Oleg Shuplyak and Salvador Dali are artists from different eras whose paintings have a lot in common. Commonalities include their style of surrealism and the inclusion of famous faces in some of their works. The use of illusion by both artists is a common thread that stands out when comparing their works. Although Salvador Dali and Oleg Shuplyak both use the element of illusion in their works, each artist implements illusion in a way that is unique to the respective artist. Oleg Shuplyak is a lesser-known Ukrainian artist who was born in 1967. He studied architecture at the Lviv Polytechnic Institute, although painting was always his passion. His background in architecture helped him incorporate illusion into the paintings he is now famous …show more content…
On the left Dali’s wife leans on a table covered with red cloth. The shading of the tablecloth gives it depth and makes it appear velvet-like. She seems to be gazing at a sculpture of Voltaire. The sculpture appears to be at the foreground of the painting. Upon closer inspection, the image of the sculpture is made up of a variety of people in the background. Voltaire’s head is outlined by an arch shaped hole in a crumbling wall. Two people, who are merchants in the slave market, are wearing old-fashioned clothing which give shape to Voltaire’s face. Their white ruffled collars form his cheekbones, their faces form his eyes, and their dark colored clothing form his jaw. The contrasting hues of the white collars and black clothing give depth and shape to Voltaire’s …show more content…
The left side of the face is created by a human form that appears angelic. The hair is made from golden angel wings. The gold and white color theme is consistent on one side of the face suggesting a “good” side. There is a hand outstretched from the angelic form and appears to be comforting a little boy playing a guitar. The image of the boy creates the philtrim of the face and the guitar gives shape to the mouth. The right side of the face appears to represent evil. The color theme is made up of darker hues. There is a figure cloaked in red that is evil in appearance. The hair on the right side is made up of black gargoyle-like wings, suggestive of something sinister. The figure is turned away from the boy playing guitar. The paintings Slave Market with the Disappearing Bust of Voltaire and Imagine have some similarities. They both are created using oil paint on canvas. Also, each piece contains the likeness of famous people, Voltaire, who was a writer and philosopher, and Lennon, a musician. In addition, these famous faces are given shape by human forms incorporated into each image. The illusion of Voltaire’s face is created by two merchants in the marketplace. John Lennon’s likeness is created using the angelic and evil-appearing
The painting is organized simply. The background of the painting is painted in an Impressionist style. The blurring of edges, however, starkly contrasts with the sharp and hard contours of the figure in the foreground. The female figure is very sharp and clear compared to the background. The background paint is thick compared to the thin lines used to paint the figures in the foreground. The thick paint adds to the reduction of detail for the background. The colors used to paint the foreground figures are vibrant, as opposed to the whitened colors of the Impressionist background. The painting is mostly comprised of cool colors but there is a range of dark and light colors. The light colors are predominantly in the background and the darker colors are in the foreground. The vivid color of the robe contrasts with the muted colors of the background, resulting in an emphasis of the robe color. This emphasis leads the viewer's gaze to the focal part of the painting: the figures in the foreground. The female and baby in the foreground take up most of the canvas. The background was not painted as the artist saw it, but rather the impression t...
These two paintings represent typical examples from 14th century Italian artist, Barna da Siena, and 15th century Flemish artist, Rogier van der Weyden. Both images depict two main characters in a rather symmetrical composition and are of large size. However, it is clear that over a century and different region the stylized differences are very clear. Realism, the style of Flemish artists at the time, with all of its detail, is quite different from the large, flat shapes of color in Barna da Siena’s painting. Just by looking at the two, it is evident that the second painting is more advanced and developed. Art continues developing along different tracks today and who knows what art will develop into in the future.
