Antigone is a play that mainly deals with differences among characters that cause life long drawbacks and threatening resolutions. The drama is portrayed through Antigone and Creon's characters who undoubtedly resemble each other. Although they try to be masters of their own fate and eventually succumb to grieving outcomes, they both seem to have the values of a tragic hero. Although, they have their differences, their battle with one another illustrates them both as moral characters full of pride and arrogance.
In both plays the main characters have different capabilities that are unique to each of them. For instance both show strong will that many women are afraid to show. In Antigone the characters show many different capabilities, Antigone included, with these certain characteristics giving her the ability to bury her brother. As she simply says “Antigone: Guilty. I did it, I deny it not” (Sophocles, pg 189-190). This shows how Antigone is proud of what she is doing, standing up to Creon and his ways with unmoving motivation. As well as showing her true commitment to burying Polynices and being proud of doing so. Plus, Antigone displays this strength of commitment more than anyone else in this play. As Ismene and Ant...
The play Antigone is usually thought of as either the tragedy of Creon or the tragedy of Antigone, but it is just as much the tragedy of Antigone's sister Ismene. In the play, Antigone and Creon hold on to two different ideals, Antigone to the ideal of sororal duty and holy rights, while Creon holds on to the rules of his kingdom, dominated by the laws of men and of reason. Ismene is obsessed by her role as a woman, choosing to ignore her feelings of obligation towards her family, and remaining completely indecisive and inactive, as she believes a woman should. By the end of the play she is left in the same position as Creon, without any family in the world and feeling partially responsible for the outcome. If Ismene had stood up and done something either to stop Creon from sentencing Antigone to death, or to help Antigone in burying Polyneices, she would in the end be with her family in life or in death, and be better of than being left alone on earth alive. Also the actions of the characters in the play are very comparable to the ideas and strategies of the Greeks and Spartans in Thucydides, written shortly afterwards.
A tragic hero is shown in both the plays Oedipus the King and Antigone written by Sophocles. Oedipus and Antigone are both tragic heroes with many similarities and differences. Antigone, however is more of a true modern hero rather than an ancient Greek tragic hero. Oedipus is self-confident, intelligent, and strong willed. Ironically these are the very traits which bring about his tragic discovery. Antigone is a strong person and will not give into orders. She doesn 't care what happens to her because the most important thing to her is that she does what is the right thing to do hence her brother may have a good after life. Antigone feels that all people even her brother deserved a proper burial; "with all honorable observances due to the dead” (Antigone, 127). Oedipus is also as noble as Antigone is. Oedipus was so determined
In Antigone, we have Antigone who is a very determined yet disobedient girl. She goes against the King Creon’s rules to bury her brother and when confronted and punished decides to kill herself. Her death led to main tragedy as her husband and mother in law both commit suicide hence leaving the King in distress and pain. Even though the story line in Antigone is very different from that of Oedipus the King, the two plays do mirror each other in a vast number of aspects. The kings, Creon and Oedipus’ desire to do right despite being warned ultimately led both of them to their doom. Their arrogance towards Teiresas, the fear of being over throned and losing their wives are mirror images of each other.
In the struggle between Creon and Antigone, Sophocles' audience would have recognized a genuine conflict of duties and values. From the Greek point of view, both Creon's and Antigone's positions are flawed, because both oversimplify ethical life by recognizing only one kind of good or duty. By oversimplifying, each ignores the fact that a conflict exists at all, or that deliberation is necessary. Moreover, both Creon and Antigone display the dangerous flaw of pride in the way they justify and carry out their decisions. Antigone admits right from the beginning that she wants to carry out the burial because the action is glorious. Antigone has a savage spirit; she has spent most of her life burying her family members.
