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Brief essay on war poetry
poem analysis the soldier
dulce et decorum est by wilfred owen analysis
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Comparing Owen's Dulce et Decorum Est and Crane's Do Not Weep, Maiden, For War Is Kind
Both Stephen Crane's "Do Not Weep, Maiden, For War Is Kind" and Wilfred Owen's "Dulce et Decorum Est" use vivid images, diction rich with connotation, similes, and metaphors to portray the irony between the idealized glory of war and the lurid reality of war. However, by looking at the different ways these elements are used in each poem, it is clear that the speakers in the two poems are soldiers who come from opposite ends of the spectrum of military ranks. One speaker is an officer and the other is a foot soldier. Each of the speakers/soldiers is dealing with the repercussions from his own realities of the horror of war based on his duty during the battle.
The speaker in "War is Kind" is an officer who grapples with his own conscience in an internal monologue. He is struggling with his feelings of guilt over leading younger soldiers into battle and his military responsibility to cover up the truth. One way of interpreting this poem is to consider that the officer is attending a traditional military funeral for one of his soldiers. This can be seen in the way the stanzas are set up in the poem. In the first, third, and fifth stanzas, the speaker appears to be consoling the weeping loved ones of a soldier who died in the war. This would normally be the job of an officer who leads a regiment into battle. Consoling the family members is a powerful tool for conveying the reality of war. Addressing loved ones of a deceased soldier illustrates the loss and suffering to be dealt with by those left behind. He speaks to a "maiden" (1), a "babe" (12), and a "mother" (23), thereby, conveying one of the most significant truths about wa...
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...and Consulted
Cather, Willa. "Stephen Crane's Do Not Weep, Maiden, For War Is Kind." In Willa Cather on Writing: Critical Studies on Writing as an Art. Lincoln: Bison-U of Nebraska P, 1988: 67-74.
Crane, Stephen. “Do not weep, maiden, for war is kind.” The Modern Age Literature. Eds Leonard Lief and James F. Light. 4th Ed. Holt, Rhinehart and Winston; New York, 1981. p. 137
Grualman, Robert Edward, Jr. "Wilfred Owen." Critical Survey of Poetry. English Language
Series. Rev. ed. 5. Ed. Frank N. Magill. Pasadena: Salem P, 1992. 2530-2531.
Kerr, Douglas. Wilfred Owen's Voices: Language and Community. Oxford: Clarendon Press, 1993.
Knapp, Bettina L. Stephen Crane. New York: The Ungar Publishing Company, 1987. 172-174.
Owen, Wilfred. “Dulce Et Decorum Est.” World War I British Poets. Ed. Candace Ward. Dover Publications, Inc; New York, 1997.
Similarly, Wilfred Owen’s poem “Dulce et Decorum Est” describes a soldier who witnesses the death of his comrade from poisonous gas. Using imagery and irony, Owen presents a blunt contrast between the propaganda practiced for recruitment and the truth behind the suffering endured by the soldiers. While presented in different formats, both literary works criticize the romanticism of war, arguing that there is no glory in the suffering and killing caused by conflict.
The book I chose to read was “Smile for the Camera” by Kelle James, Copyrighted in 2010. It starts off with chapter one. Kelle, the main character, is lying in bed when her dad walks in. he has a gun in his hand and hes crying, not a good combination according to her. Kelle pretends to be asleep. She decides she needs to leave home. That’s where chapter two begins. She climbs onto the enormous Greyhound bus with her suitcase in hand. She waves goodbye to her father but he only nods. Kelle’s father never really liked her. In fact he hated her. As the bus pulls away, her father waves to her. Kelle was on her way to New York City.
Many of the young officers who fought in the Great War enlisted in the army with glowing enthusiasm, believing that war was played in fancy uniforms with shiny swords. They considered war as a noble task, an exuberant journey filled with honor and glory. Yet, after a short period on the front, they discovered that they had been disillusioned by the war: fighting earned them nothing but hopelessness, death and terror. They had lost their lives to the lost cause of war, which also killed their innocence and youth. They were no longer boys but callous men. Wilfred Owen's poem "Dulce et Decorum Est", Pat Barker's novel Regeneration, and Erich Maria Remarque's All Quiet on the Western Front, all portray the irony between the delusive glory of war and the gruesome reality of it, but whereas Owen and Sassoon treat the theme from a British point of view, Remarque allows us to look at it from the enemy's.
