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Compare and contrast essay about oedipus and antigone
Oedipus the King and Antigone tragedy
Oedipus the King and Antigone tragedy
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Beliefs and perspectives of how king should acts in Antigone and Oedipus
In Antigone and Oedipus, the theme of different of different perspective of how a king should act is emphasized. The Theban play Antigone and Oedipus were written by Sophocles which tell a series of stories, Oedipus, the king and the son of the old king of Thebe been killed by himself and marries his own mother, and Antigone, his daughter disobeys Creon, who is the new king and her uncle, to bury her brother Polynices who goes against the city and their brother king Eteocles, and Creon’s order makes Antigone and Haemon who is her fiancé and the son of Creon both die. However, Sophocles shows in two plays that a king should take time to make decision, protect the city, respect the god and common people and be equal to the his people.
Firstly, as the perspectives of Creon and Antigone, a king should take time, think and being thoughtful before they make any decision or order. In Oedipus, when Oedipus accuses Creon coming together with Tiresias to take the
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When Jocasta hears the confliction between Creon and Oedipus, she is angry and not agree with their behavior especially Oedipus’, “What are you thinking? Why this outburst of fighting words? You should be ashamed, forcing your personal quarrels on us. When the whole country is suffering from such sickness,” (Oedipus 633-635). She thinks it is time for the king, Oedipus to take actual action to protect their citizens from suffering, but not personal confliction. And the chorus thinks the same way. As the representative of citizens, chorus prays to Oedipus to save them from suffering, “Now, I pray again, be our good steersman—make us safe!” (Oedipus 696-696). Chorus wants their king to protect them, that is the reason of a king existing for them especially Oedipus has once done that before. Protecting people is what a king should do that reveals by
One of Creon’s many failures as a statesman is his prideful attitude. For example, Creon believes that gods chose him to lead the kingdom: “But see, the king comes here, /Creon, the son of Menoeceus, /Whom the gods have appointed for us/In our recent change of fortune.” (Par. 122—125).This quote explains how authoritative Creon was when he first became king. Also, Sophocles explains how Creon’s divine rights made him feel superior to everyone else, which made him more insolent. In addition, Creon believes that he is the sole leader of the kingdom: “We’ll have no woman’s law here, while I live.” (Sc 2.444). Sophocles illustrates the dangers of pride in kingship. He emphasizes more on how kings should be reasonable to the citiz...
Oedipus Rex and Antigone & nbsp; There is no curse in the house of Oedipus. Because of the many terrible things that happen to the members of Oedipus's family, a reader might be led to believe that there is such a curse. However, if that person examines the stories of Oedipus Rex and Antigone more closely, he or she will find that the reason so many tragedies happened to Oedipus's family is not because of some curse, but rather because of one common thread. Each person in the line of Oedipus tries to defy authority in one way or another.
Antigone is one of the famous plays written by Sophocles in around 441 B.C.E. This play is a dramatic and eye-opening play that really shocks the characters in the play as well as the readers. Sophocles wrote this play in no chronological order but it is better to understand the story is Oedipus the King is read before Antigone, that way it gives readers an understanding of how the time changed the characters.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
Sophocles’ play Oedipus and Antigone have many parallel themes and conflicts. Certain characters and events are mirrored and go through similar sequences in both plays. One conflict that is prevalent in both plays is the idea of loyalty. In Oedipus, many are loyal to Oedipus, including the city of Thebes itself. In Antigone, there is much strife in the relationships as well, and the idea of loyalty arises.
In the opening of the play, we learn that Creon has been proclaimed king. We expect Creon to be the same rational man as we saw him to be in Oedipus the King who stood up for justice and defended the right deeds. However, later on we can clearly see that this is not the same Creon. Creon, the King, has been corrupted by the power bestowed upon him.
Sophocles’ Antigone is one of the most famous plays of all time, and has been debated upon for centuries. One of the most interesting topics within these debates is the idea that Antigone may have been a better ruler than Creon. However, this is not true. Antigone’s personality and inherent nature would have prevented her from ever being a successful ruler of Thebes. She is fiercely independent and passionate about her family and getting justice for her brother. While these may be good qualities as a person, being a good person does not lead to being a good ruler. Antigone is ultimately too stubborn, emotional, young, and inexperienced to be queen. These qualities not only lead to her own downfall, but that of those around her.
