A crime is a serious offence such as murder or robbery. A punishment is a penalty imposed on somebody who is convicted of a crime. The two movies that are being compared and contrasted is I soliti ignoti (Big Deal on Madonna Street, 1958), filmed by Mario Monicelli and Ladri di biciclette (Bicycle Thieves, 1948), filmed by Vittorio De Sica. Both Bicycle Thieves and Big Deal on Madonna Street ushered in a new era of film. This allows two movies to accomplish similar goals in two completely different ways. What the movies have in common is the neorealist settings, character structure, and the genre. These are the reasons that make Big Deal on Madonna Street and Bicycle Thieves have similarities yet two completely different movies.
In the mid
…show more content…
Both Big Deal on Madonna Street and Bicycle Thieves present neorealism on two different spectrums. The movie Bicycle Thieves portrays neorealism by showing a man named Antonio Ricci, who just got a job that would help provide for his family, putting up posters for the city requiring the use of a bicycle to get around and no other way. To even get a bicycle he had to trade in their family’s sheets in exchange for it trading goods when they don’t have any money to get one. After one day on the job his bike was stolen and he goes on a journey with his son to look for it roaming through Italy. This shows the economic struggles throughout the city and the social …show more content…
Antonio near the end of the movie tries to steal a bike after failing to find his own. Tiberio agrees to assist with the heist to help his current situation. These insistences exemplify that they are willing to do whatever it takes to provide for their family. What ends up separating the two characters is the end results of their actions. At the end of these films, Antonio decides to steal the bicycle while Tiberio backing out last minute for the safety of his family. The difference between the two was Antonio was willing to go through with stealing the bike regardless of the consequences. Tiberio was at first going through with the heist for his family but end up not going through with the it for the same reason, their family.
Last but not least, Genre is a class or category of artistic endeavor having a particular form, content, and technique. Aside from the character structure the genre can be compared and contrasted in these two movies. The movie Bicycle Thieves genre is a mystery/crime and Big Deal on Madonna Street is a comedy. Even though the two movies are two different genres they do share similar set ups. Both movies are about the social issues of Italy but Big Deal on Madonna Street amplifies and spoofs Italians
Like most things captured on film for the purpose of being marketed, the richness of gangster life, with sex, money, and power in surplus, is glorified, and thus embraced by the audience. And as a rule, if something works Hollywood repeats it, ala a genre. What Scarface and Little Caesar did was ultimately create a genre assigning powerful qualities to criminals. Such sensationalism started with the newspapers who maybe added a little more color here and there to sell a few more copies, which is portrayed in Scarface’s two newspaper office scenes. Leo Braudy denounces genres as offending “our most common definition of artistic excellence” by simply following a predetermined equation of repetition of character and plot. However, Thomas Schatz argues that many variations of plot can exist within the “arena” that the rules of the genre provide.
"Genre: A group of films having recognizably similar plots, character types, settings, filmic techniques, and themes." (Konigsberg:165) The Genre of this film is difficult to define because it is not composed of a single agenda. The director makes a point of talking about Tosh’s life, but because of the cinematic themes and the film’s style it is not solely a documentary. This film is also a multimedia film because elements of music and concert footage are added to the essential plot. This film is avant-garde in it’s nature. "Avant-garde [refers to films that] deny the traditional narrative structure and techniques of commercial films by seeking to explore new modes of visual and emotional experience." (Konigsberg:25) It could be considered an anthology film, because of the various concert footage that is woven throughout the movie. "An Anthology film is a full length film made up of excerpts from other films which are related by some theme [or] the appearance of the same performer." (Konigsberg:16)
The genre of the film is how we know what kind of film it is. Genre is a French word which literally means type; it shows what category a film comes under. There are certain factors in a genre which will identify it. Things like settings, characters and themes can all be similar in one specific genre.
When one thinks of a gangster they may think of speakeasies and classy cars or maybe drive-bys, but they will always imagine a man who is not afraid to get his hands dirty to grasp for a higher place on the social ladder. They will think of a man portrayed in a genre of cinema more American than any other, the gangster film. This genre began in the early thirties and has been re-adapted each decade to fit a new time. Although gangster films may mold themselves to fit into a certain cultural era, they still stay deeply tied to the foundations of the genre and its historical relevance to the american dream. This is apparent when comparing the differences and similarities between The Public Enemy and American Gangster. To better understand this comparison one needs to understand the origination of some of the classic conventions of the gangster film genre.
