Commentary on Lorna Sage, Bad Blood (2000)
This passage revolves around a young girl's life, how it has changed
and what it has become. It is ironically, how a friendship has evolved
into something that the two girls who are exposed in this passage have
never thought it would become. Sage introduces us to what we can
conclude to be herself in the first paragraph of this passage, whilst
introducing us to her dear friend (or shall we say greatest enemy?) in
the second paragraph.
The relationship between Gail and the narrator is one of typical young
girl's relationships with another girl. Sage develops the relationship
between these two young girls from two very contradicting ways; Hate
to Love. As the narrator mentions;
"…now she was my sworn enemy."
This quote makes it quite obvious how the narrator felt about Gail.
When you use the word sworn enemy, it emphasizes the amount of hatred
you have towards that person, which makes it crystal clear to us how
the relationship between Gail and the narrator was. Yet, ironically,
this all changes, within no more than 2 words from that quote, when
the narrator opens up the relationship between her and Gail when she
says;
"(she even had a funny name, like me)"
In this quote, the narrator starts to open up to Gail, accepting her,
as she starts to compare her to herself. That is where the
relationship actually began. Although they started off bullying each
other and beating each other up, as shown when Sage says;
"Once she'd thoroughly trounced me in public…"
this quote, also, is pretty much right to the point, very straight
forward, the narrator speaks openly and sort of what proud of being
trounced, of being whitewashed by Gail, because it let to som...
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...e way we can understand this passage, for example,
would you enjoy a passage that was all about two girls (or even two
guys, let us not be sexist!) that was all about bullying and all about
racism and socialism and so on? This passage, with the emphasis of the
narrators' feelings into it, shows us exactly how real friendships
turn out to be, and it is true, this passage does reflect on the real
way strong relationships are actually made! (I would know, it's
happened to me!) but for me, this passage was really a play back to my
old life. I've gone through exactly what Sage, or the narrator has
gone through, and turned out with a friendship stronger than ever!
When you're young, without a doubt you ought to feel jealousy towards
a certain person in your grade/year, for some reason or another, which
will, believe it or not, lead to a really strong friendship.
On February 28, 2018, at approximately 1018 hours, Investigator Mems conducted a recorded interview with witness, Shirley Youngblood, at Pulaski County Criminal Investigations Division. Ms. Youngblood agreed to make a statement in reference to terroristic threatening which occurred at 915 McCoy Road in Little Rock, AR. What follows is a summary of Ms. Youngblood’s statement. >>>>>>>>>>>>>>>>>>>>>> >>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>
Yes, when the character entered the stage, she appeared to have a life off-stage. The first time we meet this character, she has a black eye and is wearing combat boots, tights and a crop top.
This assertion that the truth exists beyond the realm of earthly understanding is echoed in Father Forbes' final words to Theron, which reverberate like the sound of the door slammed in the minister's face: "The truth is always relative, Mr. Ware..." (Frederic 326).
"The way to find the 'real' world is not merely to measure and observe what is
Lillia Davidson, my grandma was born mid war, 1940 to Shirley and Ed Kittle. Lillia, her 2 siblings and their parents lived in a small apartment in Glenbrook, Connecticut from 1940 to 1943, her family moved to the Vermont countryside when she was four. Her parents were not rich Shirley was a seamstress and Ed did was was called a civilian job meaning he did not get paid, he would keep an eye out for suspicious plains. Though her dad was not in the war she felt proud that he was helping with the war. Ed’s job of being a spotter become very important after the bombing of Pearl Harbor in 1941. My grandma has no memory of Pearl Harbor because she was so young. Being so young sheltered her from a lot of what was going on at that time.
Gail Godwin's short story "A Sorrowful Woman" revolves around a wife and mother who becomes overwhelmed with her husband and child and withdraws from them, gradually shutting them completely out of her life. Unsatisfied with her role as dutiful mother and wife, she tries on other roles, but finds that none of them satisfy her either. She is accustomed to a specific role, and has a difficult time coping when a more extensive array of choices is presented to her. This is made clear in this section of the story.
Alice Neel’s painting Suzanne Moss was created in 1962 using oil paint on canvas. As the title suggests, the painting depicts a woman’s portrait. Now resigning in the Chazen Museum in Madison, WI, this portrait of a woman lunging is notable for the emotional intensity it provokes as well as her expressionistic use of brush strokes and color. The scene is set by a woman, presumably Suzanne Moss, dressed in dull back and blues lounging across a seat, staring off to the side, avoiding eye contact with the viewer. The unique style and technique of portraiture captures the woman’s piercing gaze and alludes to the interior emotions of the subject. In Suzanne Moss, Alice Neel uses desultory brush strokes combined with contrast of warm and cool shadows
Throughout the novel the theme of blood is often mentioned. The blood has various meanings, but overall it signifies part of his identity. It is Bính’s blood that grounds him to his origins and I argue that it represents his life in Vietnam as something that he can never run away from. Vietnam will follow him wherever he goes and for that reason he will never quite fit in anywhere else.
“What is a man/If his chief good and market of his time/ Be but to sleep and feed? A beast, no more./ Sure He that made us with such large discourse,/Looking before and after, gave us not/ That capability and godlike reason/ To fust in us unused. Now whether it be. Bestial oblivion or some craven scruple/ Of thinking too precisely on th’ event” (4.4 35-43).
In Karen Horney's "The Distrust Between the Sexes," she attempts to explain the problems in the relationships between men and women. She writes that to understand the problem you must first understand that problems stem from a common background. A large amount of suspiciousness is due to people's intensity of emotions.
Men know well that they are acted upon, but they do not know by whom. So they must invent by themselves the idea of these powers with which they feel themselves in connection, and from that, we are able to catch a glimpse of the way by which they are led to represent them under forms that are really foreign to their nature and to transfigure them by thought. (172)
“It was a new discovery to find that these stories were, after all, about our own lives, were not distant, that there was no past or future that all time is now-time, centred in the being.” (Pp39.)
Commentary on Lorna Sage’s Bad Blood This passage, consisting of three paragraphs, out of Lorna Sage’s Bad Blood, is presented by an all-knowing first-person narrator. It revolves around a young girl’s, the narrator’s, school life and childhood experiences. It follows the evolution of a friendship between the narrator and her dear friend, or shall we say her “sworn enemy”(l 11), who is first introduced in the second paragraph, “Gail…had hair in ringlets, green-hazel eyes and pale, clear, slightly olive skin stretched tight and shiny over her muscles…” (ll 11-13). The narrator first encounters Gail by having “fierce contests in the yard, duels almost…” (l 8) against her.
Insofar as the Ideal is the One, it is also the True. The image coincides with reality; looks do not deceive. There is, for Will, a battle between his eye and heart--"Mine eye and heart are at a mortal war / How to divide the conquest of thy sight: (46.1-2)"--but they are not disagreeing about value: ". . . mine eye's due is thy outward part, / And my heart's right thy inward love of heart (13-14)." Inward and outward are in harmony; the beautiful is the good.
You may probably say that it sounds a little self-contradictory. In fact, it is. But, as for me, it is also the truth.