Throughout the history of art, there has always been a plethora of portraiture, no matter the time period or the medium whether is be sculptures, paintings or even carvings. Humans have always been fascinated with themselves and the way others look. But it’s not always about vanity, it means so much more and can be conveyed in many different ways. In some cases, the artists moved beyond that of a simple likeness and can instill different emotions in the viewer. That being said, in this essay I will compare and contrast two portraits. The first is an oil painting titled Man in a Red Turban by Flemish painter Jan van Eyck from 1433. The second work of art is Louis XIV by Hyacinthe Rigaud, a French Baroque painter. The portrait is from 1701 and is an oil-on-canvas painting. These two works of art both demonstrate a likeness of each of their subjects but use different styles, elements and emotions to captivate the viewer. In this essay I will detail why I believe Man in a Red Turban is the better portrait and why it is so effective.
Both artists’ paintings have become successful throughout the years. Through their similar use of line, movement, space, and color, they have created paintings that has been and will be seen by countless viewers. However, it is their contrasting use of value, emphasis, balance, and shape that have made their artwork different from one another, yet beautiful in their own way. It delivers a message to be different instead of going with the flow so that one day you, too, could be as successful as these painters.
Surrealism was a important tool for Dali, using it he could express his feelings, dreams and political standings. His art sometimes seemed as if it was a way ...
The right side is almost purely white, with blue and gray shadows; the rest of the body is black, dark brown, and navy. The profile of a white woman obscures the left half of the black face, facing to the right of the piece; her hair is in a large braid and she wears a simple pearl earring. The black woman has long, flowing, bright blue hair, as well as full red lips. The black woman’s body has a rose over it, and the white woman is wearing what looks like a straw bikini; the figure is wrapped in a thick rope from the waist down. The stark contrast between the white and black meet with a definitive line; there is no blending between the two colors, which amplifies the feelings of separation and difference between the two halves of the woman’s
One of the biggest surrealist was an artist known as Salvador Dali who brought surrealism from the many European cultures to the American culture. This was significant because the surrealist was spreading the idea of the surrealism, regardless of whether he was doing it for his own ‘fame’. Dali was one of the main surrealist who was looking to recreate his own dream world that he had dreamt in his own unconscious mind. Much of the art includes major contrasts of thoughts or objects. For example, in one of Dali’s pieces (created in 1936) named ’Lobster Telephone’ is an object displaying a lobster on top of a dial telephone [2] “I do not understand why, when I ask for grilled lobster in a restaurant, I’m never served a cooked telephone.” The surrealists unconscious thoughts are
Salvador Dali was a modern master of art. He unleashed a tidal wave of surrealistic inspiration, affecting not only fellow painters, but also designers of jewelry, fashion, architecture, Walt Disney, directors such as Alfred Hitchcock, performers like Lady Gaga, and Madison Street advertisers. Filled with antics of the absurd, Dali fashioned a world for himself, a world which we are cordially invited to experience his eccentricity, his passions, and his eternal questioning nature. Dali’s surreal paintings transport us to fantastic realms of dream, food, sex, and religion. Born on May 11, 1904, Dali was encouraged by his mother to explore, to taste, to smell, to experience life with all of its sensuality. As a boy, Dali often visited the Spanish coastal town of Cadaqués with his family. It was here that he found inspiration from the landscape, the sea, the rock formations, the bustling harbor, with ships transporting barrels of olives and troves of exotic spices. Dali was impressed by the Catholic churches, and their altars with the portrayal of Christ and of the angels and saints gracefully flying overhead, yet frozen in time and marble. It was in Cadaqués that Dali declared “I have been made in these rocks. Here have I shaped my personality. I cannot separate myself from this sky, this sea and these rocks.” It was in
Spanish painter Salvador Dali was undeniably one of the most eccentric personalities of the XX century. He is well known as a pioneer of surrealist art whose production has had a huge influence on media and modern artists around the globe . By bringing surreal elements into everyday objects he pushed surrealism forward. It is partly to his credit that surrealism is this popular today. In "M...
