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Frankenstein and monster comparison
Frankenstein and monster comparison
Characteristics of monsters in literature
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Frankenstein, a novel by Mary Shelley, is known far and wide about the story of a man delving too far into science, and creating a monster. However, the book leaves it up to the reader to decide who the true monster really is. Another story that is similar to Frankenstein, where the deformed creature isn’t the true monster, would be The Hunchback of Notre-Dame created by Disney. Quasimodo, the hunchback, was the victim, and Frollo, the priest, was the monster. These two stories, while both are very different, have some very similar qualities between the monster and the man of their tales. The similarities of these stories will highlight how the difference from receiving care and not receiving it can greatly affect the outcome of a character …show more content…
The Creature, carefully crafted by Frankenstein, was made to be a beautiful human being. Once the Creature had opened its eyes, Frankenstein was horror struck, because he no longer saw a beautiful creature. He saw a monster. Terrified of the monster he had created, Victor Frankenstein feld, and abandoned the creature to fend for itself. Victor hated the Creature at the beginning for no other reason than its appearance, and never gave it the chance to show that it could be something else other than a horrible monster. Frollo reacts to Quasimodo the same way. When Frollo had first discovered Quasimodo, he was disgusted by the sight of the baby’s disfigured face and body. Calling Quasimodo a monster and an unholy daemon, and Frollo wanted to send Quasimodo back into Hell where he belongs. Frankenstein had also called his creation a monster and a daemon. He believed that he need to destroy the …show more content…
In the Hunchback of Notre-Dame, Quasimodo flees back into the church, beaten and downtrodden by his loathsome experiences with the people of Paris. While the Creature, filled with hopelessness, goes off in search of Victor Frankenstein, possibly for revenge or maybe even to beg for help. Here is where the two stories split off into separate directions. When Quasimodo ran inside the church, Esmerelda, the woman who helped him escape, followed him inside, and ended up befriending him. Giving him the loving companionship he always yearned
Mary Shelley’s gothic novel Frankenstein is a novel narrated by Robert Walton about Victor Frankenstein and the Monster that he creates. Frankenstein grew up surrounding himself with what he loved most, science. He attended Ingolstadt University where he studied chemistry and natural philosophy, but being involved in academics was not enough for him. Frankenstein wanted to discover things, but did not think about the potential outcomes that could come with this decision. Frankenstein was astonished by the human frame and all living creatures, so he built the Monster out of various human and animal parts (Shelley, 52). At the time Frankenstein thought this creation was a great discovery, but as time went on the Monster turned out to be terrifying to anyone he came in contact with. So, taking his anger out on Frankenstein, the Monster causes chaos in a lot of people’s lives and the continuing battle goes on between the Monster and Frankenstein. Throughout this novel, it is hard to perceive who is pursuing whom as well as who ends up worse off until the book comes to a close.
Do not judge a book by its cover. Those are the words of a famous American proverb that says a person’s character cannot be judged based on their appearance. This proverb is very fitting in regards to the monster from Frankenstein. On the outside, he has a terrible appearance, and as a result is victimized and made to suffer by those who cannot see past his looks. Yet he has a kind soul and is simply looking for happiness and a little compassion from others. Both the book and the play present him as a sufferer in a cruel world but ultimately the book does a better job portraying his pain and eliciting empathy from the reader. The monster in the book details his suffering in greater detail, is more eloquent and persuasive and also experiences a more tragic ending, and as a result the reader feels more sympathy towards him than an audience member would feel towards the monster in the play.
The creature was created with the intention of goodness and purity but because of this, he wasn’t equipped to deal with the rejection of his creator. After Victor Frankenstein’s death, Robert Walton walks in to see the creature standing over his friend’s lifeless body.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
Frankenstein is the story of an eccentric scientist whose masterful creation, a monster composed of sown together appendages of dead bodies, escapes and is now loose in the country. In Frankenstein, Mary Shelly’s diction enhances fear-provoking imagery in order to induce apprehension and suspense on the reader. Throughout this horrifying account, the reader is almost ‘told’ how to feel – generally a feeling of uneasiness or fright. The author’s diction makes the images throughout the story more vivid and dramatic, so dramatic that it can almost make you shudder.
