More handpicked essays just for you.
An essay about a portrait of the young man as an artist
An essay about a portrait of the young man as an artist
Aesthetics in a portrait of the artist as a young man
Don’t take our word for it - see why 10 million students trust us with their essay needs.
The coming of age story is a central part of the literary tradition. For centuries, the journey from childhood to adulthood has been chronicled from a variety of perspectives. Amongst all of the differing stories, certain human truths become apparent in the common experience of growing up. James Joyce’s A Portrait of the Artist as a Young Man and Charlotte Bronte’s Jane Eyre are amongst the most highly regarded and widely read coming of age stories. Each novel chronicles the life of its protagonist from a young age into adulthood as they develop morally and come to terms with their purpose and path in life. Both Joyce and Bronte use the theme of spiritual development throughout their novels to show how personal and moral development is largely rooted in rejecting or coming to terms with religion and society’s imposed moral values. …show more content…
Stephen and Jane both come to reject society’s imposed religious and moral values in favor of developing their own, and by the end of each novel, both protagonists resolve to pursue their passions in lieu of following predestined paths. For Jane, that meant pursuing her relationship with Mr. Rochester, and for Stephen , that meant pursuing his art. However, in each novel that religious development occurs through different means. Joyce elects to use a narrative style that allows the reader access to Stephen’s thoughts in a way to help understand his religious feeling and subsequent moral development. Bronte, however, exemplifies Jane’s moral developments in her characterization of other religious figures in the text and how Jane changes her perspective after meeting them. Both coming of age stories reveal that moral and personal developments are rooted strongly in coming to terms with and often rejecting religious ideals in favor of developing one’s own
Jane Eyre is born into a world where she is left bereft of the love of parents, family, or friends, but instead surrounded by hateful relatives. She resolves to attend school to begin her quest for independence. This theme is seen through Jane’s behavior when she renounces her relation to her aunt Mrs. Reed, ignoring the nurse’s orders and leaving her room to see Helen again, and when she acquires the courage to speak her opinion to Mr. Rochester.
Someone once said, “Maturity is not measured by age. It’s an attitude built by experience.” (SearchQuotes). These experiences help advance maturity and prepare adolescence for adulthood. In coming of age literature, the key is to evolve an authentic character through different incidents. Accordingly, Evan Hunter demonstrates this characteristic development in “On the Sidewalk Bleeding”, through the protagonist, Andy. Within the story, there are moments that illustrate the development in thinking realistically rather than idealistically, a prominent transition from ignorance to knowledge and experiences that demonstrate a shift from selfishness to selflessness. Consequently, the various developments Andy encounters in “On the Sidewalk Bleeding”
Stories about youth and the transition from that stage of life into adulthood form a very solidly populated segment of literature. In three such stories, John Updike’s “A & P,” Richard Wright’s “The Man Who Was Almost a Man,” and James Joyce’s “Araby”, young men face their transitions into adulthood. Each of these boys faces a different element of youth that requires a fundamental shift in their attitudes. Sammy, in “A&P”, must make a moral decision about his associations with adult institutions that mistreat others. Dave, in “The Man Who Was Almost a Man,” struggles with the idea that what defines a man is physical power. The narrator of “Araby,” struggles with the mistaken belief that the world can be easily categorized and kept within only one limited framework of thought. Each of these stories gives us a surprise ending, a view of ourselves as young people, and a confirmation that the fears of youth are but the foundation of our adulthood.
Coming-of-age stories commonly record the transitions—sometimes abrupt, or even violent—from youth to maturity, from innocence to experience of its protagonist, whether male or female. Greasy Lake by T.Coraghessan Boyle and Where Are You Going, Where Have You Been? by Joyce Carol Oates are great examples of traditional coming-of-age stories. The roots of the coming-of-age narrative theme are tracked in the male protagonist’s perspective for Boyle’s short story, while the Oates’ story captures the coming-of-age theme from Connie; a female protagonist’s perspective. In both short stories, the authors fulfill the expectations of a coming-of-age genre when they take us through the journey of rebellion and self realization, as the
Singleton, M. (2000). The school experience in the coming of age novel: Jane Eyre and The Catcher In the Rye. Retrieved October 13, 20003 from http://www.uh.edu/hti/curriculum_units/2000/v01/05.htm .
Because Jane is the narrator, the reader is given a biased point of view that St. John’s character is unfavorable. Throughout Jane’s life she has had oppressive male figures dominate her life, such as John Reed and Mr. Brocklehurst; thus, Jane can conditioned herself to be apprehensive when confronting men. After gaining her physical and emotional strength back, Jane studies St. John’s character. Jane’s first impression of St. John is pessimistic, she states “Had he been a statue instead of a man, he could not have been easier”(Bronte 329). By comparing St. John to a statue the reader is forced to see St. John as someone who is cold and rigid. Jane sets up the perception that St.John is disconnected from human feelings. Jane also presents a biased view of men when she first meets Rochester, who later becomes her husband. Furthermore, Jane’s first impressions of Rochester are also negative. Upon first being introduced to Rochester, after he asked to see her, Jane comments, “But it appeared he was not in the mood to notice us, for he never lifted his head as we approached. . . There was something in the forced stiffed bow, in the impatient yet formal tone, which he seemed to further expresses”(Bronte 111). Upon meeting Rochester for the fir...
