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comparisson and contrast lamb to the slaughter
compare slaughter of the lamb and the speckled band
comparisson and contrast lamb to the slaughter
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Comparing Lamb to the Slaughter and the Speckled Band
In this essay i am going to compare two short stories, and see if they
are traditional murder mystery stories. I want to see if the stories
also follow the conventions of a murder mystery story. One story is
called 'Lamb to the Slaughter' and the other is 'The Speckled Band'.
The story 'Lamb to the Slaughter' ('LTS') was written in 1954, which
is over sixty years ago. 'The Speckled Band' ('TSB') was written in
1892. Roald Dahl wrote the story 'LTS'. This story does not follow the
conventions of a murder mystery story. Arthur Conan Doyle wrote 'TSB'.
This is a murder mystery story. It follows the basic conventions of
murder mysteries. I will try to show the differences between the two
stories, and show how the stories have different genres.
Genre is a type. Geenre is a french word which means Type. Many things
have genres. Things we use to entertain ourselfs with, or pass time
with, have a genre. For example, films, music, books, games and many
other things have genres. Genre is important because it lets people
know what they are doing. If someone is watching a film they would wnt
to know what genre it is. It could be a horror,thriller, comedy or
anything else. So this helps them to know what type of film they are
watching, but it would not give away any part of the film. Genre is
useful for writers, film makers or artists. They would know what area
to target, and they can make money.
I am trying to find out if these two stories, 'LTS' and 'TSB', are
murder mysery stories. Murder mysteries have conventions. They are
basic requirments and these are:
-The Detective is the main focus
-The reader/viewer (if a film) is set a challenge or challanges
-Usually set ater the murder
-Gradually builds tention
-Denoment (crime is solved) Ending
-Then ending has a moral
Every murder mystery has a basic story line and must have most of the
conventions to fit the genre.
In 'LTS' Mrs Maloney is portrayed as a normal wife. She is not
presented as a murderer. At the beginning of the story it said she
"...glance up at the clock" and
"...was waiting for her husband."
When he came back home she
"Took his coat."
She then
"Walked over and made the drinks."
This is what any normal wife would do. She then asked,
"Shall i get your slippers?"
and she wanted to make him some dinner. She appears as though she is a
loving caring wife. She does not look like a suspect for any type of
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
The sweetest ones can be the deadliest, because behind that smile could be a world of misery. Sometimes the most obvious clues are the hardest to find. In “Lamb to the Slaughter” by Roald Dahl, a seemingly doting wifes world goes shattering into pieces and no one would expect her reaction. “Charles,” by Shirley Jackson, an impudent kindergarten boy finds joy in telling his parents about a disobedient boy who constantly gets into trouble. Both of these stories display that the truth can be right under your nose through the events in the plot.
First off, in Stoker’s Dracula the reader’s suspension of disbelief is lower as compared to folklore tales. He is a tall creepy old person when first revealed, but later on in the novel he is shown to be more sinister. This creates a sense of mystery and confusion. Another reason is that he is a well developed antagonist. Often times he outsmarts the main characters creating a sense of suspense and irony because the readers know what is going to happen but the characters do not. But the most important reason of them all is the fact that Count Dracula takes elements from folklore and builds upon it. Stoker uses classic folklore to create a foundation for Dracula, for example; Dracula’s powers give him the ability to live forever, or shapeshift into other creatures as well. They also give him weaknesses such as: holy objects and daylight which mitigates his powers. These powers regularly add to the mysterious tone in the book. Count Dracula climbing down the castle wall upside down or moving slowly across a yard as a cloud of vapor makes the reader question what is happening. He has the ability to control the weather and animals as well. Stoker gives him powers from legend to make him a formidable force in the story. Although his appearance is unpleasant, he is quite the seductive character. He uses this to his advantage when trying to turn Mina and Lucy into vampires. Dracula preys on ‘weaker’ beings in a hierarchical system where he feasts on the women and once the women have turned to vampires, they feed on children. He can also use telepathy to tell where other vampires are, however, this works against him in the final chase of the book. In short his powers are unique and interesting and help to make the Count a powerful
In the 19th century Bram Stoker wrote the infamous novel, Dracula. This novel was composed in the style of letters, journal entries, newspaper articles and telegrams in order to convey to the reader a realistic story. The story of Dracula is about an ancient vampire who moves to London from his native country of Transylvania. In London, Dracula seduces and bites a young woman by the name of Lucy Westenra. When Lucy falls sick, no one knows how to help her because while Dracula has bitten her many times she has always been in a trance. Lucy?s friends decide to join together to combat what ever is ailing Lucy. In hopes of some help, Lucy?s friend Dr. Seward asks an old mentor of his by the name of Dr. Van Helsing to come to London and solve this puzzling illness. When Dr. Van Helsing arrives in London and sees Lucy he is the only one that knows almost immediately what has happened and what they are up against. The character of Dracula rarely appears in the story because this creates suspense and magnifies the fear of the unknown. The theme of good versus evil is developed throughout the book in many ways. One of the most important examples is Dracula and Mina. Dracula is the ultimate evil and Mina is full of goodness and purity. The Victorian view of women was not helpful to the characters in Dracula. For example, every time the male characters in the story decide not to tell Mina some particular type of information, things end up going terribly wrong. Even though Mina ends up being the key to destroying Dracula she is still a women and the Victorian view gets in the way.