In most novel and movies monsters are known to be evil, committing numerous crimes against humanity and are normally the ones that we don’t sympathize with. However, this novel carefully shows the reader that monsters can be good creatures, with a decent heart and act based on the actions of others. The novel shows how the monster should be pitied, rather than criticised. Mary Shelley's “Frankenstein” manages to create sympathy for the creature through speech, actions and mistreatment the creature suffers.
...ions toward one another. However, Frankenstein’s uncaring, negligent-parent approach to his creation who emotionally resembles a lost child, allows Shelley to establish the conflict between scientific discovery and moral consequence, as well as the greater conflict between right and wrong. She allows the audience to question who the true villain is in the story, and allow each reader to determine for themselves if the “parent” Frankenstein or the “childlike” monster is truly to blame for all the evil deeds that occur. Today, our society should view Frankenstein as a cautionary tale of the possibilities and consequences of scientific discovery mixed with greed.
Countless situations created in life will always have some consequence, whether the outcome is a positive outcome or a negative outcome. During the novel, Frankenstein, there are many incidents portrayed through the characters that have both a positive outcome and a negative outcome, no matter the type of situation. The majorities of the situations that are conveyed in this novel almost always have a negative outcome because of the way the effects damage and hurt the innocence of the other characters in the story. In this novel many of the negative outcomes are a consequence of a hideous monster, known as Frankenstein’s monster, which was created by the hands of Victor Frankenstein.
Though Shelley and Lovecraft’s monsters are characterized by their physical appearance, the outer appearances of their monsters do not determine the monstrosity of their characters. The true monster of the stories is the character that does ugly actions regardless of if their exterior is ugly. While Frankenstein’s creation is described by Victor as “hideous” (chapter 5), and the creation is referred to as a monster multiply times, he himself is not the true monster of Shelley’s novel. Victor, who is responsible for the wickedness of his creation, is the true monster of the story. By creating a hideous individual and shunning him, he forces the creation to survive on his own with a forced handicap; Victor becomes evil. This evilness is equivalent to breaking someone’s legs in the middle of the forest, with no way of getting home, and then leaving them alone. Victor creates ...
Mary Shelley’s novel Frankenstein is impressive, entertaining, and fascinating so is it no surprise there have been so many films and artworks influenced by her novel. Many of which have put their own spin to the horror novel, especially the character of the creature that remains one of the most recognized icons in horror fiction. However, there have been critics whom argue modern versions and variations have lost the horror and passion that is an essential to the creature. The start of the Creature is bound to one book. However, public impression of the Creature has changed severely since the publication of the original novel, leading to diverse styles and plot lines in its diverse film adaptations. People’s impression of the Creature have become so twisted and turned by time and decades of false film posters and article titles that most use the name “Frankenstein” to refer to the Creature itself, rather than the scientist who created him! It’s a shame! An understanding of literary history is a necessity to comprehend the truth of the Creature’s tragic history and how decades of film adaptations changed him into the hulking beast most people know him as today.
Storment, Suzanna. "Frankenstein: The Man and the Monster." Commentary page. October 2002. Washington State University. 8 April 2003. http://www.wsu.edu/~delahoyd/frank.comment3.html.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
middle of paper ... ... Generally in the novel, most readers tend to sympathize with Frankenstein because of the way in which he is mentally and physically harmed by his creation. However, one must also realize that while Frankenstein is a victim in the novel, he also exhibits features that make him a monster. These monstrous qualities, however, stem from his passion for science and his desire to create life. Not only does the reader criticize and pity Frankenstein, but the reader also empathizes with Frankenstein’s creation.
...Frankenstein and the creature. The situations that each character experience are lessons about how seeking prohibited intelligence comes with extreme consequences. Frankenstein is a Gothic novel which means it involves the supernatural; however, because it contains religious qualities it is more appealing to the common people’s idea of knowledge. Mary Shelley achieves her goal of informing the audience that man should not seek or possess the level of knowledge that God acquires. One should learn from the situations present in the novel because life comes with an enormous amount of knowledge; going after the unknown is an act of rebellion against God.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...