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Micki McElya’s comprehensive analysis of America’s “faithful black mammy” is aptly titled Clinging to Mammy: The Faithful Slave in the Twentieth-Century America (Harvard University Press, 2007). Clinging to Mammy details the historical background of the characteristic imagery of the black female and its implications in the black community as well as its white society’s misrepresentation. Although there is immense scholarly research on American slavery, McElya’s sets out “confront the terrible depths od desire for the black mammy and the way it still drags at struggles for real democracy and social justice”(14). In doing so, she dissects the vast amount of research into the mythology of the “mammy women”. This approach proves successful in broadening the discourse on implications of the faithful slave in the twentieth century. Clinging to Mammy begins with a glimpse into the history …show more content…
Chapter five is aptly titled, “The Violence of Affection” and it depicts the growing violence in Houston and St. Louis as a result of the “equated paternalistic affection with violence”(161) McElya leaves no stone unturned as she includes the political movement of the “Anti-lynching bill” in 1922. “Confronting the Mammy Problem” is the last chapter in this narrative. It follows the troubles of employment for the colored woman. “The Mammy Problem” caused black women to be treated unfairly in the workforce. However, McElya illustrates how blacks were able to stand for their rights in the form of the Montgomery Bus Boycott. This illustration would serve to help quell the “white supremacist conceptions of the black women’s servitude, maternity, and sexuality” (207). Clinging to Mammy wraps up with an epilogue dedicated to the transformation of the Aunt Jemima trademark from the 1950s to
According to Jacqueline Jones’ perspective of the treatment of African American women during the American Revolution in “The Mixed Legacy of the American Revolution for Black Women” in our early history there was an obvious status differentiation in black women’s
In Harriet Jacobs’ autobiography, Incidents in the Life of a Slave Girl, personal accounts that detail the ins-and-outs of the system of slavery show readers truly how monstrous and oppressive slavery is. Families are torn apart, lives are ruined, and slaves are tortured both physically and mentally. The white slaveholders of the South manipulate and take advantage of their slaves at every possible occasion. Nothing is left untouched by the gnarled claws of slavery: even God and religion become tainted. As Jacobs’ account reveals, whites control the religious institutions of the South, and in doing so, forge religion as a tool used to perpetuate slavery, the very system it ought to condemn. The irony exposed in Jacobs’ writings serves to show
The Author of this book (On our own terms: race, class, and gender in the lives of African American Women) Leith Mullings seeks to explore the modern and historical lives of African American women on the issues of race, class and gender. Mullings does this in a very analytical way using a collection of essays written and collected over a twenty five year period. The author’s systematic format best explains her point of view. The book explores issues such as family, work and health comparing and contrasting between white and black women as well as between men and women of both races.
Annie’s role is that of the stereotypical Mammy. The Mammy as a controlling image influences Black women deeply, for she is the caregiver to White children while neglecting her own, she cooks and cleans after a White family and is happy while doing so, thus as she works hard as men do, she is not viewed in the same feminine lens. Collins describes how this image was created to justify the exploitation of Black women doing domestic services, “by loving, nurturing, and caring for her White children and “family” better than her own, the mammy symbolizes the dominant group’s perceptions of the ideal Black female relationship to elite White male power” (71). Therefore even as Annie takes care of her daughter and Lora’s, Annie is eager and accepting of her subordination. Collins further states “Black women who internalize the mammy image potentially become effective conduits for perpetuating racial oppression. Ideas about mammy buttress racial hierarchies in other ways. Employing Black women in mammified occupations supports the racial superiority of White employers” (72). This is seen within the film, both by the role Annie symbolizes and the fact that this role was offered to Black women during that
Collins, Patricia Hill. "Mammies, Matriarchs, and Other Controlling Images." Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. New York: Routledge, 2000. 89. Print.
In her story Incidents in the Life of a Slave Girl, Harriet Jacobs presents what life was like living as a female slave during the 19th century. Born into slavery, she exhibits, to people living in the North who thought slaves were treated fairly and well, how living as a slave, especially as a female slave during that time, was a heinous and horrible experience. Perhaps even harder than it was if one had been a male slave, as female slaves had to deal with issues, such as unwanted sexual attention, sexual victimization and for some the suffering of being separated from their children. Harriet Jacobs shows that despite all of the hardship that she struggled with, having a cause to fight for, that is trying to get your children a better life
Harriet Jacobs’ narrative is a powerful statement unveiling the impossibility and undesirability of achieving the ideal put forth by men and maintained by women. Jacobs directs her account of the afflictions a woman is subjected to in the chain of slavery to women of the north to gain sympathy for their sisters that were enslaved in the south. In showing this, Jacobs reveals the danger of such self disapprobation women maintained by accepting the idealized role that men have set a goal for which to strive. She suggests that slave women be judged by different standards than those applied to other women. Jacobs develops a moral code that apprises the specific social and historical position of captive black women. Jacobs’ will power and strength shown in her narrative are characteristics of womanly behavior being developed by the emerging feminist movement.