When thinking of gothic literature, the horror story Dracula is probably one of the most
Both stories are one of a kind and deserve to be read. They share both common and uncommon ideas, but in the end, both are nice.
...ny other novels of the time, Stoker’s Dracula purposely highlights the superiority of men, while simultaneously belittling women. After only a few pages of this novel, the reader should understand just how helpless the females become. No matter what the issue or controversy, they are unable to find any sort of solution, successful or not, without the help of the male characters. Stoker even goes as far as almost teasing Mina, by allowing her to aid in the hunt for Dracula, yet giving her trivial duties. Lucy on the other hand creates the novel’s most blatant case for male superiority. She is forced to constantly depend on four men for her survival. All blood transfusions she received were from men and even that could not save her life. Stoker manages to make a bold statement by pinpointing the inferiority of the two female main characters in the novel.
The blending of terror and romance in Gothic Literature was used in a unique combination to attract and entice the reader into the story. The terror in the literature helps the reader explore their imagination and form their own picture setting of what is happening. Using romance in the story also keeps the reader's attention because of the unknown and the curiosity of what happens next. The Gothic writing became popular after the Romantic period because readers were still a...
During the Romantic Era, Bram Stoker created a timeless monster in his novel, Dracula. Stoker uses a series of letters and journal entries to tell the story form a first person point of view. The Count, for whom the book is named, seems to be invincible to mere man. Stoker uses his character of Dracula to reflect the elements of romanticism through his supernatural powers, a fascination with youth and innocence, and imagery.
Gothic imagery and themes include castles, coffins, monsters and strange lands and pose the background of the classic Gothic novel. The Gothic element is synonymous with the horror and uncanny- a feeling rather than form, in which transgression is the central topic (Wisker 7). The vampire is a figure that transgresses society’s limits to form the central dynamic of the Gothic. “We enjoy seeing the limit transgressed- it horrifies us and reinforces our sense of boundaries and normalcy” (Halberstam 13). Assuming that Bram Stoker’s Dracula sets the archetype of the vampire, it is clear that modern vampires have demonstrated a decrease in the Gothic horror despite similarities in the Gothic imagery
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
There are two stories this semester that have been particularly interesting. ‘Paul’s Case’ by Willa Cather is a turbulent story about Paul, a young man who eventually spirals downwards into his eventual suicide. ‘The Yellow Wallpaper’ by Charlotte Perkins Gilman is a story about a woman forced into the resting cure by means of her husband until being alone with her thoughts drives her to insanity. At face value, these stories have vastly different plots and outcomes. How are you able to compare stories with different plots? When the ideas behind the stories are similar, it becomes possible. These two stories have many parallels which will be discussed in detail throughout this essay.
Despite popular culture today with shows like The Vampire Diaries where vampires are often continuing their daily lives as if they are human and being the heroes to their friends and/or family, Dracula is a depiction of how vampires have, for centuries, been exposed as bloodthirsty, supernatural beings with sexual appeal. The way women are portrayed in Bram Stoker’s, Dracula, is a result of the Victorian ideals. Once Dracula begins to feed on the women, they become bloodthirsty temptresses which are exactly what society fears and try to prevent. In Dracula, Stoker makes sexuality directly linked to the vampirism in the novel. This is seen through the change of Lucy’s somewhat modest behavior into a temptress, the blood-sharing between characters in the novel, and the description of the way Lucy was killed.
end. This essay will further show how both stories shared similar endings, while at the same time
Everyone knows the story of Snow White. Everyone knows about the old woman who came to Snow White’s house was actually the queen in disguise, and that the apple the queen gave Snow White was poisoned. But Snow White didn’t. This is a perfect example of irony in a story. Ironic situations like this occur a lot in our daily lives, and many stories, like the short story Lamb to the Slaughter, by Roald Dahl. Throughout the story, Dahl demonstrates many moments of irony, which have a long term effect on the whole story. Dahl’s uses dramatic irony effectively to help enhance the plot and help the reader understand the story better.