is crucial that everyone be educated, or at least informed on a topic that affects women every day. “Given that sexual violence continues to occur at high rates in the United States, it is vital that we understand attitudes and cultural norms that serve to minimize or foster tolerance of sexual violence” (Aosved, 481). Growing rates of sexual violence goes to prove that it is not taken seriously by many, especially when myths excuse the actions of the perpetrator and instead guilt victims into thinking they are responsible for the horrible act. Burt (1980), in her article titled, “Cultural myths and support for rape” attempts to make sense of the importance of stereotypes and myths, defined as prejudicial, stereotypes, or false beliefs about rape, rape victims and rapists- in creating a climate hostile to rape victims (Burt, 217). Examples of rape myths are such sayings as “only bad girls get raped”; “women ask for it”; “women cry rape” (Burt, 217). This only goes to prove that rape myths against women always blame and make it seem like it is the women’s fault she was raped and that she deserved it for “acting” a certain way. McMahon (2007), in her article titled, “Understanding community-specific rape myths” explains how Lonsway and Fitzgerald (1994) later described rape myths as “attitudes and beliefs that are generally
According to Marshall University, Rape Culture is defined as “an environment in which rape is prevalent and in which sexual violence against women is normalized and excused in media and popular culture.” In American society, it is not hard to find examples of rape culture. In popular movies, music, and current events there is an undeniable notion of victim blaming, and sympathizing with male perpetrators. People have begun to use the term rape as a casual adjective. For example “I just raped him in that game,” could be used to describe two people playing a game and one winning easily against the other. American society uses pop culture and current events to promote and justify the prominent rape culture.
Marital rape is considered to be an extreme version of sex-role socialization due to concepts such as “wifely duty,” the belief that it is the wife 's duty to sexually please her husband. Past research suggests that sex-role socialization fosters rape-supportive beliefs in both men and women (Martin, Taft & Resick, 2007). Studies have also demonstrated individuals who held more traditional gender-role stereotypes were more likely to minimize the serious
To most the detective fiction genre is considered to be “new.” Marking its inception with Edgar Allan Poe’s short story The Murders in the Rue Morgue in 1841, classifying Poe as the “undisputed father” of crime fiction (Butler). However, Poe is not the creator of the detective fiction genre, and in fact this type of literature can be seen centuries before in Old Testament writings. These writings include “Susanna and the Elders” and “Bel and the Priests,” as well as Greek writings like “Hercules and Cacus” and “King Rhampsinitus and The Thief”(Scaggs 19). Together, these literary pieces have had an ever-lasting influence on crime fiction, and substantiate the fact that Poe was in no way the originator of this genre.
...room for improvement. The second perspective that also influences the development of rape culture are myths and societal conceptions of sexual assault, rape, and victims. Kahlor and Morrison, authors of TV Rape Myth, suggest that two of the main myths are the notion that victims “asked for it”, whether by dressing a certain way or behaving flirtatiously, and that some women lie and “claim rape” after regretting consensual sex.
I enjoyed this story and whislt reading it I wondered if it was a good detectivew story and therefore I compared it to W.H. Audens description of a detective story. Which is "A murder occurs; many are suspected; all but one suspect, who is the murderer, are eliminated; the murderer is arrested or dies." While a murder does occur and many are suspected but that is were the similarity ends. Because the suspects are not eliminated down to a single criminal and a murderer is not arrested or dies. Perhaps this is because Agatha Christie believed that the outcome does not always have to do justice in accordance with the law and rather that it is morally right.
For Sherlock Holmes, his partner in crime is Dr. John H. Watson. Not only is he a trusted friend, but also he is Holmes’ associate and the first person narrator of the Sherlock tales. The stories of Sherlock Holmes are a collection of short stories and fictional novels created by Sir Arthur Conan Doyle. These stories are based on a famous and most notorious detective all throughout London, Sherlock Holmes. Along his side, Dr. Watson narrates his and Holmes’ detective cases and reveals Sherlock’s abilities and knowledge of solving cases and fighting deadly crimes. For the duration of the stories, Watson and Holmes share a particular relationship where Holmes verbally dominates Watson, “You see, but you do not observe. The distinction is very clear” (Doyle 241). When he isn’t insulting Dr. Watson he talks about how much he relies on his partner, “I am lost without my Boswell” (Doyle 243).
Rape and rape culture have been a longstanding issue in American society. Looking at modern influences such as the media, our nation’s history, and the way our Consider the following: How has rape culture evolved through our history? What role does the media play in rape culture? And most importantly, how has rape become institutionalized in American society?