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Figurative language in a literary work
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In literature, it is evident that each author has their own technique of writing. Although many authors are inspired by other writers, no two authors are alike. Each writer offers something to literature that is unique and their own. As a result, each author has their own view on what successful writings should do. Willa Cather explains in her essay, “The Novel Demeuble” her thoughts of what a successful novel consists of, and includes a few authors who represent both successful and non successful novels and in her novel, The Professors House helps meet the criteria she delineates. In the essay “The Novel Demeuble” Willa Cather introduces the artistry of a novel. Cather begins to explain authors who she agrees with and others who she does not. She believes that certain authors including David Herbert Richards Lawrence and Honoré de Balzac do not leave anything unnamed, therefore, taking away many emotions from in a story. Willa Cather states in her essay, “A novel crowed with physical sensations is no less a catalogue than one crowded with furniture” (Essay). By adding pointless details about material things that aren’t important, takes away from a novel and essentially affects characters. Cather uses Mr. Lawrence’s book The Rainbow as an example of how too much detail can “dehumanize” …show more content…
St. Peter one of them- standing there just as if they’d been left yesterday. In the back court we found a great many things besides jars and bowls: a row of grinding-stones, and several clay ovens, very much like those the Mexicans use to-day. There were charred bones and charcoal, and the roof was thick with soot all the way along.... There were corncobs everywhere, and ears of corn with the kernels still on them-little, like popcorn. We found dried beans, too, and strings of pumpkin seeds, and plum seeds, and a cupboard full of little implements made of turkey bones. (Cather
Gary’s House, Debra Oswald, features the story of an Aussie couple facing the reality of adversity. Oswald has represented common beliefs and representations through the four protagonists mainly focusing on Gary and Dave. Many beliefs and values in the book symbolize the dominant stereotypes of an average Australian. Oswald explores the concept of an Aussie battler and how it perpetuates and challenges the common stereotype of Australians.
Richey assigns Kingsolver to organize and shelve every book in the library. In doing so, literature saved Kingsolver from the dullness of her day-to-day life. Nevertheless, monotony was not her only problem. She also had no passion or drive for school, but was uncertain about life, even going as far as to say, “I was developing a lean and hungry outlook.” But what that, ‘hungry outlook’ was for, was uncertain; she saw few career paths with the ‘practical’ skills she had learned in Home Economics, luckily, that aspect of her life would come from not within, but from the hallowed halls of the library, and from the dusty pages of classic literature. Her time categorizing books for Richey enlightened Kingsolver to the works of great writers, exposing her to the vast worlds, hidden, waiting to be found. Kingsolver most definitely found those world, immersing herself into them, allowing them to seep to the furthest corners of her brain, and changing her rural outlook to one of sophistication. This passion for reading allowed her to develop a sense of career, and facilitated her future as a writer. It did for her what schooling could not: give her a passion for
The purpose of Baker’s essay and its placement in The Prentice Hall Guide for College Writers is to encourage young writers to realize that writing truly is a privilege. It is also placed in the book to show college English students that writing does not have to be a grim task and that thinking of it in that manner will only make the student average.
The author of The House on Mango Street and the producer of The Color Purple are able to integrate numerous important thematic ideas. Many of these ideas still apply to our current world, teaching various important lessons to many adolescents and adults. The House on Mango Street is a collection of vignettes written by Sandra Cisneros, a Mexican-American writer. The novel depicts many aspects of Sandra Cisneros’ life including racism, and sexism that she and the main character face. The novel revolves around Esperanza Cordero, a young Latina girl, who is growing up in Chicago as she faces the various struggles of living in America. The various vignettes reveal many experiences Esperanza has with reality and her navie responses to such harsh
On December 10, 1950, in Stockholm, Sweden, one of the greatest literary minds of the twentieth century, William Faulkner, presented his acceptance speech for the Nobel Prize. If one reads in between the lines of this acceptance speech, they can detect a certain message – more of a cry or plead – aimed directly to adolescent authors and writers, and that message is to be the voice of your own generation; write about things with true importance. This also means that authors should include heart, soul, spirit, and raw, truthful emotion into their writing. “Love and honor and pity and pride and compassion and sacrifice” (Faulkner) should all be frequently embraced – it is the duty of authors to do so. If these young and adolescent authors ignore this message and duty, the already endangered state of literature will continue to diminish until its unfortunate extinction.
