Everyone is afraid of something. Not necessarily to the point of phobia, but every individual can be driven to madness through the worries of the question, “What if”. In The Illustrated Man by Ray Bradbury, Bradbury writes a series of sci-fi short stories that tell generally gruesome and horrible futures or dark takes on the present. However, while the overall theme of The Illustrated Man may be a theme of fear, Bradbury demonstrates his theme in completely different ways between the stories, especially “The Veldt” and “The Concrete Mixer”.
To begin, “The Concrete Mixer” by Ray Bradbury demonstrates the theme of fear via character interactions and the way they act. The short story itself is about how Martians invade planet Earth despite the warnings of Ettil Vrye, a martian who had illegal
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Right before the Martians take off for Earth, Ettil is given a choice of going to the war or dying in an incinerator, for his crime of having this literature. Ettil responds to this after choosing to save his life with, “This is a foolish thing, Mars invading Earth. We’ll be destroyed utterly… So be it, if you wish. But let me draw a few conclusions. Invariably, each invasion is thwarted by a young man, usually Mick or Rick, or Jick or Bannon, who destroys the Martians… I don’t believe Earthmen can actually do that, no. But they have a background, understand, assignor, of children reading just such fiction, absorbing it… We martians? We are uncertain, we know we might fail. Our morale is low, in spite of banged drums and tooted horns” (Bradbury 209, 211-12). This reaction of Ettil is not based on logic, or evidence, or any concrete proof, rather his argument is based on the
Fear resides within all of our souls and our minds in different forms wether it be mind, body, or spirit. Fear can be brought upon by actions, words or ever our mere imagination. Of course as one being younger your imagination can bring along fear that is non existent but, to one it may seem so vivid and tangible. In this Novel by William Golding we come to grasps with many different forms of fear being from the beast, the loss of humanity, and the fear of realization.
The idea of fear is a fairly simple concept, yet it carries the power to consume and control lives. Fears have stemmed from an inadvertent psychological response to situations deemed threating to one’s personal safety, but have evolved into a complex web of often illogical misconceptions which are able to cloud a person’s judgment and result in situations often worse than originally intended. Fears can be hard to quell, but it has been shown the best way to overcome fears is often to face them, as author James Baldwin asserted when he wrote, “To defend oneself against fear is simply to insure that one will, one day, be conquered by it; fears must be faced.” Baldwin makes strongly qualified statement, and his idea fears must be faced to ensure one is not conquered by them is evident frequently, and is especially visible in Nathaniel Hawthorne’s classic novel, The Scarlet Letter. In The Scarlet Letter, two characters are placed in situations in which they are directly confronted with their fears, but react much differently, resulting in contrastingly different consequences. Baldwin’s assertion is qualified by the journeys of Hester Prynne and the Reverend Dimmesdale in The Scarlet Letter, who show how facing one’s fears can have a positive outcome while defending oneself from their fears can have detrimental consequences.
Though fictional, this novel illustrates the fear surrounding disease, viruses, and contamination and how, if uncontrollable, it could lead to a global spread that could jeopardize the human race. Traveling internationally, World War Z represents a zombie epidemic that brings forth infection, which can be considered an unconscious actor during this time of confusion and destruction. Scientifically, fear is defined as a natural response found in almost all organisms that revolves around the emotions and feelings induced by perceived threats and danger. Max Brooks illustrates the societal interaction with fear, “Fear of aging, fear of loneliness, fear of poverty, fear of failure”.
During World War One, the amount of devastation was massive. The human welfare declined as well as progress in Europe. James Whale formed his surroundings during this time period into his personal adaptation of Mary Shelley’s “Frankenstein”. The monster created by Whale is symbolic of a wounded soldier who has been forgotten and cast out or pushed to the side by an economy in depression. This film is characteristic of the post war years with hopefulness of reconstruction, the deterioration of community as well as the individual, and the erection of destruction. This theme of re-animation is presented through the utilization of death in economic and procreative positions. Whale’s creation of the Dr. Frankenstein character and his generative role in a dark underground laboratory can be seen in an emblematic arena that is analogous to the fighting on a battlefield. When one thinks of a battlefield, death is almost certainly the first thing. What is generally overlooked is the potential of battle and death being the first strides on the way to a new existence. The comparison between the laboratory of Frankenstein and the battlefield should both be of death leading to new life and a new beginning. However, in the 1931 film of Frankenstein, it is found that any fulfillment of this new existence simply returns the community to a harsher reality of unforgiving modes.
When writing a story that is meant to scare the reader, authors use a variety of different literary elements to intensify fear. This is apparent in the stories “The Fall of the House of Usher,” “beware: do not read this poem,” and “House Taken Over”. It is shown through transformation in the character, setting, and sometimes even the story or poem itself, adding to the scariness that the reader feels when reading it. While there are some examples of transformation not being scary or not playing a role in stories meant to scare us, transformation plays a crucial role in making the reader of these stories scared.
