Have you ever seen two sisters that are completely different in looks, thought, and what is important to them? This example can be compare to the story of Maggie and Dee in” Everyday Use” by Alice Walker. Although Maggie and Dee are sisters from the same parents and raised by the same mother in the same house who love and cherished them, they have different looks, different attitude towards family, and how they cherished the family heritage. According to the narrator (who is also their mother) she describes Dee as being more attractive than Maggie. Dee is lighter than Maggie, with nicer hair and a fuller figure (p. 256). Dee loves and wants nice things. She is always determined to stare down any disaster in her effort (p.257). Dee is an attractive, beautiful, and confident …show more content…
When Dee went to college she came back and seems to be ashamed of her mother, Maggie, and their new house. Maggie wrote to her mother while she was still in college her thoughts about their new house. “She wrote to me once that no matter where we choose to live, she will manage to come see us, but would never bring her friends (P. 257)”. She even changed her name from Dee to Wangero, saying she couldn’t do it any more (being name after the people that oppressed her). Dee was also a very selfish person. She wanted everything for herself. She had always wanted beautiful things all her life. Her mother let her have the butter churn; she went around and wanted more. She wanted her grandmother’s handmade quilts, even though her mother refused to give her. Her mother was saving the quilts for her sister for when she would get married. Dee insisted on having them. She was thoughtless toward her sister. Although Dee was thoughtless, resentful, and demanding towards family, being educated taught her to value her heritage. One the reasons she wanted grandma handmade quilts so bad. Dee education opens her eyes and understanding about family
Mama mentions Dee’s arrogant ways in the beginning of the story by saying “And Dee. I see her standing off under the sweet gum tree she used to dig gum out of; a look of concentration on her face as she watched the last dingy gray board of the house fall in towards the red-hot brick chimney. Why don’t you do a dance around the ashes? I’d wanted to ask her. She hated the house that much (316).” Dee had no interest in trying to help her sister Maggie, she just was so glad that she did not have to live in that old house anymore. Mama also says, “This house is in a pasture, too, like the other. No doubt when Dee sees it she will want to tear it down (317).” This only shows more evidence of Dee’s materialistic and egolistic ways. Dee was the type of person who always wanted the best of things. Her mother mentions that “Dee wanted nice things. A yellow organdy dress to wear to her graduation from high school (316).” Dee always wanted to be that styling girl.
through she is there with her mom everyday(Cowart 171-72). When Wangero comes back with her boyfriend, she acts like she 's better than them because she found her heritage and she lost what is important to them the mother-daughter relationship. In another source it say “Dee obviously holds a central place in Mama’s world,” so her central place is the reason why all the stuff that she wants she gets especially things that hold heritage value(Susan Farrell 180). The mother-daughter bond that she shares with Wangero is much more special and that bond with her mom should mean more to her then the quilts or anything else with any type of history
Maggie is not as attractive as Dee. She is a thin and awkward girl. Her
Both mothers compare their two daughters to each other. In Everyday Use the mother tells us that "Dee is lighter than Maggie, with nicer hair and a fuller figure." She Fahning -2-speaks of the fire that burned and scarred Maggie. She tells us how Maggie is not bright, how she shuffles when she walks. Comparing her with Dee whose feet vwere always neat-looking, as if God himself had shaped them." We also learn of Dee's "style" and the way she awes the other girls at school with it.
In the beginning of the story, Dee (Wangero) is introduced as someone that needs to be impressed. The narrator has a fantasy about being reunited with Dee (Wangero) (393). She is described as being beautiful and a wonderful daughter with many good qualities. Besides being beautiful, she is confident. Instead of feeling suppressed because of the color of her skin, she is able to look people in the eye (394). Dee (Wangero) is also educated and the way she talks shows it. She is also opinionated and her family is intimidated by it. Dee’s (Wangero’s) qualities are overall good qualities to have, but I feel like she uses them to act better than her family. The fact that she had changed her name to Wangero (397) and demanded the quilts while she was visiting made me feel that she was superficial. She did not even want the quilts when they were first offered to her before she went to college (400). I do not think it is right to change your family name and then come home and request family heirlooms. Dee (Wangero) always seems to get wha...