The terms Aboriginal peoples, American Indian, Indian, Indigenous Peoples, First Nations and Native American are used to describe the original habitants in North America and South America. These people have a proud history and heritage and it seems that most of the professors, collegiate and scientists try their best to use terminology that best represents their heritage, “The National Aboriginal Health Organization Terminology Guidelines
The Gilgamesh Epic is an ancient Mesopotamian story about life and the suffering one must endure while alive. Included in the story, is a tale of a great flood that covered the earth, killing all but a select few of it’s inhabitants. This story of a great flood is common to most people, and has affected history in several ways. It’s presence in the Gilgamesh Epic has caused many people to search for evidence that a great flood actually happened. It has also caused several other religions and cultures to take the same basic story, claiming it for their own.
There is no reason given by Utnapishtim for the deluge. On the contrary, the Judaic version of the Flood in Genesis states in Genesis 6:5-8 a very clear, explicit reason for the Flood:
Gilgamesh, the hero from the epic Gilgamesh, was the historical king of Uruk in Babylonia, on the river Euphrates in modern Iraq: he lived about 2700B.C. Odysseus, the hero from the epic the Odysseus, was the ruler of the island kingdom of Ithaca. He was one of the most prominent Greek leaders of the Trojan War. Both of these men were granted certain strengths, Gilgamesh had physical, while Odysseus had mental strengths.
Gilgamesh is viewed as a hero because of his origin. Gilgamesh is a king who has done great things for Uruk. Although being King, he's also human and God, which he can die on his journeys. According
The flood story that is told in The Epic of Gilgamesh has the same principle as the story of Noah told in the book of Genesis in the Bible, but there are some major differences. In the epic, Utnapishtim is immortal and, although Noah was extremely old when he died, he wasn’t immortal. Utnapishtim was a human, but because he saved mankind, Enlil said, “Hitherto Utnapishtim has been a human, now Utnapishtim and his wife shall become like us gods.” (Gilgamesh 11.206-207) In the Biblical story, God told Noah that he was going to send a flood and asked him specifically to make the ark in order to save mankind. In Genesis 6:13-22, God tells Noah why he’s flooding the earth and exact instructions to build the ark. “13 So God said to Noah, “I am going to put an end to all people, for the earth is filled with violence because of them. I am surely going to destroy both them and the earth. 14 So make yourself an ark of cypress[a] wood; make rooms in it and coat it with pitch inside and out. 15 This is how you are to build it: The ark is to be three hundred cubits long, fifty cubits wide and thirty cubits high.[b] 16 Make a roof for it, leaving below the roof an opening one cubit[c] high all arou...
In both versions of the flood story something angers God (in Genesis) and the gods (in Gilgamesh). "The uproar of mankind is intolerable and sleep is no longer possible by reasons of the babel" (Gilgamesh 12). The Gilgamesh reason seems very illogical. The Gods decide to destroy mankind because they are making too much noise. It seems that the gods didn't think over their decision wisely. They are gods, wouldn't they have the power to block out the sound? One would think so, but obviously that was not the case. This is the first major difference between the two stories.
Comparing each record of the flood can reveal how different cultural and religious backgrounds explain events of the world, and despite the stories differences, their similarities prove
“Compare and contrast “The Soldier” by Rupert Brooke with “Dulce et Decorum Est” by Wilfred Owen with regard to theme, tone, imagery, diction, metre, etc”
Ever since the beginning of time, man has learned to mature by trials and tribulations. In the beginning of The Epic of Gilgamesh, the protagonist Gilgamesh appears to be an arrogant person who only cares about himself. He abuses all his powers and takes advantage of people with his physical abilities. Basically in the beginning he thinks that no one on earth is better than him. However, just like all epic poems, the protagonist encounters many challenges that make him a better person. So as the story progresses Gilgamesh slowly starts to change his personality. Various events help transform this tyrant to a humble person.
In this essay you will notice the differences and similarities between ‘The Charge of the Light Brigade’ and ‘Dulce Et Decorum Est’. ‘The Charge of the Light Brigade’ was written in nineteenth century by Alfred Lord Tennyson. In contrast, ‘Dulce Et Decorum Est’ was written in the twentieth century by Wilfred Owen. The main similarity we have observed is that they both capture war time experiences. However, the poets’ present these events using their own style, and the effect is two completely different observations of war.
Wilfred Owen’s poem “Dulce et Decorum Est” makes the reader acutely aware of the impact of war. The speaker’s experiences with war are vivid and terrible. Through the themes of the poem, his language choices, and contrasting the pleasant title preceding the disturbing content of the poem, he brings attention to his views on war while during the midst of one himself. Owen uses symbolism in form and language to illustrate the horrors the speaker and his comrades go through; and the way he describes the soldiers, as though they are distorted and damaged, parallels how the speaker’s mind is violated and haunted by war.