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Composition writing about Fear
Essay of the allure of fear
Composition writing about Fear
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Poems on Fear Poems by Teasdale, Graham, Nissen, Wheaton, and Hill, all share the same overall theme of fear. These poems all express the theme of fear in different ways. Some of the authors write about how they overcame fear, and others write about their current struggle with it. Fear can be put into very different perspectives based on the author's viewpoint. Depending on their past, and present ideas, they may view fear differently.
The first poem, “Fear”, by Sara Teasdale, expresses the theme of fear using personification and flashbacks. In line 2, it says, “The cold black fear is clutching me to-night.” Teasdale uses personification as a way to give fear a likeness to something alive when in reality it is just an emotion, conjured up by our own thoughts. The author also uses flashbacks, to express to the reader that fear is a long-time foe, with which she has struggled with since childhood. She also insinuates a fear of the dark, through many inferences to the “joy of light”, and “they would take the light.” “As long ago when they would take the light, And leave the little child who would have prayed, Frozen and sleepless at the thought of death.” It elaborates that as a child, she was also afraid of the
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Tone plays an important role in this poem as the lines are short, to the point, and show how fear can infiltrate the mind in an instant. “My heart begins to race, The end is so near, It's right in my face.” This poem has a tone of confusion, relaying the idea of the title. Nissen uses a recurring segment in his poem to express the ‘fog’ of fear. “The fear swells up, I begin to dread, That time in my life, That my life will end,” is repeated at the beginning and the end of the poem. The author repeats himself, alluding to the fact that fear fogs the mind. “Fog of Fear” focuses more on the panic in fear, while “Fear” by Marian Wheaton discusses overcoming
The idea of fear is a fairly simple concept, yet it carries the power to consume and control lives. Fears have stemmed from an inadvertent psychological response to situations deemed threating to one’s personal safety, but have evolved into a complex web of often illogical misconceptions which are able to cloud a person’s judgment and result in situations often worse than originally intended. Fears can be hard to quell, but it has been shown the best way to overcome fears is often to face them, as author James Baldwin asserted when he wrote, “To defend oneself against fear is simply to insure that one will, one day, be conquered by it; fears must be faced.” Baldwin makes strongly qualified statement, and his idea fears must be faced to ensure one is not conquered by them is evident frequently, and is especially visible in Nathaniel Hawthorne’s classic novel, The Scarlet Letter. In The Scarlet Letter, two characters are placed in situations in which they are directly confronted with their fears, but react much differently, resulting in contrastingly different consequences. Baldwin’s assertion is qualified by the journeys of Hester Prynne and the Reverend Dimmesdale in The Scarlet Letter, who show how facing one’s fears can have a positive outcome while defending oneself from their fears can have detrimental consequences.
also be seen as a man who enjoyed killing but must come up with an
the world and how dark it could, because when she was younger she lived in
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
on: April 10th 1864. He was born in 1809 and died at the age of 83 in
Fear brings forth a certain atmosphere which compels us to act upon it. The era in which the book was published allows us to see how common these fears were. Shirley Jackson's The Haunting of Hill House is an excellent portrayal of how fear controls the human mind by using the characters as examples. In the book Eleanor, Theodora, Luke, and Dr. Montague have all been influenced by fear in the story, whether it be the fear of love, the unknown, family, rejection, expression, or loneliness. These different types of fear plagued their minds causing their actions to reflect upon them. Jackson explores the theme of fear in The Haunting of Hill House by creating a cast of characters that in turn are manipulated by the inner workings of their minds and the
We wonder what this great evil could be that makes evil itself tremble. Another personification used is ‘candle writing’. Candles are usually associated with gothic stories, as it is only a small source of light. within the vast darkness of the room.
Throughout one’s lifetime, difficult obstacles and circumstances may present themselves during times when one’s strength may not be extremely prevalent, as fear continues to restrict their ability to overcome the constant uneasiness which forms when contemplating taking risks. Demonstrated in the poem “The Story” written by Karen Connelly, fear often withholds others from performing to the best of their ability, as it hovers in the shadows, always lurking from behind. Connelly begins by portraying fear as the vast, unknown ocean as “seaweed shadows twist below” (line 6-7), intimidating the reader as they begin to imagine jumping into a dangerous void with unidentified outcomes. As the feeling of fear begins to burrow into the minds of those
The paper compares two short stories (Poe’s “the fall of The House of Usher” and Perkins-Gillman’s “the Yellow Wallpaper”), in order to develop arguments about the relationship between characters’ fears and the main theme of each story. In the two short stories, the characters are suffering from various forms of fear under different circumstances. Such fears include fear of fear, fear of death, fear of other people, fear of isolation, fear of punishment, and fear of loss of reputation. Such different forms of fears can assist readers in understanding the motives of the characters.
Fear is the emotional state that someone goes into when they feel threatened or endangered. The fact that we do not know everything makes us think that everything we do not know is feared. There are many stories that include the fear of the unknown. Each poem, story, and drama include some type of fear. In “The Yellow Wallpaper”, “Hills Like White Elephants”, and “Poof” there is an extensive amount of fear for the unknown. Charlotte Perkins Gilman, Ernest Hemingway, and Lynn Nottage all used the fear to their advantage while writing and making an entertainment for the readers.
Analysing the poem, summarising the meaning to this poem is simply how “we” humans, in life wherever we go we have this fear of the unknown, something
Fear was something she experienced when she was little. She wrote the poem “ Life doesn’t frighten me .’’ This talks about things that she isn’t scared about she it’s actually things she is the most scared about. For example in the poem she says “ Bad dogs barking loud, Big ghosts in a cloud, Life doesn't frighten me at all. ’’ Bad dogs meaning men screaming at her and telling her what to do. The poem is written like she isn’t scared but in reality she is.
While fear plays an essential role in the poem, Olds never mentions the emotion itself, except in the title. Instead, she elicits the sense of fear with the words she uses, such as “suddenly,” and vivid imagery of death, darkness and water: “…like ...
Sonnets have for a while in history been seen as strictly categorized and written by male poets, yet from the first written sonnet is has always been adapted by women. The twentieth and twenty-first centuries have brought about an assertion of female-authored sonnets along with the rise of feminism. Edna St. Vincent Millay has positioned herself in a tradition in which most others end up viewing the development of feminism through the use of sonnet. By comparing the works of Edna St. Vincent Millay and Marilyn Hacker there can be a clear distinction drawn as to the feminist context in which both sonnets lay rest. “Time does not bring relief; you all have lied” through the use of literary devices is able to evoke negative emotions and turn them into
Both, the poem “Reluctance” by Robert Frost and “Time Does Not Bring Relief” by Edna St. Vincent Millay, revolved around the theme of lost love. Each poet used a similar array of poetic devices to express this theme. Visual imagery was one of the illustrative poetic devices used in the compositions. Another poetic device incorporated by both poets in order to convey the mood of the poems was personification. And by the same token, metaphors were also used to help express the gist of both poems. Ergo, similar poetic devices were used in both poems to communicate the theme of grieving the loss of a loved one.