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Cinema in communication
Essay on cinema and communication
Cinema as an instrument of communication essay
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“Cinema is the ultimate pervert art. It doesn’t give you what to desire — it tells you what to desire,” according to Slavoj Zizek, a Slovenian Marxist philosopher. Just like in the article “The MP3 as a Cultural Artifact” by Jonathan Sterne, where an MP3 is said to be promiscuous, Cinema; according to Zizeki — said to be the same. This point will be further discussed later in the paper. This paper aims to show cinema as a medium of communication by explaining what cinema is, and relating it to different theories by notable authors and philosophers. The definition of cinema, how it is a medium of communication, relations to theories, and brief case studies will be explored. What is Cinema? Cinema can be taken to mean very different things at different times —a physical space (“I am going to the cinema.”), a medium of entertainment (“Casablanca is a cinema masterpiece!”), or even an entire industry with all the connections and entanglements that entails (“I am studying Bollywood cinema.”). (Gordon Gray, x) Although, in this paper cinema will not be referred to as one of these in particular, but in general, the different meanings will be selected to portray different aspects of cinema, both new and old. Cinema is a medium of communication because it sends a message. A film has a reason for being made. For example, Crash; a movie by Paul Haggis — aims to show the role of race and class in the average society. The movie sends a message by showing that it is essential to wipe out racism in our communities because it fosters unnecessary hatred for people who may be helpful to us sometime. Cinema communicates to us in ways other mediums can’t. It uses visual, and audio (sometimes) to stimulate our minds, and make us aware of things t... ... middle of paper ... ...ma." (86 Quotes). N.p., n.d. Web. 18 Mar. 2014. . Taras, David, Maria Bakardjieva, and Frits Pannekoek. How Canadians Communicate: Media, Globalization, and Identity. Calgary: University of Calgary, 2007. N. pag. Print. "The Medium Is the Message." Prezi.com. N.p., n.d. Web. 22 Mar. 2014. . Thornham, Sue, Caroline Bassett, and Paul Marris. Media Studies: A Reader / Edited by Sue Thornham, Caroline Bassett and Paul Marris. New York: New York UP, 2009. Print. "TV IS THE NEW CINEMA: Putting 2013 Behind Us." Thompson on Hollywood. N.p., n.d. Web. 18 Mar. 2014. . Youngblood, Gene. "Synaesthetic Cinema: The End of Drama." Expanded Cinema. New York: Dutton, 1970. N. pag. Print.
In his essay, “It’s Just a Movie: A Teaching Essay for Introductory Media Classes”, Greg M. Smith argues that analyzing a film does not ruin, but enhances a movie-viewing experience; he supports his argument with supporting evidence. He addresses the careful planning required for movies. Messages are not meant to be telegrams. Audiences read into movies to understand basic plotlines. Viewers should examine works rather than society’s explanations. Each piece contributes to Smith’s argument, movies are worth scrutinizing.
5 Feb 2014. Fiske, John. The. Television Culture. London: Methuen & Co. Ltd, 1987: Ch. 78.
Flew, T., & Smith, R. (Canadian). (2011). New: Media An Introduction. Don Mills, Ontario: Oxford University Press p.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Any act of conscious communication always true, in varying degrees, two fundamental objectives. One is to inform, instruct and describe, and the other is to entertain or occupy. The products of the mass communication industry made that mandate the particularity that are targeted to a wide receiver, whose acceptance is intended to conquer. The intent of the act is expressed with the term broadcast (spread through mass media), which once meant to sow broadcast the farmland. The cinema, especially the US, is the great communication industry of the twentieth century. Although in recent decades seems to have given primacy to television, the information, education and entertainment on Western culture influence is undeniable.
Kracauer, Siegfried. “Basic Concepts,” from Theory of Film. In Film Theory and Criticism: Introductory Readings, Seventh Edition, edited by Leo Braudy and Marshall Cohen, 147–58. New York and Oxford: Oxford University Press, 2009.
Far too often, we are influenced mentally and socially by Media. The new millennium has accepted all sources of media has almost more prudent source of information. As defined by The Merriam Webster Dictionary , Media is “a medium of cultivation, conveyance, or expression (Smiler).” For the purposes of this essay, I will condense the broad spectrum of media and focus specifically on these forms : print media, television , movies, and the internet. Within the Written composition, A trifling media written by Shakira Smiler, she carefully examines piece by piece why she believes not only men are trifling but as well how media has influenced why it's acceptable. Within her exposition, she speaks to infidelity , immaturity, and specifically, seeing
This essay will seek to outline my findings on movie and theatre by looking at still image and moving image. I will discuss the relationship between cinema and film, and also compare some works of artists in order to answer the question which how might photography be contextualized as image on the threshold of still and moving – as an object incorporating the temporal and the narrative, the writing of history, or the presentation of documentation as record.
" Cinema and the Nation. Ed. Mette Hjort and Scott Mackenzie. New York City, NY: Routledge, 2000. 260-277.
Gunning, Tom 2000, “The Cinema of Attraction: Early film, its spectator, and the avant-garde.” Film and theory: An anthology, Robert Stam & Toby Miller, Blackwell, pp 229-235.
So although some might think that Canadian content in media is in danger it really is not. Another issue that arises is culture proximity. “Cultural Proximity is the desire for cultural products as similar as possible to one’s own language, culture, history, and values” (Straubhaar and LaRose 2001, 522). Not only that, but Canadians tent do be exposed to a lot of content from the television and the radio. Depending on the age...
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Ott, B. L, & Mack, R. L. (2010). Critical media studies: An introduction. Malden, MA: Wiley-
Gauntlett, D. Hill, A. BFI (1999) TV Living: Television, Culture, and Everyday Life, p. 263 London: Routledge.
‘Then came the films’; writes the German cultural theorist Walter Benjamin, evoking the arrival of a powerful new art form at the end of 19th century. By this statement, he tried to explain that films were not just another visual medium, but it has a clear differentiation from all previous mediums of visual culture.