If you walk into a book store coming of age novels are everywhere to be found. Most of these novels focus on the times in our lives when we are most susceptible to trying new things and when we think we know everything. The teenage years are what no one wants to go back to yet we can’t stop reading about them. Some examples of these novels include ‘To kill a Mockingbird’, ‘The Outsiders’, and ‘Looking for Alibrandi’. These books focus on the ugly duckling stage of a swan’s life through to when they transform into a majestic swan. No book shows this better than the Peter Goldsworthy’s book Maestro.
Jane Eyre, the female protagonist of Charlotte Bronte’s Jane Eyre, begins the novel as a ten-year old orphan living with her aunt in Victorian England. As an orphan, Jane gains very few happy experiences with her cousins—John, Georgina, and Eliza Reed—and her aunt—Mrs. Reed, and she has even fewer privileges in the Gateshead estate where she is viewed as “less than a servant [because] she does nothing for her keep” (14). However, Jane, for a youth of barely ten years, clearly communicates an intrinsic dream to find a community in which she not only feels loved and respected, but also finds that she can act independently of this community. Unfortunately, these desires work against the conventions of society that would rather see Jane be “kept humble” (36) and utilized “properly” according to her class. Nevertheless, Jane Eyre’s precise articulation, effective assimilation will help her conquer society’s conventions and gain a sense of individualism.
Eventually, she returns to her former employer, discovering Thornfield in ashes, Mrs. Rochester dead, and Mr. Rochester blind and free from wedlock. Flooded with motifs, Jane’s continual struggles between her passions and responsibility prevail as the main theme of Bronte’s entrancing narrative. From the introduction of Jane’s orphan life, she battles between her ire at cousin John’s antics and obedience to Aunt Reed’s reluctant guardianship.
In conclusion, Jane Eyre’s painstaking journey to find a sense of acceptance, affection, and family was finally completed, attaining the things she yearned. She eventually discovered everything she was searching for through Mr. Rochester, forgetting her agonizing past and looking to what was ahead. As Jane looked for many different alternatives to make her feel as if she was complete, she found that Mr. Rochester was the only one who could make her feel
Jane Eyre has been acclaimed as one of the best gothic novels in the Victorian Era. With Bronte’s ability to make the pages come alive with mystery, tension, excitement, and a variety of other emotions. Readers are left with rich insight into the life of a strong female lead, Jane, who is obedient, impatient, and passionate as a child, but because of the emotional and physical abuse she endures, becomes brave, patient, and forgiving as an adult. She is a complex character overall but it is only because of the emotional and physical abuse she went through as a child that allowed her to become a dynamic character.
“You’re becoming a man (or woman),” is a phrase that is often used by parents. Although it sounds weird, it’s a great feeling. How does that feeling come about? It isn’t necessarily just given out to each and every person in the world. Even though it may seem free, nothing is ever free. Fortunately, it doesn’t always come with a negative cost. In the story, To Kill a Mockingbird, by Harper Lee, the author uses imagery in order to portray the theme that coming of age happens through events that involve a conflict and resolution.
The novel, Jane Eyre, by Charlotte Bronte, has a plot that is filled with an extraordinary amount of problems. Or so it seems as you are reading it. However, it comes to your attention after you have finished it, that there is a common thread running throughout the book. There are many little difficulties that the main character, the indomitable Jane Eyre, must deal with, but once you reach the end of the book you begin to realize that all of Jane's problems are based around one thing. Jane searches throughout the book for love and acceptance, and is forced to endure many hardships before finding them. First, she must cope with the betrayal of the people who are supposed to be her family - her aunt, Mrs. Reed, and her children, Eliza, Georgiana, and John. Then there is the issue of Jane's time at Lowood School, and how Jane goes out on her own after her best friend leaves. She takes a position at Thornfield Hall as a tutor, and makes some new friendships and even a romance. Yet her newfound happiness is taken away from her and she once again must start over. Then finally, after enduring so much, during the course of the book, Jane finally finds a true family and love, in rather unexpected places.
“Jane Eyre” by Charlotte Bronte is a novel about an orphan girl growing up in a tough condition and how she becomes a mature woman with full of courage. Her life at Gateshead is really difficult, where she feels isolated and lives in fear in her childhood. Her parents are dead when she was little, her dead uncle begged his evil wife, Mrs. Reed, to take care of Jane until she becomes an adult. But Mrs. Reed does not keep her promise, no one treats Jane like their family members even treats her less than a servant. By the end of this essay it will be proven that Jane’s life at Gateshead has shaped her development as a young woman and bildungsroman.
In the well-praised novel Jane Eyre, the balance of passion (early 19th Century romanticism) and reason (Victorian realism) is represented as a major theme throughout. Bronte successfully displays the balance of passion and reason between Jane's relationship with Mr. Rochester and St. John Rivers as an obligatory aspect of marriage as well as a necessary ideology of life. Jane struggles with the balance of passion and reason initially with her relationship with Mr. Rochester at Thornfield. Her internal conflict soon continues when she meets St. John Rivers at Marsh End. Although Jane does not properly balance the novel's theme of passion and reason instantly, she achieves the balance at the end of the novel with Mr. Rochester.