David Cronenberg and Terry Gilliam are both famously talented directors who have created numerous films that are thought provoking and ingenious. They continue to inspire discussions on political and social issues, while added humor and/or horror to every scene. Videodrome and Brazil, for example, are two very important films in these directors’ careers in terms of making a statement and continuing their careers as renowned filmmakers. We should consider these two films when approaching themes of government, technology, vanity, and the “individual” (or lack there of). The film begins, and we are greeted with “your loyal girl, Bridey” with Max’s Good Morning wakeup call. Just as the movie is starting we are already bombarded with the importance …show more content…
He was a revolutionary in the horror genre and his work created a political and social uncomfortableness that grew with his rising reputation. In an interview on continuing themes, Cronenberg recalls a friend who saw Videodrome and said, “You know, someday they’re going to lock you up.” (Cronenberg, 1997) Even fairly early in his feature film career, Cronenberg was aware of the buttons he was pushing and the lines he was crossing with the films he was creating. When looking at Videodrome specifically, we see such emphasis on what is referred to as “pressing anxieties,” pushing the boundaries on what films could show their audience and the reaction that coincided. (Mathijs, 2008) An example would be the very idea of the show itself that Max is endorsing, and the gruesome torture and violence that comes along with that. Cronenberg has created a layered style of horror and gore through a TV show based on that idea, within his own film surrounding it. Videodrome alone is the epitome of what Cronenberg was capable of creating during the crescendo of the horror …show more content…
In today’s age, we see more and more of Hollywood and other “celebrities” focusing more on their outward appearances and ways in which they can alter it. Sam’s mother, Ida, has the constant need to be prettier and younger, and will achieve that goal through any means necessary. Even her best friend, who was aiming to achieve the same goals, lost her life due to “complications” of the surgeries. Thirty years ago, we have Gilliam poking fun at the idea of vanity and the pursuit of perfection in Hollywood and the elite, but even today we have people, like the Kardashians, who continue to make the same statements as Ida Lowry. It seems our society has not only continued to be submerged in this vanity race, but has completely overlooked the message that Gilliam was trying to present and the problems that come with a conceited
“Insanity: doing the same thing over and over again and expecting different results” a quote that sums up humanity’s unchanged love for horror movies. Over the years, as millions of people have watched horror movies the graphics, special effects, and sounds have changed for the better. While scenes have intensified yet remained the same someone gets stabbed, butchered or killed violently. It’s hard to imagine how anyone in their right mind could choose to see such violent acts. Which is the reason why Stephen Kings say’s “I think we’re all mentally ill; those of us outside the asylums only hide it a little better- and maybe not all that much better after all” (405). That sentence provides us with his twisted example of “Why we crave Horror Movies” claiming it’s mainly a matter of our mental state. King includes examples of reasons people continue to go, he says it’s to have fun, to dare the nightmare, and to re-establish our sense of normalcy. Kings arguments within this essay are strong enough to prove his thesis making this a well written essay. He easily convinces normal people that they are mentally ill, with his use of analogy’s, comparisons, and logos. Stephen King’s use of practical wisdom leads his audience to believe that without horror films, humans are all emotional ticking time bombs waiting to explode.
In today’s world, many people place a huge emphasis upon appearance, self-image and fitting in. Some are willing to go great lengths to gain a better sense of confidence, even though the outcome may come at a great cost. In the short story,“Anointed With Oils”. Alden Nowlan introduced Edith as a young, shack girl who tried so hard to extinguish her past to create a new life for herself. As an uneducated young lady, Edith found it very hard to land a respectable and organized job that she desired. She was embarrassed of many aspects of her life so she always tried to enhance her quality of life and the way she appeared. Edith believed that in order to be a star, she needed to be beautiful but she didn't see that in herself. Changing her appearance
Through their use of allusion, symbolism and representation they portray many of societies flaws and imperfections. Such an imperfection includes the illustration of how totalitarian governments abuse the power they have acquired for their own gain, harming the people they are sworn to serve and protect. Through this abusive self-gaining government, we all are liable to become victims of consumer culture caused by the blind obedience to advertising and propaganda, being unable to form or voice an opinion of our own. But this lack of opinion can be at fault because of our own apathy, the ignorance and slothfulness that is contributed to the role we play in our society and the importance of that roles ability to motivate and inspire change. Whether you’ve read or viewed the novels or feature films I’ve discussed I have no hesitation in saying any text or film you have seen has been used in some way, shape or form to convey the criticisms of our ‘perfect’
One of America’s famous actress film director and producer Katie Aselton once said,” I don’t love horror movies with something surreal happening. That doesn’t work for me. What’s terrifying is something that could actually happen to me and what I would do. I don’t know how to throw a punch, and I’ve never had to do it.” This quote shows connection to King’s article. I’m starting to consider that everyone has a crazy side. Why We Crave Horror Movies explains the reason people want to go see horror movies. The average person enjoys the horror movies because they are in a safe environment knowing they can not be harmed. By discussing the argumentative strategies such as ethos, logos,
The pressure of trying to look like celebrities can cause someone to do drastic, unnecessary things to themselves just to please the social critics. In the story, “The Girl Who Was Plugged In” the main character, Philadelphia Burke, was what society considered ugly. After a failed suicide attempt she becomes a candidate to become a celebrity. Philadelphia wanted to finally be what society thought as perfect. To become a celebrity Philadelphia must go through several modifications and electronic implants. Nobody really want to have these things done to them bu...