Set ages apart, Arthur Miller’s Death of a Salesman and Sophocles’ Oedipus Rex provide different perspectives on the topic of tragedy and what is defined as a tragic hero. Although Oedipus would be thought of as better representing the tragic hero archetype due to tradition and time period, the modern tragic hero of Oedipus Rex is more of a dismal one. Through analysis of their respective hamartias, it is exemplified that the New York businessman with his humble story proves to be more thought provoking than the King of Thebes and his melancholic tale. **By incorporating a more relatable character and plot, Arthur Miller lends help to making Willy Lowman spiral toward his own downfall while building more emotion and response from the audience than with Oedipus. When Oedipus learns of his awful actions, this invokes shock and desperation. With Willy Lowman, the audience goes for a bumpy ride until the eventual, but expected, crash. ** (NEEDS WORK)
In the plays Antigone and the Crito the two lead characters, Antigone and Socrates, showed completely different ideas regarding their responsibilities to the State. Antigone believes in divine law and does what she thinks that the Gods would want her to do. Socrates, on the other hand, believes that he owes it to the State to follow their laws whether he thinks they are right or not.
...se Creon was not yet the king of Thebes during the period of Oedipus’s ruling, and Antigone who was not yet a renowned figure acting independently in her own will without any dilemmas. It is until the story of Antigone when Antoine’s rights are desecrated by the might of Creon’s rule and that it led Antigone to bail and revolt against it. This is the dynamic that Sophocles sees in Antigone within the society of Thebes, and through the perception of Antigone’s heroic deeds, equal to that against the behavior of Creon, Sophocles exemplify to the audience the unbalance nature in society.
Creon, who is Iocasta’s brother, claims in Oedipus the King that he does not wish to have the power and responsibility of being king. Towards the beginning of Oedipus the King, Oedipus has announced that Creon is to be banished from Thebes. Oedipus was exiling Creon because he said that Creon and Tiresias were trying to overthrow his power. Creon, being innocent of these accusations says that he has no desire to be king. He says, “Would any sane man prefer power, with al a king’s anxieties, To that same power and the grace of sleep? Certainly not I. I have never longed for the king’s power – only his rights.” (Oedipus, Scene II, L68-71) Oedipus, Creon, and Iocasta had the same amount of power in Thebes. The only difference was that Oedipus was the king. Creon said he was perfectly content with having the power without all the worries. Oedipus had the power but also had the people to worry about, Creon just had the power. By the end of Oedipus the King, it is revealed that Oedipus had killed the former King Laius and Iocasta is found dead. Creon decides to exile Oedipus, revealing that he may actually want to be king.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
In Oedipus at Colonus (OC), one sees the beginning of Creon's decline. Creon has now come to occupy the throne that once belonged to Oedipus. It soon becomes apparent that his vision of the proper role of a king has changed to accommodate his new-found position. The emphasis shifts from that of a king who must rule wisely to one who must rule unyieldingly. The kingship becomes a selfserving instrument for Creon in his attempt to secure the return of Oedipus and the good fortune prophesied to accompany him. Creon's notion of justice is severely distorted in OC. He becomes monomaniacal - conducting his affairs with tyranny and belligerence. For example, he threatens to harm Oedipus' daughters if the blind beggar does not return to Thebes. His view of rightness and fairness is no longer in line with that of his subjects.
Sophocles, following the Greek standard of tragedy, casts Creon as the tragic hero plagued by his own pride, inflexibility and power. Creon believes his authority to be twofold, both as the king and as the head of his family. He claims that the throne is the source of all power, saying ?whoever is chosen to govern should be obeyed ? must be obeyed, in all things, great and small, just and unjust? (Sophocles 217), and he demands the utmost allegiance from his son, bidding him to ?subordinate everything else?to [his] father?s will? (Sophocles 216). Creon is filled with hubris, and he rejects any solution that might compromise his image. For instance, when the guards escort Antigone to the palace, he demands of the Choragos, ?Who is the man...
Oedipus loses all trust for Creon and thinks that he is plotting to kill him and steal the thrown. This, however, is not true at all. Creon even says that he would rather not be king. He is equal in all decision making with Oedipus and Jocasta. So why would he want the extra hassle of actually having to be the king. Oedipus doesn’t listen and wants to have Creon banished or killed.