Mrs. Johnson, the mother, is described as, “a large, big-boned woman with rough, man-working hands” (6). She tells some of her capabilities including, “I can kill and clean a hog as mercilessly as a man. . .I can work outside all day, breaking ice to get water for washing; I can eat pork liver cooked over the open fire minutes after it comes steaming from the hog” (6). This description informs readers that Mrs. Johnson has learned all the ways and traditions of her ancestors and knows how to survive from day to day. She and Maggie’s lives in the small home represent a simple, unsophisticated way of life. Dee, on the other hand is described as, “[light-skinned], with nicer hair and a fuller figure” who “wanted nice things” and “had a style of her own” (7). The clothes Dee wears and the phrases she uses to greet her mother and sister show that she has no real understanding of her background and where she comes from. This shows Dee to be materialistic, complex, and lead a life where heritage is looked upon as a trend and not for what it really represents.
Although all of the character’s views on heritage are expressed, Dee’s character is given the more detailed description of ways she strays from her heritage. From the beginning, Dee despises the home that they live in. When it is destroyed in a fire, her mother wants to ask her, “Why don’t you do a dance around the ashes?,” expressing Dee’s utter aversion towards the home (Walker 409). Most people take pride in their home and cherish it for all of the memories that it holds for them, but Dee is insensitive to the family’s loss. After becoming of age, Dee decides to go to college, where she begins to hold her newly found knowledge against her family because of their lack of it. This opportunity to go out of her town and see the world gives Dee a taste of a better lifestyle that she wants to become apart of, and leaves her family behind. While Dee is away at college, she denies the quilts that her mother has offered her saying that “they were old-fashioned, and out of style” because she is still longing to separate herself from her family as much as possible (Walker 413). One of the main things that Dee does to distance herself from her family, and tarnish part of her family’s tradition is the changing of her name Dee Johnson, to Wangero Leewanika Kemanjo, because she feels that it comes from “the people that oppressed me” (Walker 411). This act comes to Mama...
Dee is the older and wiser of the two girls. Her sister Maggie says she has "Always held life in the palm of one hand," that "no is a word the world never learned to say to her" (Walker 86). The story condemns Dee as being "shallow," "condescending," and "manipulative," as overly concerned with style, fashion, and aesthetics, and thus lacking a "true" understanding of her heritage (Farrell 179). Some of this...
The way that Dee wanted to preserve the quilts her ancestors crafted instead of their traditional everyday use was similar to when the main character in Araby originally thought that love was not something that needs to be won over or bought. Dee rejected what was known to be true by trying to preserve her family's useful quilts like artifacts. She explained that her sister did not understand by saying "’Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use.’" The quilts showed the hard working people of her family's past, yet she attempted to reject that in a twisted modernist way. The way that Dee tried to move away from tradition was similar to how the main character in Araby realized the wrongness of his perception of love’s tradition. He started out by putting his crush on a pedestal, and believing that the way to someone's heart was through gifts and money. It was almost like he was bribing her to an event called the Bazaar with him when he said “`If I go, I will bring you something.'” Then he had an epiphany. Love must be reciprocal, not something that can be won.This traditional way of trying to win one’s love instead of it being a reciprocal concept was then discovered to be false to him. The way of questioning what is true led to enlightenment in Araby, whereas in Everyday Use it led to regression. Both
The narrator has two daughters, Dee and Maggie. Dee was this cute girl who was super intelligent and sophisticated. She often saw herself as being above her mother and sister and would often make them feel stupid and bad about themselves. "She used to read to us without pity, forcing words, lies, other folks' habits, whole lives upon us two, sitting trapped and ignorant underneath her voice". She shows that Dee enjoyed making her mother and younger sister feel dumb about themselves because it made her feel superior. Her whole life Dee detested her family and where she came from and couldn’t wait to get away. But, still her mother worked her booty off to provide her with high education and a good life. Dee goes away to college and when she returns she is a completely different person, suddenly interested in her family; photographing them upon arrival. With her guest, new "Wangero Leewanika Kemanjo", invades her mothers house taking everything in like it’s a cute display for her. Finally, when Wangero (Dee) demands that her mother give her some quilts, her mum can not take anymore. She tells Dee that Maggie, not her, will be receiving the quilts and she snaps. "I did something I never had done before: hugged Maggie to me, then dragged her on into the room, snatched the quilts out of Miss Wangero's hands, and dumped them into Maggie's lap. Maggie just sat
Dee, the older sister, wants to hang the quilts on a wall and view her culture from a distance. In fact she even seems ashamed of her family situation. In a letter to her mother Dee says, " . . . no matter where [they] choose to live, she will manage to come and see [them], but she will never bring her friends" (87). She even goes as far as to denounce her name because she claims, " I couldn't bear it any longer being named after the people that oppress me" (89). However, her mother states that she was named after her aunt and grandmother, the very people who made her beloved quilts. She makes it apparent that her idea of appreciating her culture is to leave it alone, especially when she says, " Maggie can't appreciate these quilts! She'd probably be backward enough to put them to everyday use"(91).