In the skillful novel, "How To Read Literature Like A Professor" by Thomas C. Foster, there is neither a protagonist nor antagonist. As a whole, the novel gives insights on how to pick up signs of symbolism, irony, and many other hidden details that are buried within the words of literature. Foster refers to many classis novels by classic authors to demonstrate the use of logic in writing. The novel is extremely educational, leaving many insightful questions and interpretations to the reader's opinion.
“The Road Not Taken.” Literature and the Writing Process. Ed. Elizabeth McMahan et al. 8th ed.
Without much thought, authors use brilliant techniques in order to portray the images and stories that they wish to tell. The novel, How to Read Literature Like a Professor, by Thomas C Foster, helps readers discover the hidden truths among literature and the brilliant techniques that the authors use as well as learn how to add innovative concepts into their writing in order to portray exactly what they are trying to say. It is evident that in A Thousand Splendid Suns the author, Khaled Hosseini, unconsciously uses some of the brilliant concepts that Foster addresses in his book. Khaled Hosseini, the accomplished author, habitually uses the concepts by Thomas C Foster in How to Read Literature Like a Professor, therefore making Hosseini an iconic author.
Francine Prose is a mother, a writer, a book reviewer, and most importantly, a massive critic of the type of literature that is demanded of children to read in American high schools. In a very defensive essay, Prose discusses a variety of books that she believes are a wast of actual literature. She uses a variety of rhetoric to attract the reader’s attention, and uses it to also persuade her readers to see things the way she does. Throughout the essay it becomes more apparent that the author makes multiple inferences of what she believes will happen to the generations that will entire a corrupt educational system. In the essay that Prose writes, she explains that the lack of eloquent literature is causing a demise to the education of teenagers
It is fascinating to me to read the articles “Why I Write,” by George Orwell and Joan Didion. These authors touch on so many different topics for their reasons to writing. Their ideals are very much different, but their end results are the same, words on paper for people to read. Both authors made very descriptive points to how their minds wander on and off their writings while trying to write. They both often were writing about what they didn’t want to write about before they actually wrote what they wanted too. In George Orwell’s case, he wrote many things when he was young the he himself would laugh at today, or felt was unprofessional the but if he hadn’t done so he would not of been the writer he became. In Joan Didion’s case she would often be daydreaming about subjects that had nothing to do with what she intended on writing. Her style of writing in this article is actually more interesting because of this. Her mind wandering all over on many different subjects to how her writing came to her is very interesting for a person like me to read. My mind is also very restless on many different unneeded topics before I actually figure some sort of combined way to put words on to paper for people to read. Each author put down in their articles many ways of how there minds work while figuring out what they are going to write about. Both of the authors ended ...
Wright, Richard. "The Man Who Was Almost a Man." Literature and the Writing Process. Ed.
Other critics talk mostly about the landscape of Cather's stories, the way the pioneer story and the struggle with nature is a vital piece of her work. This is partly why, I think, Cather has been viewed as a minor writer of "local color" for so long. Because she sketches her landscapes with such simplicity and yet detail, many critics do not look past the landscape to see the characters and the true drama that they play out. An example of a critique which accepts the critical opinion that the novel is "defective in structure" is James E. Miller's 1958 essay "My ntonia: A Frontier Drama of Time. " I group his essay here because he spends the bulk of the essay arguing that the defect of structure is overcome when we look at the cyclical nature of time in the novel as its unifying theme.
"It is one of the blessings of this world that few people see visions and dream dreams" (Hurston). An author, especially during the Harlem Renaissance which immediately followed World War One, is someone who took their dream, acted upon it, and made it into something tangible on paper. An author takes their thoughts and creates something beautifully unique each and every time. Being an author takes a lot of strength in order to find your place in the overpopulated industry of up and coming authors-to-be. In any industry, not just writing, it takes a while to find one's special voice and style. A well respected author of the Harlem Renaissance, Zora Neale Hurston wrote
Meyer, Michael, ed. Thinking and Writing About Literature. Second Edition. New York: Bedford/St. Martin's, 2001.
Lerych, Lynne, and Allison DeBoer. The Little Black Book of College Writing. Boston, New York: