A Doll’s House by Henrik Ibsen is a realistic drama that explores how the imbalanced treatment of women can dictate who they become. Nora Helmer embodies the need for evolution in regards to women and their roles within the family. The importance of this play, which was written in 1879, is still relevant in the modern world. This play helps to bring attention to the characters people play as a result of their circumstances.
Warren Milligan
English 1302-708
Professor Poissant
"A Doll House" by Henrik Ibsen:
Feminism and the Roles of Women
A Doll House, a play written by Henrik Ibsen, published in the year 1879, stirred up much controversy within its time period because it questioned the views of society's social rules and norms. " Throughout most of history... Wifehood and motherhood were regarded as women's most significant professions... The resulting stereotype that 'a woman's place is in the home' has largely determined the ways in which women have expressed themselves" ("Women's History in America").
Simonds, W. E. "Henrik Ibsen." Dial 10.119 (Mar. 1890): 301-303. Rpt. in Literature Resource Center. Detroit: Gale, 2011. Literature Resource Center. Web. 25 Mar. 2011.
In Henrik Ibsen’s “A Doll’s House”, Nora Helmer portrays the Victorian English archetype of the “angel in the house”, otherwise known as the “doll” metaphor. In the Victorian age, the social construction of gender roles was much more traditional than contemporary gender roles; women had a clear role in society of which they could not escape. A major focus of social construction is to uncover the ways in which individuals and groups participate in the construction of their perceived social reality. As society is revolutionized, people individualize, freeing themselves from the constraints imposed by traditional societies. Nora Helmer represents an antecedaneous model of a feministic viewpoint in an oppressed position. Trapped in her role of the “doll”, Nora struggles to break free, her actions precipitated by her husband, Torvald’s, actions. Weintraub, in his ““Doll’s House” Metaphor Foreshadowed in Victorian Fiction” critical essay, depicts Shaw’s work and proposes the idea that the male protagonist has an immense impact on the female protagonist’s automorphism as “the doll” and the decisions she makes. In Ibsen’s “A Doll’s House,” Nora’s characterization and ultimate decision to leave can be seen as a struggle against the combination of Torvald and Society’s pressure to conform.
This stereotype is relevant in the lives of Torvald and Nora Helmer in A Doll House by Henrik Ibsen during the Victorian Era. The major characters are Nora Helmer, Mrs. Linde, Anne-Marie, Torvald Helmer, Dr. Rank, and Krogstad. It is evident that there are three main female roles and three main men roles, giving balance to the play. The three women in the play illustrate strength and pursue in what they believe in, whereas the men have times where weakness is portrayed, but vigor is always illustrated. Women during the time expressed kindness, compassion, and loyalty towards their husbands. On the other hand, men expressed audacity, respectability, and solemnity towards their spouse. Throughout the play, Nora and Torvald express their ideals as a married couple which causes complications and misdemeanors throughout their marriage and is ironic because their personalities express their real ethics at the end of the
As a result of Henrik Ibsen’s controversial play, A Doll’s House, published in 1879, many critics were outraged that Ibsen’s conclusion challenged gender roles within society. Due to certain exterior pressures, where men were in fear that their “traditional” male dominant marriages were being threatened, Ibsen drafted an alternative ending to appease their concerns. However, his original ending shed light on the idea of a woman becoming self-sufficient in a nineteenth century society. In Ibsen’s well-crafted play, the protagonist, Nora Helmer, is treated inferior in the eyes of her husband, Torvald. Ibsen depicts how gender inequalities amongst the two spouse’s incurred detrimental consequences
... presented A Doll’s House which follows with the feminist thought of that occasion. Due to social conformity, Nora can be portrayed as a radical feminist because she walks away from her own family as well as children in search of self-enhancement. Ibsen afterward describes Nora as a drastic feminist in order to help exemplify just how bad society’s restrictions on women were. A Doll’s House is an ideal instance of Ibsen’s book that show social conformity and corruption in society and the central character is rising alongside conformity. The book strengthens the reaction of the reader’s through the protagonist who’s is Nora, as well as her husband Torvald. Torvald handles Nora like an instrument rather than an individual to some extent. Finally, the role of the reliant character change when Ibsen shows Nora infringement from Torvald and society’s prospect of women.
Today women are being mistreated for just the gender roles and stereotypes that revolve in the human society. Depending on the time period and culture, women are expected to act in a certain way. Throughout history, many relationships can be found in different cultures regarding the way women were treated. In Ibsen’s A Doll’s house, Nora reflects the responsibilities and roles of Norwegian women during the late 1870s. Torvald, Nora’s husband, also shows the way men treated women and what roles they played in a marriage. Here, women are portrayed as dependent on men, they don’t have much freedom, and they are not allowed to have opinions. Women are taught to rely on men and be acquiescent to their husbands. Many stereotypes and gender roles found in A Doll’s House can also be observed in
Henrik Ibsen published A Doll House in 1879, which was a time period of intense debate over women’s rights. Ibsen believed in the equality of people; consequently, the play displays the unjust inequality between men and women during the 19th century. Women were expected to fulfill the roles of a daughter, wife, and mother. However, to conform to the standards of the time women would repeatedly sacrifice their own happiness for the sake of men (Shahbaz). Nora attempted to fulfill the roles society expected of her, but she could not. Henrik Ibsen demonstrated how a woman has a duty to herself first by showing the negative effects of restricting women to the subservient roles of a daughter, wife, and mother in A Doll House.
In the 19th century the middle class of the European culture came from a result of the industrial revolution. It’s emergence first appeared during the late middle ages, with the birth of stronger armies, more diplomacy, endowments that could convert money into power. The strength of power throughout the country came from men, while the wives and women in general took a backseat as the men were the financial, social, and vocal anchors of the European society. The women’s issue related in A Doll’s House and The Revolver, were all common issues women faced their entire life in the bourgeois culture. Although in today’s culture women have rights, the bourgeois culture of the 19th century saw a rise in a feminist movement to increase independence