Aside from its acting, the other major influence which Mean Streets had upon American film-makers was through it's use of a rock n' roll soundtrack (almost perfectly integrated with the images), and in its depiction of a new kind of screen violence. Unexpected, volatile, explosive and wholly senseless, yet, for all that, undeniably cinematic violence. The way in which Scorsese blends these two - the rock and roll and the violence - shows that he understood instinctively, better than anyone else until then, that cinema (or at least this kind of cinema, the kinetic, visceral kind) and rock n' roll are both expressions of revolutionary instincts, and that they are as inherently destructive as they are creative. This simple device - brutal outbreaks of violence combined with an upbeat soundtrack - has been taken up by both the mainstream cinema at large and by many individual `auteurs', all of whom are in Scorsese's debt - Stone and Tarantino coming at once to mind.
The gangster genre within films in America has accomplished numerous positive criticisms and constant willing audiences due to containing outstanding spectacles and mind-blowing action. The Godfather, being second on the IMDb Top 250 Movies, has set a new popular concept to life within the Mafia from their point of view. Doing so, creating a positive association. Yet within Italy, the same topic contains a complete different view. Movies such as I Cento Passi demonstrate unenthusiastic view by those whom are outside yet negatively affected by those members. Unlike American films, the gangsters are not as often viewed at the protagonist and are the main causes for the problematic events. But how different is Italian Mafia and American Mafia in cinema?
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Vittorio De Sica’s greatest neorealist film was Bicycle Thief. De Sica’s Bicycle Thief combines all of th...
Bicycle Thieves is considered an example of Italian Neo-realism. The plot demonstrates Italians of the working class in Italy and unfolds their day to day lives. One could argue it portray the reality and develops into an emotional storyline towards the end. Antonio, the main character is offered a job requiring a bicycle and on his first day it was stolen on the streets. You immediately feel drawn to the character as you want to see a happy ending. Watching the film, automatically feel sorry for him as he’s got no money and needs to make a living as soon as possible for his wife with two children to support. From the close ups and observational shots it clearly shows he is desperate as Antonio and his son Bruno go around searching for it for hours. The opening sequence uses the conventions of documentary to introduce the film giving an impression of realism and authenticity, which attracted me to the film instantly. These shots were used to capture realism. The function of this scene is to illustrate the nature of surrounding and an insight of Italy at this time.
Amelio places an immense focus on intertextuality in this film as an homage to the end of the neorealistic era. He particularly references one of the leading figures of the neorealistic movement, Vittorio De Sica, and his film Bicycle Thief. The title, Stolen Children, and the main character’s name, Antonio, are an allusion of Bicycle Thief. Through Amelio’s choice of allusions,
When it comes to literary devices of course genre has to be in the top of those because genre changes how you read a book as in to take it serious or to see where they going with the story.
The genre i have studied is musicals. A musical is a film which has musical performances from the actors to express their feelings. The films from this genre that i studied are 'Singin' In The Rain' (Gene Kelly and Stanley Donen, 1952), 'Grease' (Randall Kleiser, 1978) and 'Hairspray'(Adam Shankman, 2007). I studied two characteristics of the musical genre (Breaking Into Song And Dance and The Grande Finale) that are shown in the films studied. The identifying characteristics of 'Breaking Into Song And Dance' and 'The Grande Finale" are always seen in musicals. These characteristics are expected to be in a musical by the audience and ultimately make a musical what we predict it to be, a film that expresses characters feelings through song while
Music is an inspirational outlet that can be used to convey a message to other people who relate to that message. Music can become even stronger when the person who is performing it is an inspirational source as well. For the past 30 years Madonna has become a well-known artist, actress, and role model to the people who support her. All artists know that they are only number one until someone else comes along and replaces them with more intriguing work to offer. Lady Gaga has been said to be the new Madonna of our generation and is quite often compared to her in many ways by her musical and styling choices. They both share similarities such as their musical genre, style, feminine empowerment, and their support towards the gay community. Their differences can also be seen in those same fields as well.
A genre is a type or category of film (or other work of art) that can be easily identified by specific elements of its plot, setting, mise en scène, character types, or style. (Goodykoontz, 2014) The gangster film is a sub-genre of the broader genre of crime film. A genre main objective is to classify the depiction of entertainment. The genre of my movie is a gangster film. My movie I chose was Scarface. Directed by Brian De Palma.An update of the 1932 film, Scarface (1983) follows gangster Tony Montana and his close friend Manny Ray from their trip on the Cuban Boat Lift for refugees to their arrival in Miami. (Scarface, 1983a)
On the other hand, Antonio is also a moneylender, but does not charge interest. Iago also wants revenge because he feels that he has been cheated out of a position that he feels he deserves. The position that he did not get was that of Othello's lieutenant, which was given to Cassio who has knowledge about combat from books. Iago feels that he has more real experience and that he should have been the one to take that position. Another similarity is that both characters are ruthless and will stop at nothing to get what they want.... ...