After all, she was never told no, so in her mind her options for success were endless. Dee grew up being taught the there was no real issue with society, but once she moved away to college, her perspective on the situation changed dramatically. Dee States “I couldn’t bear it any longer being named after the people who oppress me” (Walker, 318). This indicates a sense of remorse towards her family’s heritage and the way she was raised. Furthermore, linking the reason why she changed her name. This action is a rebellion towards her heritage and her family’s morals, as it is taking the very essence of their history and rewriting it to claim ignorance on the fact that this poverty induced lifestyle never happened. Although agreeing with Dee on certain situations, I’ve come to the conclusion that you should not step out of your heritage. This could cause you to lose your path and ultimately isolate you from your family’s history. Agreeing on the aspect of higher education, this puts Dee in a strange position in the story. She is not liked because of her ignorance towards her heritage, yet she has a way about her that is compelling to the audience. In “My Dungeon Shook” it states that “The details and symbols of your life have been deliberately constructed to make you believe what white people say about you” (Baldwin, 2). This statement supports the idea that Dee/Wangero changed her name because of what white people said about blacks and their lifestyle. Though afflicted by change, Dee wants to keep something to remember her heritage; she wants to be a part of the history without participating in the actions and lifestyle of her
Dee is shallow and manipulative. Not only does her education separate her from her family identity and heritage, it prevents her from bonding with her mother and sister. If Dee could only push her arrogance aside, she would be able to develop a deep connection with her family. While connecting with her family, Dee would also develop a deeper understanding of her heritage. Maggie and Mama did not give in to the “whim of an outside world that doesn’t really have much to do with them” (Farrell par.1). In the attempt to “fit” in, Dee has become self-centered, and demanding with her very own family; to the extent of intimidation, and
Maggie relationship with Dee is full of jealousy and envy. Maggie thinks that her sister is better, prettier, and smarter than she will ever be. Because of that, Maggie is shy and intimidated when her sister and her boyfriend come home to visit for the first time in years. Dee on the other hand does not make it any better, because of her jealousy and judgmental ways make Maggie feel unloved and unappreciated. When Maggie is burn in the house fire Dee shows no concern if her sister lives or die. Even their mother knows that their relationship is nonexistent. Dee’s mother said “I used to think she hated Maggie” (Walker 154). Even as adults Dee and Maggie love for one another is arm distance away. Dee feels that her mother and sister are not claiming their heritage and are close minded country
When Dee finds out that her mama promise to give the quilts to her sister, Dee gets very angry and says that she deserves the quilts more than Maggie because Maggie would not take care of them like she would. Dee feels that she can value and treasure heritage more than her sister Maggie. Dee does what she wants, whenever she wants and she will not accept the word no for any answer. “She thinks her sister has held life always in the palm of one hand, that "no" is a word the world never learned to say to her.” Maggie is used to never getting anything. Throughout the entire story, it says that Maggie gives up many things so Dee can have what she needs or