More handpicked essays just for you.
What problems beset hagar in the novel the stone angel
Character analysis of Hagar in the novel the stone angel
Character analysis of Hagar in the novel the stone angel
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Comparing the Bible and Margaret Laurence's The Stone Angel: An Examination of Archetypal References
Often times great novels and plays allude to religion, to mythology, or to other literary works for dramatic purposes. Shakespearean plays are perfect examples. Allusions help the reader or spectator better understand, through visualization, a character or an event in a novel. In some cases, the characters, the events, or a series of events are structured according to the people and the action in other stories, whether the stories be religious, mythological, classical, or historical. The character or the event, therefore, becomes a prototype of the character or event alluded to. A prototypical character in a novel is usually referred to as an archetype.
The Stone Angel, a chronicle of Hagar Shipley's life, purposely or coincidentally parallels the Biblical story of Hagar, the Egyptian bondwoman, from the book of Genesis; thus, Hagar Shipley is an archetype of the Biblical Hagar. In fact, many of the events and people in The Stone Angel are similar to the events and people from the book of Genesis. The most important archetypal reference, however, is Hagar herself, for many of the things she does, says, and represents are indicative of the things the Biblical Hagar does, says, and represents. Aside from sharing the same name, to what extent does Hagar Shipley resemble the Egyptian Hagar, and, to what extent does The Stone Angel resemble the book of Genesis? Although both stories are very similar, they are also very different. These similarities and these differences become apparent upon examination of Hagar, John, Marvin, Bram, and the Biblical characters they parallel.
As earlier stated, Hagar Shipley's character is v...
... middle of paper ...
...l archetypes in The Stone Angel should consider and examine several aspects before delving into their work. As a tip, before writing anything, ask yourself to what extent, in your own view, does Hagar and all other characters match their archetypes, if at all? Are the two stories similar enough that their resemblance is, in no way, accidental? These questions will help strengthen your arguments.
Bibliography and Works Cited
Blewett, D.. "The Unity of the Manawaka Cycle." The World of the Novel: A Student's Guide to Margaret Laurence's The Stone Angel. Ed. Lillian Perigoe and Beverly Copping. Scarborough: Prentice Hall Inc., 1983. 36.
Laurence, Margaret. The Stone Angel. Toronto: McClelland &Stewart Inc., 1988.
Thomas, Dylan. "Do Not Go Gentle into that Good Night." The Stone Angel. Margaret Laurence. Toronto: McClelland & Stewart Inc.,1988. Prologue.
Archetypes refer to the persistently recurring symbols or motifs in literature. The term itself has its origins in ancient Greek and continues to play a prominent role in analyzing literature. Archetypal images and story patterns encourage readers to participate ritualistically in basic beliefs, fears, and anxieties of their age. These archetypal features not only constitute the eloquence of the text but also tap into a level of desires and concerns of civilization. The Anglo-Saxon poem, Beowulf, translated by Seamus Heaney, integrates many of the common archetypes that still exist today. The outcast archetype is one that particularly expressed the desires, anxieties and values of the people who lived during the Beowulf era. Grendel, a character of monstrous appearance and hazily human emotion, is portrayed as the principal outsider in Beowulf. The incorporation of a banished character against his fellow society effectively expressed the anxiety and fears that the Anglo-Saxon culture felt towards seclusion and abnormality, caused by a societal absorption in family lineage and traditionalism.
Archetypes are found in every story that has been told; although stories may seem unique in their premise, every single story is actually interconnected in several ways by archetypes. Recurring themes are found in stories with even the most dissimilar settings and protagonists. In “Momotaro: Boy-of-the-Peach” and “Theseus”, several of the same archetypes are found, though the protagonists possess different goals and experiences. These archetypes include a valiant hero, an evil villain, and the hero undergoing a quest to defeat this villain. The “hero” archetype is especially prevalent among media.
An archetype, according to Literary Terms, is an idea, symbol, pattern, or character-type, in a story that appears again and again in stories from cultures around the world and symbolizes something universal in the human experience. There are symbolic, character, and situational archetypes. The Glass Castle, a memoir by Jeannette Walls, uses each archetype. The memoir captures Jeannette’s difficult life growing up due to her father’s alcoholism and inability to hold a job. These archetypes also play a crucial role in developing the novel’s theme. A central theme to the novel can be perseverance. Jeannette and her siblings grew up and managed to build a better life for themselves. They worked hard and never gave up, demonstrating perseverance.
"The Devil and Tom Walker" is a short story by Washington Irving that many wonder about. It teaches a lesson and has many archetypes in the characters. In literature, an archetype is a typical character, a type of action, or a situation that leads to the representation of such universal patterns of human nature. An archetype may be a character, a theme, a symbol or it can even be a setting. Tom walker is the protagonist of the story he is the main character.
