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The theme of change in the metamorphosis
The theme of change in the metamorphosis
Comparison of metamorphosis and the yellow wallpaper
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Both texts of choice, ‘The Metamorphosis’ and ‘The Yellow Wallpaper’ are undoubtedly unique in their content, but more so that they both encourage us to form a deep sense of empathy from their readers, as both Gilman and Kafka encourage a shared sense of pain for their protagonists. This is through the powerful use of language not only in characterisation, but also in the description of place and surrounding. Despite this however, this essay will consider how far such a feeling of sorrow and pity extends beyond the texts, and consideration must be given as to whether or not ‘They break the frozen sea within us ’ as Kafka himself put it.
If we take the above quote from Franz Kafka, it strongly suggests that Kafka’s wish for a book to create a ‘sense of pain’ is reflected in his novel. However, despite the intentions of Kafka, whether or not this is true in the case of ‘The Metamorphosis’ is another matter in the dichotomy of authorial intention. Granted, the structure of the novel is one which is emotively powerful. If we begin by analysing the language in the opening chapters, we see the transformation of Gregor into a ‘sorrowful creature’, as Kafka describes his legs ‘waving feebly’ and his ‘heart pulsing abnormally’. Moreover, Gregor is intentionally described as ‘physically repulsive’, evidence of this can be found with the clerk’s reaction to Gregor, as he ‘escapes the house, with a face as pale as death’. This reaction of disgust is not limited to the minor characters, as the text shows the protagonists disgust in himself as well. Gregor ‘closes his eyes’ so he doesn’t have to see his ‘wriggling legs’. Such a description is powerful, as the text dehumanises Gregor, and provokes the question, If Gregor cannot even accept hims...
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...aim both authors use language as a vehicle to do so. Both protagonists are extensively patronised in both texts. We see Gregor’s mother claim ‘he is not capable of doing the simplest of tasks... he is but a child’ and the same can be seen with Gilman as John’ laughs’ at the protagonist. If we reference my previous point of perception, such patronisation infantilises her, and as aforementioned, the scene for the novel is in actuality a ‘nursery’ which Gilman reveals within the novel. Undoubtedly there is a family hierarchy present, with John being at the very top of such. He is largely the totalitarian figure in the family structure, who refuses to acknowledge his wife’s opinions.
As shown before blaming her mental anguish on ‘a draught’. Moreover he also ‘personally disagrees’ with the ideas of his wife, and as he puts it ‘what is he to do about such absurdities?’
Gregor Samsa awakes one morning to discover that he has been transformed into a repugnant vermin. One may never know what initiated this makeover, but the simple truth is that Gregor is now a bug, and everyone must learn to live and move on in this strenuous situation. In Franz Kafka’s The Metamorphosis, the characters that interact with Gregor, including his mother, his father, and his sister Grete, must come to terms with his unfortunate metamorphosis, and each does so by reacting in a unique way. Gregor’s family members are constantly strained by this unusual event, and all three of them are pressed to their breaking point.
... indifference and loss of love finally kills him. Gregor is our heart-breaking narrator of the story whose never-ending tenderness and love makes you ache to hold on to your own sense of human decency and moral characteristics and cling to the purity in life.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
Strained, overworked and mistreated was all Gregor has known. His family needs him so they can live comfortably with as little effort as possible. There are no strong family bonds or relationships because there is no love and respect within the family. Gregor provides and makes a comfortable life for his able bodied family with little regard to his own well being. However, he gains no respect and continually puts up with the family de-humanizing him. In Franz Kafka’s “Metamorphosis”, the well being and financial stability of Gregor’s family rest solely on him by the consent of the family making it impossible for close family relationships to form.
First and foremost Gregor was betrayed by his own parents who failed to care for him after his transformation. The initial reaction of the parents, especially his father, set the tone for the whole novel. Instead of trying to resolve the issue with a reasonable solution, his father physically abuses him, “when from behind, his father gave him a hard
Gregor’s relationship with his father shows resemblance to the relationship between Kafka and his father. Kafka, as a child, suffered abuse from his father. Kafka viewed his father as a forceful monster, which resembles Gregor’s father. Gregor wanted nothing more than the love of his family, especially his father, just as Kafka had wanted. His reason for writing “The Metamorphosis” could also relate to the situation which he lived in. He was a Jew raised in Austro-Hungarian Empire, modern day Czech Republic. He was a Jew in an area of the world which Jews were not well accepted. Gregor was described as cockroach, something that Jew were often equated to during this time period. Jews were treated like vermin, they were thought of a creature that was to be rid of. Gregor experienced similar treatment from his family. They discussed leaving or getting rid of Gregor during the story. Experiences of Gregor are similar to those that Jews would have experienced during Kafka’s life. “The Metamorphosis” could also demonstrate the issues that normal people face every day. People face trials and tribulations every day that change their lives dramatically, nobody has ever been transformed into a bug, but it does represent the extreme circumstances that may
Kafka reflects a belief that one is treated worse by being more liberal and selfless than another. This perspective is in conflict with the way things should be played out. Man should be dealt with in understanding to his actions, so Gregor should too be significantly appreciated by his family paying little attention to his state because of his adoration of them.