Edgar Allan Poe is known to observe humans reaction to… Both Poe, in his short stories “The Fall of the house of Usher”, and Bierce, in his short story “One of the Missing”, expose their characters to fear.
These two stories show how fear can cause the bond of friendship and community or hatred which resulted in alienation. The two character, Lee Strunk and Dave Jenson, show how a mans reaction to fear can affect him. In the story "Enemies," Jenson slowly begins to isolate himself as a way to keep away from Strunk. He views everyone as the enemy making his foxholes near the perimeter and always keeping his back covered. This constant fear ate way at Jenson until he finally lost his sanity. In "Friends," Jenson and Strunk take deal with fear in a more positive way.
Fear motivates many people to act upon matters, right or wrong. This emotion has been important in many events in both works of literature, and in the real world. It has forced military geniuses into retreat, and influenced them to plan another method of attack. Fear can be both a positive and a negative acting force in one’s life, a quality that can motivate one to success as well as to downfall.
Bradbury developed the setting of the story similar to Earth as far aslandscape, atmosphere, and people in order to emphasize his intentions. Themartians are described as if they are American Indians at the time of theAmerican Revolution. For example, in the beginning of the story, Bradburydepicts Martians "they had the fair, brownish skin of the true Martian, the yellowcoin eyes, the soft musical voices." The trees, the towns in Mars, and the grassare all described like Earth landscape. Bradbury's Mars is a mirror of Earth.These plots raise moral issues and reflections of how history may repeat itself. Bradbury portrays Mars as humankind's second world, where we may goafter our Earthly existence. In the episode of "April 2000: The third expedition,"Captain John Black's mother said "you get a second chance to live" (pp.44).Lustig's grandmother said "ever since we died" (pp.40). Humans have a naturalfear of death. Some humans may even have a death wish. Bradbury reveals histhought of death through the connection between Mars and Earth. Through Bradbury's The Martian Chronicles, Bradbury warns us of ourfuture. In the episode of "June 2000: And the Moon ve still as bright," CaptainWilder said, "one day Earth will be as Mars is today...It's an object lesson incivilizations. We'll learn from Mars" (pp. 55). Throught the story, Earth man,especially American think that they are superior than the Martian. Earth mancan do anything and knows everyting. However, Bradbury's message is to tellthem it is not true. Earth man, here American people realize there are manythings that they can learn from others.
Stories have an opportunity to leave the reader with many different impressions. When you look a different characters within the stories the ones that leave the greatest impressions are the ones that tend to scare us. The figures in Bob Dylar’s “Where Are You Going, Where Have you been?”, in Nathaniel Hawthorne’s “Young Goodman Brown”, and Stephen King’s “The Man in the Black Suite” all instill a bit of fear in the reader. They are symbols that represent the devil or devil like attributes in people and the uncertainties of human nature.
In her novel Frankenstein, Mary Shelley explores a wide range of themes concerning human nature through the thoughts and actions of two main characters and a host of others. Two themes are at the heart of the story, the most important being creation, but emphasis is also placed on alienation from society. These two themes are relevant even in today’s society as technology brings us ever closer to Frankenstein’s fictional achievement.
Throughout one’s life, he or she will experience many situations where a lesson is learned, or a fear is amassed. One person may be able to deal with such terrors easily, while another will suffer because of the dread and panic that now haunts them. The poem ‘My Fear’ by Lawrence Raab discusses the haunting situation of fear following someone, and the personification, imagery, and tone of the speaker all provide depth to this seemingly innocent poem and allow one to truly appreciate how fear and troubles affect him or her.
Fear is an amazing emotion, in that it has both psychological as well as physiological effects on the human body. In instances of extreme fear, the mind is able to function in a way that is detached and connected to the event simultaneously. In “Feared Drowned,” Sharon Olds presents, in six brief stanzas, this type of instance. Her sparse use of language, rich with metaphors, similes and dark imagery, belies the horror experienced by the speaker. She closes the poem with a philosophical statement about life and the after-effects that these moments of horror can have on our lives and relationships.
Gulli, C. (2009, 10 19). Fear Factor. Maclean's, 122(40), p. 100. Retrieved April 30, 2014
It is morning on August 20, 1890 and the world of literature is about to change, though it will not understand just how much so for decades. It is on this morning that a precocious child, Howard Phillips Lovecraft, is born. Lovecraft would begin his writing career at the tender age of six with his short story “The Noble Eavesdropper”. He would grow up to be well read and well learned (he was producing scientific journals for his friends at age nine), despite never finishing high school (Joshi para 1- 4). Now, nearly three quarters of a century after his death, he still influences the genres of horror, science fiction, and fantasy. His influence can be felt in the creations of Robert Bloch (Psycho), Stephen King (The Dark Half, et al), Neil Gaiman (Sandman, The Day I Sold My Dad for Two Fish), and Alan Moore (Watchmen, From Hell). (Wikipedia: Lovecraft para 1-2)