Comparison Of Goodfellas And Darren Aronofsky's Black Swan

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Recommended: factors that have contributed to growth of film genres

The force of reality that plays a factor on a person is what drives decisions that are ultimately made and the results that follow. Martin Scorsese’s Goodfellas and Darren Aronofsky’s Black Swan are films in which genres play a big role in what is directed, but the things that make the film so valuable to the eye are the stories being told, how those stories are shot, and the performances by the actors and actresses that give us the sense of reality and surrealism.
Goodfellas, the remarkable masterpiece by none other than Martin Scorsese, is known to be one of the best gangster films of all time. Due to the intentional choice of having New York City as the main setting, Scorsese included his childhood experiences while adapting the book …show more content…

This shot is not just a Steadicam shot, but also a tracking shot from the back of the characters. The physical movement of the camera following the characters who are also moving through the certain settings is flawlessly done. Scorsese also immerses audiences with pauses while he uses freeze frames. These frames near the start of the film indicate to audiences that those scenes were critical influences that would eventually turn Henry Hill into a ruthless …show more content…

Becoming the actor’s director is not an easy task, and doing just that was no joke for him. In Goodfellas, the club scene with Joe Pesci and the rest of the mobsters is great to analyze for a strong emotional performance out of an actor. Throughout the film, Pesci’s character is a rather “funny” comedic inclusion to the mob. Taken directly from the film’s script, the following quote by Pesci emphasizes very well how he tried to mess with other characters through his personality, while also keeping a completely straight face. “You mean, let me understand this … cuz I … maybe its me, maybe I’m a little fucked up maybe. I’m funny how? I mean funny, like I’m a clown? I amuse you? I make you laugh? I’m here to fuckin’ amuse you? Whattya you mean funny? Funny how? How am I funny?” Scorsese would direct actors in the film to time their dialogue accordingly to create more suspenseful

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