When analyzing literature from an archetypal perspective, one does not simply look at the character’s behavior in that literary piece. Rather, when using the archetypal theory, one connects the traits and actions of the characters in the literary work, the settings, the surroundings, and the situations to a familiar type of literary character. In Arthur Miller’s The Crucible, the characters Abigail Williams, John Proctor, and Reverend Hale exhibit common archetypal behavior and fit into a certain archetypal figure.
Background ---------- Respiration is the process of converting glucose into energy; it is not breathing in and out, as is often believed. Energy is needed for growth, repair, movement and other metabolic activities. The energy released from glucose in respiration is used to produce the chemical adenosine triposphate. Adenosine triposphate is where the energy released during respiration is stored for future use.
... typical archetype. These characters are obviously supposed to mirror the archetypes that are common in fairy tales, but their flaws are contradictions to the archetypes that they are supposed to represent; through this Goldman mocks typical and standard fairy tales.
In literature, Archetypal Criticism is a critical approach where the reader interprets the meaning of a story by looking at the archetypal characters, events, and symbols that it contains. In general, an archetype is a universal, primordial representation of an event or character that is seen as a general blueprint for stories and myths, such as the Hero or Death and Rebirth (Meyer 1587). Archetypes can be very important in identifying and supporting a theme by giving us background and references for aspects throughout the story. Carol Joyce Oates uses a couple vital archetypes in her short story, “Where Are You Going, Where Have You Been,” a tale about Connie, a teenage girl, who goes through an innocence to experience situation, signifying a transition from childhood to adulthood.
An archetype in literature is defined as a typical example of a certain type of person. A character in a poem or play can be placed into many different archetype categories. Archetypes help a reader to gain a better understanding of who a character in the work is on the inside. This deeper insight into the character allows the reader to follow the flow of the story easier and more effectively. There are many different archetypes that can help advance the story.
After reading Milton’s Lost Paradise and The Book of Genesis, I noticed some similarities and many differences. Although many of the characters names and personalities were similar, the viewpoints in which these stories were written differed. For example, In Milton’s lost paradise the reader is able to actually see what the characters are thinking and their reasons for doing things, whereas in The Book of Genesis the characters actions are unpredictable. Another difference I noticed was in the Bible the source of sin begins straight from the birth of Eve and the reasons for the creation of man and woman. While in Milton’s Lost Paradise the author starts from the establishment of Satan “Who first seduc'd them to that foul revolt? Th' infernal Serpent; he it was, whose guile Stird up with Envy and Revenge, deceiv'd , The Mother of Mankind, what time his Pride Had cast him out from Heav'n, with all his Host Of Rebel Angels” (33-38). The author is referencing the source of sin to Satan, “Milton accepts, and insists on the challenge that the fall must be made believable—and acceptable—by a dramatic representation addressed to the human reasoning” (Bowers 264-273). These two stories illustrate humanity and God’s formation of earth but in contrastive ways.
Generally you would have stories that usually have a character, situation or symbol that appears so often in a work that has a deep universal meaning or a response; like how the color red represents passion or blood, three would represent trinity or mind, body, spirit; and wilderness is danger. This literary device is called an archetype. Numerous stories have the same archetype such as Trifles by Susan Glasspell and El Santo Americano by Edward Bok Lee. Both these two play writers use the victim archetype in these two works. The victim archetype is when a character is hurt by someone or lives in fear that someone will hurt him or her.
Investigating the Effect of Exercise on the Heart Rate Introduction For it's size the heart has the huge capacity of pumping large amounts of blood, in the average adult's heart beats 60 to 100 times a minute, pumps between 70ml and 100ml of blood with each beat, circulates 5 to 6 litres of blood around the body per minute and about 13 litres of blood per minute during vigorous exercise. The heart will beat more then 2.5 billion times during an average lifetime. This investigation will be looking at the effect of exercise on the heart rate. Aim The aim of this investigation is to find out how exercise affects the heart rate, using research & experimenting on changes and increases in the heart rate using exercise. Research â— The heart The normal heart is a strong, hardworking pump made of muscle tissue.
The Epic of Gilgamesh and The Odyssey both are held in high respect by literature analysts and historians alike for the characterization of the hero and his companion, the imagery brought to mind when one of them is read, and the impressive length in relation to the time period it was written in. The similarities that these two epics share do not end with only those three; in fact, the comparability of these works extend to even the information on the author and the archetypes used. However, The Odyssey and The Epic of Gilgamesh contrast from one another in their writing styles, character details, and main ideas. Both epics weave together a story of a lost man who must find his way, but the path of their stories contrast from one another.
the data but it might not have been updated for some time so it might
When discussing the different aspects of New Criticism in Dylan Thomas’s poem “Do Not Go Gentle into The Good Night”, the impression that comes to mind is death. The use of imagery was a necessity for Dylan Thomas to express the different techniques of writing which involved a mixture of surrealistic and metaphysical tones. His ability to change a words meaning to incorporate symbolism is noticeable in circle of unity from life to death and renewed life.