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The portrayal of women in 19th century literature
The role of women throughout English literature
The role of women throughout English literature
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Dubril Ciyombo
Eva Foster
CRN: 74000
11/01/2015
“Goblin Market”, “The Lady of Shallot”, and “The Yellow Wallpaper”. The poems “Goblin Market”, “The Lady of Shallot” and the short story “The Yellow Wallpaper” explore a lot of similarities. The poets and narrator are using the structure of allegory to reveal and denounce something that consume their souls. The two poets and the narrator are using allegory by describing how the four different women, in these poems and short story, are denying the framework that is proper and required for their health and comfort in order to follow their wants and needs. Christina Rossetti in the poem “Goblin Market” uses a religious allegory. The poem is about two women,
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The firsts two poems are using a fairytale structure to create a hidden meaning about the disappointment of the women vis-a-vis to the society where there are imprisoned. The author of the "Goblin Market" is matching his poem to the Biblical story of the Garden of Eden and the christian figures. In this poem the allegory is used to portray temptation and sin by the consummation of the fruit. In the other hand, the author of the poem "The Lady of Shallot", is representing the social constrictions during the Victorian Era in terms of their sexuality. Finally the author of the short story "The Yellow Wallpaper" is using allegory by representing the woman locked in the room, who wants to be free from her husband who is making things hard for her by keeping her inside a room with the wallpaper. The two poets and the narrator are arguing about the fragile and naive women who where tempted in their different era and trapped into the sin, death and freedom because of their curiosity. The two poems and the short story have similarities in their hidden meaning, thanks to the allegorical structure used by the
The windows are barred, symbolizing the restrictive nature of the narrator’s mental condition. She is imprisoned within her mind. Her room was once a nursery, symbolizing that she is helpless and dependent on her husband’s care, similar to how a parent is reliant on the care of it’s parents, “… for the windows are barred for little children,” (Gilman 2). The narrator is not only trapped by her own mind and mental condition, but her husband’s wishes and expectations as well. The most significant symbol within the story is the yellow wallpaper. Initially, the narrator only views the wallpaper as something unpleasant, but over time she becomes fascinated with it’s formless pattern and tries to figure out how it’s organized. She discovers a sub-pattern within in it in which she distinguishes as a barred change with the heads of women that have attempted to escape the wallpaper like the woman she has been “seeing” moving within the wallpaper, “And she is all the time trying to climb through. But nobody could climb through that pattern - it strangles so; I think that is why it has so many heads” (Gilman 8). The yellow wallpaper is symbolic of a women’s place in society within the nineteenth century. It was not commonplace, or deemed acceptable, for women to be financially independent and/or engage in intellectual activity. The wallpaper is symbolic of those economic, intellectual, and social restrictions women were held to, as well as the domestic lives they were expected to lead. The narrator is so restricted by these social norms that her proper name is never given within the story, her only identity is “John’s wife”. At the climax of the story, the narrator identifies completely with the woman in the wallpaper and believes that by tearing the wallpaper, both she and the woman would be freed of their domestic prisons, “…there are so many of those
...re cautious look at "Goblin Market" shows that the poetry is pretty complicated, and able to back up a more innovative studying than the ones put forth above. Rather than saying that "Goblin Market" has a particular concept, I would put forth the idea that it efforts to cope with certain issues Rossetti identified within the cannon of British literary works, and particularly with the issue of how to create a women idol.
As the narrator’s mental state changes so does the way she perceives things around the house. The most prominent example of this is the imagery of the wallpaper and the way the narrator’s opinion on the wallpaper slowly changes throughout the story; this directly reflects what is happening within the narrator’s mind. At the beginning of the story the narrator describes the wallpaper as “Repellent...revolting... a smoldering unclean yellow” (Gilman 377). As the story continues the narrator starts to become obsessed with the wallpaper and her opinion of it has completely changed than that of hers from the beginning. Symbolism plays a big part in “The Yellow Wallpaper” too. This short story has a multitude of symbols hidden in it but there are specific ones that stand out the most. The recurrence of the wallpaper definitely makes it a symbol. An interesting interpretation is that the wallpaper represents women, in the sense that the 18th century woman was considered almost decorative and that is exactly what the purpose of wallpaper is. Another prominent symbol that runs parallel with the wallpaper, are the women the narrator would see in the wallpaper. The women appear trapped behind bars in the paper and one could argue that the women the narrator sees represents all women of her time, continuously trapped in their gender
In conclusion, these stories have similarities in terms of the victimizations and subordination of women. Black and yellow color was used to symbolize the overall surroundings of the situation. However, both of these stories had difference. As mentioned, “The Lottery” was a very violent and cruel event and “The Yellow Wallpaper” was towards self-expression. Thus the difference and similarities in both of these stories can be compared and contrasted.
In Gilman’s ‘The Yellow Wallpaper’, the narrator represents how women were treated in this time period by the theme and symbolism presented in the story. This is shown in three distinct ways: stereotypical social conventions displayed by each major character, dialogue, and the symbolism of the wallpaper.
Christina Rossetti was born in London on December 5, 1930. She is regarded by many as “one of the most important women poets in writing” in England during the nineteenth-century (Everett). Rossetti’s best known for writing a collection of pieces known as Goblin Market and Other Poems that was published in 1862 (Christina Rossetti). Many have argued that her most notable poem of the collection, “Goblin Market,” has a strong biblical undertone. By analyzing the characters and symbolisms of “Goblin market” against their biblical counterparts, we will attempt to find the stories true message.
The wallpaper symbolizes the trapped narrator and the structure of the tradition. Also, Elisa’s chrysanthemums are discarded and the narrator’s feelings are disowned which portrays the rejection of women. Elisa ends up “crying weakly like an old woman” and settles for wine (233). The narrator’s actions lead to her husband fainting “but he did, and right across my path by the wall, so that I had to creep over him every time” (447). The narrator is insane and causes faintness in her husband, hoping that she now has an escape. To conclude, John Steinbecks “The Chrysanthemums” and Charloette Perkins “The Yellow Wallpaper” show two different outcomes mainly arisen due to being trapped inside an isolated house or a garden and having a limited life under a husband's control.
...Also in, "The Yellow Wallpaper", the narrator gets so loneley and so freaked out about what is happening in the wallpaper in her room that she actually goes insane. She tears everything down and she even bites it. She thinks that there are other people that have smudged the wallpaper when in reality it was her and now she is actually the trapped woman. This is how these two stories relate by the characteization of the authors by them both making their stories disturbing in different ways.
...demonstrates the oppression that women had to face in society during the nineteenth century. The nursery room, the yellow wallpaper, and the windows, all symbolize in some way the oppression of women done by men. She bases the story on one of her life experiences. Charlotte Gilman wrote the story because she believed that men and women should be treated equally.
...he wall, he thinks about his rejected opportunities and his unbearable regret. As he sobers with terror, the final blow will come from the realization that his life is ending in his catacombs dying with his finest wine. The catacombs, in which he dies, set the theme, and relate well with the story. Without the yellow wallpaper in the short story, the significance of the wallpaper would not mater, nor would it set the theme or plot. At night the wallpaper becomes bars, and the wallpaper lets her see herself as a women and her desire to free herself. She needs to free herself from the difficulties of her husband, and from her sickness. The settings in both, set up the elements of the stories and ads to the effect in both of the short stories.
...chniques that Charlotte Perkins Gilman uses in "The Yellow Wallpaper" to suggest that a type of loneliness (in women) caused by imprisoning oppression can lead to the deadliest form of insanity. By using setting, Gilman shows how the barred windows intensifies the young woman's imprisoning oppression, the isolated summer home represents the loneliness the young woman feels, and her hallucinations of the wallpaper pattern indicates her transition to insanity. Wallpaper symbolism is used throughout the story the pattern representing the strangling nature of the imprisoning oppression, the fading yellow color showing the fading away of the young woman, and the hovering smell representing the deadly insanity to which she succumbs. Like the darkness that quickly consumes, the imprisoning loneliness of oppression swallows its victim down into the abyss of insanity.
Brownley, Martine Watson, "Love and Sensuality in Christina Rossetti’s ‘Goblin Market." Essays in Literature 1979 Western Illinois University Vol. No. 2 Rpt in TCLC.
Many literary critics agree that overall, Christina Rossetti’s works can be best interpreted as religious texts (Humphries 391). One critic interprets the poem by breaking its theme into four sections; the sections follow the chronology of the poem – temptation, fall, redemption, and restoration (Christensen). This division of themes is an excellent way to explore the religious interpretation of
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
No one literary theory is specific enough to explain a literary body of work, but various approaches are needed to truly analyze and evaluate the structured themes in literature. The Feminist Approach is the most common literary device used in theorizing Charlotte Perkin Gilman’s The Yellow Wallpaper ; the story is a tale of a Victorian Age woman controlled by a patriarchal society, which is not in question. The second most common approach is the Psychoanalyze criticism, our protagonist Jane is most likely suffering from post-partum depression as theorized by Beate Schöpp-Schilling.