In the novel, The Metamorphosis, Kafka writes about a man who one day transformed into a bug. Kafka’s own feelings of nothingness caused this story to shape into this unique story. Kafka writes, “The dream reveals the reality, which conception lags behind. That is the horror of life – the terror of art” (qtd. In Kennedy and Gioia 299). Kafka said this as a rebuttal to a friend trying to pry information out of him about The Metamorphosis. Kafka meant that the true burden of art is that a person’s experiences will always heavily influence their creations, and that is horrifying. It is clearly shown in his writings that his personal experiences helped shape the story The Metamorphosis. Every little detail about Gregor’s life is a reflection of Kafka’s own life. Gregor’s family, job, and dreams all were influenced by Kafka’s personal experiences. His father was domineering just as Gregor’s father controlled him after he turned into an insect. He had a horrid job just as Gregor did, and he lived at his parent’s house for most of his life. Gregor’s dreams of being free from his job and parents were also Kafka’s dreams. Kafka’s reality is shown in his story, The Metamorphosis, through Gregor’s family and dreams of freedom.
The author makes a statement of her belief of men’s inclination to dominate woman through John’s treatment of his wife. Men who wish to have control over their wives do so by demanding, and demeaning tactics. For instance, John has “forbidden (her) to work”(631), and calls her a “blessed little goose”(633). He patronizes his wife by ignoring her early cries of help, and denies her the very things that might help her such as “companionship…(visits)”(633). It is also important to note that John, and the narrator’s brother are physicians. Together they represent the male medical establishment which contrasts female hysteria. He uses her as a stepping stone for his career even though he tells her they came to the ancestral mansion “solely on (her) account”(631). It is all a matter of control. Up until the very end of the story John is still trying to restrain his wife under his power which Gilman demonstrates when he “(faints)…right across (her) path”(642). Through John’s condescending behavior towards his wife, the author sends a clear message that most men tend to degrade their wives so as to establish their self-worth.
Kafka wants the readers to feel sympathy for Gregor because of the reactions of the parents and the chief clerk. He wants the readers to pity Gregor because no one else will. Gregor hears ‘the chief clerk em...
Franz Kafka’s The Metamorphosis is a short story written during the nineteenth century that took place during the Modernist Era. The novella was not meant to be published because Franz Kafka specifically told his close friend that he wants his work to be burned. When Kafka suffered from tuberculosis and passed away, his close friend, Max Brod reviewed his work. He thought Kafka's work was brilliant and decided to published his work. Gregor Samsa’s transformation into a vermin has shown the lost of humanity in which it will show the similarity between the main character and the narrator as well as the impact Gregor Samsa’s loved ones have on him.
From the beginning of The Metamorphosis Kafka offers a comical depiction of Gregor’s “squirming legs” (Kafka 13) and a body in which “he could not control” (7). Gregor’s initial reaction to this situation was the fact he was late to his dissatisfying job as a salesman, but Gregor knows that he has to continue his job in order to keep the expectation his family holds upon him to pay of the family’s everlasting debt. When Gregor’s family eventually realizes that Gregor is still lying in his bed, they are confused because they have expectations on Gregor that he will hold the family together by working. They know if Gregor was to quit his job there would be a great catastrophe since he is the glue to keeping their family out of debt. The communication between his family is quickly identified as meager and by talking to each other from the adjacent walls shows their disconnection with each other. Kafka introduces the family as lacking social skills in order to offer the reader to criticize and sympathize for Gregor’s family dynamics. Gregor’s manager makes an appearance quickly after experiencing the dysfunction within the fami...
Franz Kafka’s character Gregor Samsa and T.S. Eliot’s speaker J. Alfred Prufrock are perhaps two of the loneliest characters in literature. Both men lead lives of isolation, loneliness, and lost chances, and both die knowing that they have let their lives slip through their fingers, as sand slips through the neck of an hourglass. As F. Scott Fitzgerald so eloquently put it, “the loneliest moment in someone’s life is when they are watching their whole world fall apart, and all they can do is stare blankly”. Franz Kafka’s The Metamorphosis and T.S. Eliot’s “The Love Song of J. Alfred Prufrock” are both exceptional examples of such lonely moments. Both authors use characterization, imagery, and atmosphere to convey the discontentedness and lack of fulfillment in the life and death of both Samsa and Prufrock.
The feelings of loneliness and betrayal are feelings that we all feel one too many. Some have these feelings for a few simple days, and then those feelings soon pass. For others, however, this is a feeling that is felt for most of their lives. Our loneliness may make us feel alone, when our loneliness is actually common. In The Metamorphosis by Franz Kafka, the topic of alienation is an ongoing theme from beginning to end. I have interest in this passage because it reveals the writers understanding of a feeling that we all get from time to time. This novella helps us relive these emotions with an understanding that we are not alone in our loneliness.
Franz Kafka wrote the short story Metamorphosis in 1912. No one can truly know what he aimed to accomplish with the story, but it is thought he wrote it to demonstrate the absurdity of life. The story is written with a very simplistic undertone, ignoring how completely ludicrous the situation that Gregor Samsa and his family are in. Metamorphosis is most often thought of in the scientific meaning of the word, which according to dictionary.com is a profound change in form from one stage to the next in the life history of an organism. It is also defined as a complete change of form, structure, or substance, as transformation by magic or witchcraft or any complete change in appearance, character, circumstances, etc. This word is generally reserved for describing how a caterpillar turns into a butterfly, a good analogy for the process of metamorphosis. It brings to mind a pleasant event, very unlike what Gregor and his family experience. We as readers only get to see things through Gregor’s eyes. Does this skew our understanding of the story, and how do Gregor and Grete’s metamorphoses differ, and how are they alike?