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Character and characterization in king oedipus
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Oedipus the king character analysis
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Creon's Metamorphosis in Antigone, Oedipus the King, and Oedipus at Colonus
Temptation is ever present in our society and always has been throughout human history. When a person gives into temptation, this is seen as a sign of weakness. Usually, after a person has given into temptation once, that person will find each successive temptation easier and easier to give in to. Before realizing it, this person has changed into a completely false, morally lacking being. Over the course of Sophocles' three plays Antigone, Oedipus the King, and Oedipus at Colonus, Creon gradually changes from a moral, just king into a morally corrupt and deceptive character.
In the opening of the first Theban play, Oedipus the King, Creon is a neutral character. He informs Oedipus that the city of Thebes is suffering from a great sickness, and he even goes to Apollo to acquire information as to how this plague may be stopped. Oedipus proclaims Creon's trustworthy nature when he states "I sent Creon,/ my wife's own brother, to Delphi- / Apollo the Prophet's oracle-to learn /
what I might do or say to save our city" (Lines 81-84). Oedipus later relies on Creon to arrange a meeting with Teirisias, the blind prophet who sees all things and is usually found within the city limits of Thebes.
Later on in the play Oedipus accuses Creon of conspiring with Tiresias against Oedipus' kingship. It is at this point in the play where Creon serves as the voice of reason and logic. Dodging Oedipus' insane accusations, Creon derives at many logical, unarguable explanations in his defense. Creon argues,
Who in his right mind would rather rule
And live in anxiety than sleep in peace?
Particularly ...
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... Ode on Man in Sophocles' Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Herodotus. The Histories. Translated by Aubrey de Selincourt. England: Penguin Books, 1972.
Jaeger, Werner. "Sophocles' Mastery of Character Development." In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Segal, Charles. Oedipus at Colonus: Tragic Heroism and the Limits of Knowledge. New York: Twayne Publishers, 1993.
"Sophocles" In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Sophocles. Oedipus Rex. Transl. by F. Storr.
http://etext.lib.virginia.edu/etcbin/browse-mixed new?tag=public&images=images/modeng&data=/texts/english/modeng/parsed&part=0&id=SopOedi
Sophocles. Antigone. Taken from Abcarian and Koltz, "Literature: Reading and Writing the Human Experience." St. Martins Press. 1998.
Creon starts off being reasonable and understanding with the power he holds. For example, when Oedipus accuses him of trying to steal his crown, he said " If you discover I laid any plot together with the seen kill me, I say not only by your vote but my own." (Sophocles 136). This shows his understanding. Creon is comfortable with his power, people always greet Creon with respect, which demonstrates his power amongst the general population, for example, Creon said, “Now every man 's my pleasure; every man greets me." (Sophocles 136). Illustrates his relationship with the people of Thebes. Moreover, Creon is shown to be valuable towards the citizens of Thebes, when he said " I 'll go, you have not known me, but they have, and they have known my innocence." (Sophocles 140). This shows the trust citizens have towards Creon. Creon shows that he does not care for ruling Thebes, he states to Oedipus that "Now those who are your suiters fawn me, - success for them depends upon my favour. Why should I let all this go to win that?"(Sophocles 136). Creon eventually discovers that power is all he wants, leading towards King Oedipus ' exile. An example, is Creon said " Do not seek to be master in everything, for the things you mastered did not follow you throughout your life." (Sophocles 176), which explains that he manipulates with an intent that people mistake for honesty. Furthermore, this shows the end
Sophocles. Antigone. The Three Theban Plays: Antigone, Oedipus the King, Oedipus at Colonus. Trans. Robert Fagles. New York: Penguin, 1984
Benardete, Seth. "Sophocles' Oedipus Tyrannus." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
“Sophocles” In Literature of the Western World, edited by Brian Wilkie and James Hurt. NewYork: Macmillan Publishing Co., 1984.
Jaeger, Werner. “Sophocles’ Mastery of Character Development.” In Readings on Sophocles, edited by Don Nardo. San Diego, CA: Greenhaven Press, 1997.
Sophocles. "Antigone." Pike, Ana M. Acosta and David L. Antigone. Ed. Joseph Terry. Trans. Dudley Fitts and Robert Fitzgerald. 2nd Edition. Upper Saddle River: Pearson Education, Inc, 2014. 474-488.
Segal, Charles Paul. "Sophocles' Praise of Man and the Conflicts of the Antigone." In Sophocles: A Collection of Critical Essays, edited by Thomas Woodard. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1966.
Sophocles. "Antigone." The Norton Anthology of World Masterpieces. Ed. Knox and Mack. New York: Norton, 1995.
In Oedipus, he wanted nothing more than to help Oedipus rid the city of whatever plague the gods were hurling at them. Creon goes to Apollo's shrine to find out why the gods are angry and then brings Tiresias to help Creon see what has the gods angry. Oedipus does not want to believe the truths Tiresias is telling him and falsely accuses Creon of plotting against him to become king of Thebes. Creon is so hurt by this that he tells the chorus, "This accusation against me by our ruler Oedipus, It's outrageous. (514)" By the end of the play, Creon tells Oedipus that "I'm always as good as my word; I don't speak before I think(1520)."
Sophocles. "Oedipus the King." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 1902.
artificial and works out how they can be of use be it good or bad to
As protagonist, Oedipus is at the center of the story. The dialogue, action and motivation revolve about the characters in the story (Abrams 32-33). Werner Jaeger in “Sophocles’ Mastery of Character Development” pays the dramatist Sophocles the very highest compliment with regard to character development:
we be sure? We can only be sure when we begin with the simplest, most
In the beginning of the story Creon visits the oracle at Delphi to find out what the curse on Thebes is being caused by. Upon his arrival to Thebes he informs Oedipus of what the oracle said: