Morrison clearly distinguishes childhood from adult friendships by the solidarity that characterizes the first and the problems that make the second fail. Childhood friendships are more successful in Morrison’s novels than adulthood bonding because self-centeredness becomes a larger issue as children grow up.
After five years of being raised and living with their grandmother whom they truly loved, the girls had a rude awakening. Their grandmother, Sylvia had passed away. “When after almost five years, my grandmother one winter morning eschewed awakening, Lily and Nona were fetched from Spokane and took up housekeeping in Fingerbone, just as my grandmother had wished” (Robinson 29). This was the final attempt that their grandmother had made in order for the girls to have a normal and traditional life. This is a solid example of how the sister’s lives are shaped by their family and their surroundings. Lucille’s ultimate concern in life is to conform to society and live a traditional life. She wishes to have a normal family and is sorrowful for all of the losses that she has experienced such as her mother’s and grandmother’s deaths. On the other hand, Ruthie, after spending more time with her future guardian, Aunt Sylvie, becomes quite the transient like her.
...im has come unstuck in time it ends like this poo-tee-weet” (Vonnegut 28). One Art’s motif describes that even if we do not care about the loss we will always have some memory of it. “The art of losing’s not too hard to master though it may look like disaster” (Bishop). The reader knows that trying to forget about the past can be difficult no matter how hard they try the memories that are unimportant always seem to stay. Memory is a great gift but sometimes it can cause bad memories and pain, the quotes from Kurt Vonnegut, and Elizabeth Bishop are related to it. Each quotes talks about how painful memories can be and how they have affected their lives and others so far.
Willa Cather, the author of My Antonia, depicts the humankind’s irresistible relationship to the past as she illustrates Jim’s wistful memoir of his childhood. While Jim’s pursuit for his past facilitates deeper meaning to his life by providing beautiful reminiscence, his perpetual chase for past moment, at the same time, stagnates his personal development. As Cather quotes that “some memories are realities,” she conveys an idea that people’s relationship with their memories is so intimate that one’s life can be molded, twisted, shattered, and mended by his or her past experiences.
Ralph Waldo Emerson once said, “What lies behind us and what lies before us, is nothing compared to what lies within in.” At first glance, this quotation is positive and inspiring. But inside of every man is the ability to create terror and suffering. When this darker side emerges, individuals are irreparably altered. Two great works of literature show this point: William Golding’s Lord of the Flies disturbingly illustrates the deterioration of a group of marooned British schoolboys from civilized to savage, and John Knowles’ A Separate Peace is the haunting story of a teenager’s inability to confess the truth to his best friend as they grapple with World War II. In Lord of the Flies and A Separate Peace, the protagonists, Ralph and Gene, both commit major transgressions that shift their perceptions of themselves and eventually lead them to discover the evil within mankind.
“Hills like White Elephants” written by Ernest Hemingway, “Babylon Revisited” written by F. Scott Fitzgerald, and “Barn Burning” written by William Faulkner represent common themes like troubled relationships, and painful ending leading to someone’s death in one way or another. Each story expresses painful separation between a parent and a child. For instance, Hemingway’s story represents separation between a mother and a child who was yet to come in the world. Fitzgerald’s story represents separation between a father and a daughter, and Faulkner’s story represent separation between a father and a son. While comparing these three works, one can also see a common unexpected event occurred in each story which caused a painful ending. While each story expresses an element of love between parent and child, it also represents uncertainty in relationships which leads to troubled relationships.
“Like hatred, guilt can’t be locked in the silence of forgetting, without taking part of your soul with it.” - Shannon L. Alder. This universal theme relates to the short story, “The Scarlet Ibis,” written by James Hurst. The narrator’s younger sibling, Doodle, is born when he is six, and suffers from a disorder. Brother is embarrassed at not having a typical sibling, and sets out to teach Doodle the “normal” ways. With Doodle’s complicated physical disorder, it therefore leads to his death, with Brother’s hand. In the narrator’s later years, guilt has become his constant companion. Hurst develops the protagonist’s character to illustrate the idea that guilt can transform people into darker versions of themselves.
Every person is burdened with guilt and regret. Henry David Thoreau’s quote about how guilt should not consume a person, but instead, encourage a person to change, is valid in the novel The Kite Runner written by Khaled Hosseini. The author proves that a change in oneself is possible when he writes about how Amir redeems himself after running away, when he saw that Hassan was being raped. It is also shown when Baba’s guilt of keeping Hassan’s and Amir’s true relationship with each other a secret, makes him into a better person, and when Soraya running away with a man made her into a better woman, daughter and wife.
When a person does something that hurts others, one will likely experience regret for the harm their actions. In A Separate Peace by John Knowles, the theme of guilt and its effects on your behavior, self-image, and your interactions with others is explored. Gene, in the beginning, sees Finny as his best friend, and relies on him for support and friendship; however, after Gene causes Finny to break his leg, his guilt causes him to change is personality and self-image. Their friendship is damaged by Gene’s guilt.
Guilt is an emotional experience that occurs when a person realizes their standards of conduct has violated their moral standards. Michael Holtzapfel, Ilsa Hermann and Max Vanderberg all go through guilt at some point in their lives which leads them to the ultimate destruction of their lives during World War 2. In “The Book Thief” they show us how millions of people suffered not from physical problems but also mental problems that can be just as deadly physical abuse.
I think Toni Morrison, obscured the characters racial identities in, “Recitatif” to show us how these two characters became good friends during a rough time in their life. They were both abandoned to St.Bonny’s and placed to share a room together, while Twyla knew her mother would disapprove of rooming with another girl outside her race. Twlya states, “My mother won't like you putting me in here” (1). However, this only helped build their friendship and provided each other strength to get through. Toni Morrison, describes each characters with specific issues and a description of the relationship to they have with their mothers. Maybe Morrison wanted her readers to look beyond race to see how similar each character was to each other. While Twyla believes her mother would disapprove of her sharing a room with Roberta, we read that
In "Recitatiff" the novel begins where Twyla and Roberta are both children and both struggling to grow into young adults having no choice because of the absence of their mothers. The childhood vs. adulthood theme also relates to their mothers because in their situation childhood and adulthood are very fluid. Those concepts are fluid relating to their mothers because they were unable to fully mature and grow into adulthood and provide proper care for their daughters. The novel fast forwards to where Roberta and Twyla have an encounter as adults. Roberta and Twyla are on opposing sides regarding school integration and continue to make childish signs while also bickering as if they were still children. It is significant to recognize that both characters are adults while still remaining children at once. Using the same approach with some difference "Passing" succeeds to show the importance of childhood and adulthood. Irene reminisced back to when Clare was a child and her drunken dad verbally abused her while she calmly proceeded to sew her dress. That childhood memory later relates to Clare's mood shifts as an adult. Irene discusses how her father didn't like to tell her information about Clare's father when she was a child. She also mentions that there were a lot of rumors about Clare when they were younger when she decided to run away. Clare later asks Irene about those rumors once they're adults. Irene is influenced by her father and decides to not tell Clare about rumors. The importance is to acknowledge that both characters are influenced in their adulthood by their childhood
Both Edgar Allen Poe’s ‘The Tell-Tale Heart’ and Roald Dahl’s ‘Lamb to the Slaughter’ explore the different ways that humans cope with the feeling of guilt in the aftermath of criminality. While Poe’s narrator is overcome with guilt after committing murder, the main protagonist in Dahl’s tale, Mary Maloney, seems to feel no regret in killing her husband. Both texts also differ in the build up to the murders. Poe’s narrator is initially cautious and methodical, as seen in the care and precision he takes in planning the murder; “Every night about twelve o’clock I slowly opened his door…for seven nights I did this, seven long nights…” Although the narrator had nothing against the old man, “I did not hate the old man; I even loved him”, he is driven to murder by the obsession of the old man’s “vulture” eye.