In the play, Antigone, two brothers are killed in battle. One of them, Polyneices, is considered to be a rebel by the new ruler of Thebes, Creon. The corrupt and prideful king, Creon, created an edict that states that nobody could bury Polynices’s body because he was a traitor to Thebes and his family and denies the sanctification and burial of Polyneices's body because of his rebellion and intends to leave him to become the meal of wild animals. Polyneices's sister, Antigone, defies Creon by giving her brother a proper burial, no matter the consequences. Both King and Antigone sought to do what they thought was the right thing to do, even if it was against the law. Though King and Antigone are two completely different people from two completely different times, they were actually quite similar in that they both were minorities at a disadvantage, and lacking power and credibility among those in control. King and Antigone both fought for injustice and what they believed in, however, not necessarily in the same
...tigone is between the two mindsets of the two conflicting characters. Sophocles bases Antigone on his standpoint about the argument of the man-made law against the religious law. The conflict between the two opposing characters creates drama throughout the story.
At the end of the play Antigone, Creon’s family members end their own lives because of Creo. He then has to live with the pain and guilt of their loss. Antigone knew that she was risking her life by burying her brother, even though Creon’s new decree clearly stated no one is to bury Polyneices. At the end of the play, Antigone sadly ended her own life and has no pain or guilt to bear since she is not alive anymore. Creon is more of a tragic hero than Antigone because of the fact that he provoked both his son and wife to die , he went from king to nothing, he realizes that he is responsible for their death's and will forever live with the guilt.
The Themes of Antigone and Oedipus Antigone and Oedipus, written by Sophocles, are dramatic plays with a tragic ending. The main theme for Antigone is that people sometimes have to learn the hard way from their mistakes. This theme is expressed in the final four lines of the play. They read, There is no happiness where there is no wisdom; No wisdom but in submission to the gods. Big words are always punished, and proud men of old age learn to be wise.
Compare and contrast the part that the city or state (polis) plays in Antigone and Oedipus The King.
The play “Antigone” is a tragedy by Sophocles. One main theme of the play is Religion vs. the state. This theme is seen throughout the play. Antigone is the supporter of religion and following the laws of the gods and the king of Thebes, Creon, is the state. In the play Creon has made it against the law to bury Antigone’s brother, something that goes against the laws of the gods, this is the cause of most conflict in the story. This struggle helps to develop the tragic form by giving the reader parts of the form through different characters.
There are many similarities and differences between Antigone by Sophocles and Shakespeare’s Romeo and Juliet. The adults in both of the books have the difficult job of controlling the actions of the younger characters. Their decisions have a crucial effect on the outcome of the books, for the younger characters that they guide are the main figures in their stories. Antigone’s King Creon and Romeo and Juliet’s Prince Escalus and Lord Capulet share but also have unique strengths, weaknesses, leadership qualities, and crisis-managing techniques.
This play is ultimately concerned with one person defying another person and paying the price. Antigone went against the law of the land, set by the newly crowned King Creon. Antigone was passionate about doing right by her brother and burying him according to her religious beliefs even though Creon deemed him a traitor and ordered him to be left for the animals to devour. Creon was passionate about being king and making his mark from his new throne. Although they differed in their views, the passion Creon and Antigone shared for those opinions was the same, they were equally passionate about their opposing views. Creon would have found it very difficult to see that he had anything in common with Antigone however as he appears to be in conflict with everyone, in his mind he has to stand alone in his views in order to set himself apart as king. Before he took to the throne Creon took advice from the prophet Tiresias who had so often had been his spiritual and moral compass, and yet in this matter concerning Antigone he will take advice from no one, not from the elders of Thebes, or even his own son Haemon.
...igone respectively. Both plays focus on women's place in society and the struggle of two women to discover the repression of women latent in society and to break free of that repression. Surprisingly enough the two societies maintain similar expectations of women, but Nora and Antigone break those expectations via different methods unique to their situations. Nora is repressed by her husband and society, whereas Antigone is repressed by Creon and Thebian society, and while Nora deceives her husband for the majority of their marriage, Antigone's strong will allows her to openly confront Creon's superiority. Thus, the conclusions or denouements of the plays are to some extent different; while Nora survives in theoretical 'perfect freedom' in her society, Antigone is given death, and in a way 'frees' herself from the repressive society in which she has been subjected to.