His experimental and unique perverse screenwriting has shocked and inspired numerous people. His aesthetics painted horror vividly and presented itself dramatically. His musical and cinematic vision was a healthy extension of his devilishly, clever, and demented mind. His modes of publication with music, film and print, had and still a tremendous fanbase. He has gained our attention in every media related forum and we can’t look away, even if we try. He has left us cheering, screaming and on the edge of our seats. We leave feeling bad about ourselves for watching his visual storytelling unfold. “You know, it’s like, I’m going to sit here for 90 minutes and watch these guys get fucked up with no hope. That’s what I love about these films, you walk out feeling bad about yourself, saying “Why did I enjoy that? What does this say about me as a person?” It is a cathartic experience that horror lovers can have again and again. Not acting on those horrific urges, but instead, becoming one of his characters that were just never really understood and that evil is real. Evil never dies and revenge always wins or at least in horror
The genre of horror films is one that is vast and continually growing. So many different elements have been known to appear in horror films that it is often times difficult to define what is explicitly a horror film and what is not. Due to this ambiguous definition of horror the genre is often times divided into subgenres. Each subgenre of horror has a more readily identifiable list of classifications that make it easier to cast a film to a subgenre, rather than the entire horror genre. One such subgenre that is particularly interesting is that of the stalker film. The stalker film can be categorized as a member of the horror genre in two ways. First, the stalker film can be identified within the horror genre due to its connection with the easily recognizable subgenre of horror, the slasher film. Though many elements of the stalker film differ from those of the slasher film, the use of non-mechanical weapons and obvious sexual plot points can be used to categorize the stalker film as a subgenre of the slasher film. Secondly, the stalker film can be considered a member of the horror genre using Robin Wood’s discussion regarding horror as that which society represses. The films Fatal Attraction, The Fan, and The Crush will be discussed in support of this argument. (Need some connector sentence here to finish out the intro)
The article Why We Crave Horror Movies by Stephen King distinguishes why we truly do crave horror movies. Stephen King goes into depth on the many reasons on why we, as humans, find horror movies intriguing and how we all have some sort of insanity within us. He does this by using different rhetorical techniques and appealing to the audience through ways such as experience, emotion and logic. Apart from that he also relates a numerous amount of aspects on why we crave horror movies to our lives. Throughout this essay I will be evaluating the authors arguments and points on why society finds horror movies so desirable and captivating.
It deliberately appeals to all that is worst in us.” Suggestive of the notion that we need horror movies to stay on sane level of the playing field. I believe that this is a far-fetched idea to why we enjoy the blood filled manic movies. I am sure there are those circumstantial people who truly do watch them for pure pleasure and liking, but we can’t take this into account because there will always be circumstantial evidence. As humans, we are naturally curious and we all carry the desire to see what were not supposed to see. We credit most of life’s greatest discoveries on the fact that we are curious, rapidly moving into an era of new findings. For instance, your first reaction when driving by a major car accident is to look, we have the innate tendency to catch a glimpse of the world no one wants to really experience. We know that when we look, odds are were not going to witness a unicorn jumping over a rainbow, but the possibility of seeing a horrific accident or even a mangled
People are always complaining about how they aren’t as pretty as models on billboards, or how they aren’t as thin as that other girl. Why do we do this to ourselves? It’s benefitting absolutely nobody and it just makes us feel bad about ourselves. The answer is because society has engraved in our minds that we need to be someone we’re not in order to look beautiful. Throughout time, society has shaped our attitudes about appearances, making it perfectly normal and even encouraged, to be five feet ten inches and 95 pounds. People have felt trapped by this ideal. Society has made these beauty standards unattainable, therefore making it self defeating. This is evident in A Doll’s House, where the main character, Nora, feels trapped by Torvald and society’s standard of beauty. The ideal appearance that is prevalent in society is also apparent in the novel, The Samurai’s Garden, where Sachi is embarrassed of the condition of her skin due to leprosy and the stigmas associated with the disease. The burden of having to live up to society’s standard of beauty can affect one psychologically and emotionally, as portrayed in A Doll’s House and The Samurai’s Garden.
Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned. (Horror Films)
One could easily dismiss movies as superficial, unnecessarily violent spectacles, although such a viewpoint is distressingly pessimistic and myopic. In a given year, several films are released which have long-lasting effects on large numbers of individuals. These pictures speak
In recent times, such stereotyped categorizations of films are becoming inapplicable. ‘Blockbusters’ with celebrity-studded casts may have plots in which characters explore the depths of the human psyche, or avant-garde film techniques. Titles like ‘American Beauty’ (1999), ‘Fight Club’ (1999) and ‘Kill Bill 2’ (2004) come readily into mind. Hollywood perhaps could be gradually losing its stigma as a money-hungry machine churning out predictable, unintelligent flicks for mass consumption. While whether this image of Hollywood is justified remains open to debate, earlier films in the 60’s and 70’s like ‘Bonnie and Clyde’ (1967) and ‘Taxi Driver’ (1976) already revealed signs of depth and avant-garde film techniques. These films were successful as not only did they appeal to the mass audience, but they managed to communicate alternate messages to select groups who understood subtleties within them.
Stephen King, a very well-known writer and director, has a passionate voice when it comes to anything dealing with horror. In “Why We Crave Horror Movies,” King calls us out for knowing that we love the adrenaline rush and how we are so captivated by horror movies. He explains how we watch horror movies for the level of fun. King proposes that we go to defy ourselves; to see how far it can push us and that is what makes the experience so interesting. We lock our inner psycho from reality and feed it with the demonic, bloody violence found in horror movies. Doing this suggests that horror movies are our fix for our psychotic thoughts. Stephen King’s “Why We Crave Horror Movies” portrays that we are all insane in some weird way through
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universal understanding or interpretation. This is true for the French New Wave films Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society, using sound and editing.