The artist of the Surrealist movement strives to take everyday objects or thoughts and turn them into dream-like, unrealistic paintings. Salvador Dali and Vladimir Kush are two great Surrealist painters. Dali and Kush created many different paintings, but they did create similar paintings such as: Dali’s The Ship with Butterfly Sails and Kush’s Fauna in La Mancha. The best of the two surrealist paintings has yet to be named.
Salvador Domingo Felipe Jacinto Dali i Domenech, Marquis of Dali de Puebol was born on May 11, 1904 in Spain. His father, Salvador Dali y Cusi, was a middle class lawyer and a notary. His father was very strict with raising his children. On the other hand his mother, Felipa Domenech Ferres allowed Salvador more freedom to express himself however he wanted, we can see this in his art and how eccentric he was throughout his life. Salvador was a bright and intelligent child, and often known to have a temper tantrum, his father punished him with beatings along with some of the school bullies. Salvadors father would not tolerate his son’s outburst or wild ways, and he was punished often. Father and son did not have a good relationship and it seemed there was competition between the two for his mother, Felipa attention. Dali had an older brother who was five years old, who died exactly nine months before he was born. His name was Salvador Dali. There were many different stories about how he was named. It is traditional in the Spanish culture that the oldest male takes the father’s name, this is the simple story. The other story was that his father gave him the same name expecting him to be like his dead five year old big brother. Dali later in life told others that his parents took him to his brothers grave and told him that he was a reincarnation of his older deceased brother. Dali said “we resemble each other like two drops of water, but we had different reflections. He was probably a first version of myself, but conceived too much in the absolute”. Being a child and trying to comprehend that your parents are comparing you to a sibling that has past is difficult but the fact that Salvador had to visit the grave in incomprehensible.
Kasimir Malevich, a Russian painter and designer, was born near Kiev on February 26, 1878 (Guggeheimcollection.org) and was “one of six children from Russified Poles” (Articons.co.uk). While living in Ukraine, he became absorbed into art during his teens, “largely teaching himself” the basics (Articons.co.uk). After saving his money “from his job as a railroad clerk” (Articons.co.uk), Malevich enrolled in the Moscow Institute of Painting, Sculpture, and Architecture in 1903 and began to study art more seriously. Later he trained at Kiev School of Art and Moscow Academy of Fine Arts and “produced portraits, landscapes, and genre scenes” in his early stages of his career (Artstudio.com).
Salvador Dali is a master of the art of surrealism and perhaps the world’s greatest Spanish artist. He is well known for his extraordinary bizarre paintings, where he depicts dream worlds that is illogical and irrational. One of Dali’s famous work is The Persistence of Memory, this painting explored the ideas about dreams, fantasies and fears. Most of the Dali’s painting is about his experience and his interests. Sigmund Freud was a big influence to Dali, He was fascinated about his psychoanalysis theories, it inspired him to develop a technique called paranoiac critical method where creating a work of art, it uses an active process of the mind to visualize images in the work and combine these into the final product (Wikipedia). In the early stages of Dali’s career most of his works are created on his hometown of Figueres, Spain on the rocky coastline of the Cadaques here
Imagine you can own one of the famous painting in the world. Which one would it be? What will you do with it? If I got to own a famous painting, I would hang it in my bedroom and I’ll show it to my family. In this situation, If needed to narrow it down it will be The Persistence of Memory by Salvador Dali or Nighthawks by Edward Hopper. These paintings are extremely different, and their artistic movement is opposite from one another. By the end of this essay, you’re going to know the differences and similarities of these paintings.
From the creation of art to its modern understanding, artists have strived to perform and perfect a photo realistic painting with the use of complex lines, blend of colors, and captivating subjects. This is not the case anymore due to the invention of the camera in 1827, since it will always be the ultimate form of realism. Due to this, artists had the opportunities to branch away from the classical formation of realism, and venture into new forms such as what is known today as modern art. In the examination of two well known artists, Pablo Picasso and Jackson Pollock, we can see that the artist doesn’t only intend for the painting to be just a painting, but more of a form of telling a scene through challenging thoughts, and expressing of the artists emotion in their creation.