The sewing circle is a matrifocal space of political and social engagement that serves as Hopkins’ fictionalization of the black women’s club movement (Patterson 72). Here, the women of Contending Forces gather together to raise money, discuss political concerns, and forge social coalitions. A blackboard occupies a central space in the parlor of Ma Smith’s boardinghouse, and upon it each woman has contributed some news or raised a concern pertaining to the community. The gathering and discussion of these women makes the circle fertile ground for Hopkins’ linking of race, class, and gender concerns through the figure of the New Negro Woman. This space, filled with female voices and domestic tasks, features several versions of womanhood. And like other communal spaces, Hopkins argues for the collaboration of each woman figure and the value of all expressions of womanhood when united under the collective goal of racial uplift. Mrs. Willis and Mrs. Smith represent alternative approaches to motherhood—Ma Smith offers space but cedes the intellectual energy to the younger women, while Mrs. Willis figures more as a race mother that influences and directs the path of racial progress. Mrs. Willis is also a foil to Sappho in this scene as a
During the eighteenth and nineteenth-century, notions of freedom for Black slaves and White women were distinctively different than they are now. Slavery was a form of exploitation of black slaves, whom through enslavement, lost their humanity and freedom, and were subjected to dehumanizing conditions. African women and men were often mistreated through similar ways, especially when induced to labor, they would eventually become a genderless individual in the sight of the master. Despite being considered “genderless” for labor, female slaves suddenly became women who endured sexual violence. Although a white woman was superior to the slaves, she had little power over the household, and was restricted to perform additional actions without the consent of their husbands. The enslaved women’s notion to conceive freedom was different, yet similar to the way enslaved men and white women conceived freedom. Black women during slavery fought to resist oppression in order to gain their freedom by running away, rebel against the slaveholders, or by slowing down work. Although that didn’t guarantee them absolute freedom from slavery, it helped them preserve the autonomy and a bare minimum of their human rights that otherwise, would’ve been taken away from them. Black
Mammy, a 20th century caricature and racial fallacy, was a powerful symbol of the post-war tensions that characterized the Jim Crow Era. A fervent nostalgia for the Old South inspired a revival of traditional social structures and black subordination. A fabled narrative, crafted by whites, illustrated the Mammy figure as an affectionate, devoted slave possessing unconditional love for her white superiors. Perpetrators of the Mammy myth regarded the maternal figure as a unifying link between the two diverging races. In the eyes of whites, the proposition of a national Mammy monument in 1923 sought to mitigate racial friction and revitalize traditional ideologies. In
Slavery is a term that can create a whirlwind of emotions for everyone. During the hardships faced by the African Americans, hundreds of accounts were documented. Harriet Jacobs, Charles Ball and Kate Drumgoold each shared their perspectives of being caught up in the world of slavery. There were reoccurring themes throughout the books as well as varying angles that each author either left out or never experienced. Taking two women’s views as well as a man’s, we can begin to delve deeper into what their everyday lives would have been like. Charles Ball’s Fifty Years in Chains and Harriet Jacobs Incidents in the Life of a Slave Girl were both published in the early 1860’s while Kate Drumgoold’s A Slave Girl’s Story came almost forty years later
In our society of today, there are many images that are portrayed through media and through personal experience that speak to the issues of black motherhood, marriage and the black family. Wherever one turns, there is the image of the black woman in the projects and very rarely the image of successful black women. Even when these positive images are portrayed, it is almost in a manner that speaks to the supposed inferiority of black women. Women, black women in particular, are placed into a society that marginalizes and controls many of the aspects of a black woman’s life. As a result, many black women do not see a source of opportunity, a way to escape the drudgery of their everyday existence. For example, if we were to ask black mother’s if they would change their situation if it became possible for them to do so, many would change, but others would say that it is not possible; This answer would be the result of living in a society that has conditioned black women to accept their lots in lives instead of fighting against the system of white and male dominated supremacy. In Ann Petry’s The Street, we are given a view of a black mother who is struggling to escape what the street symbolizes. In the end though, she becomes captive to the very thing she wishes to escape. Petry presents black motherhood, marriage and the black family as things that are marginalized according to the society in which they take place.
Analyzing the narrative of Harriet Jacobs through the lens of The Souls of Black Folk by W.E.B. Du bois provides an insight into two periods of 19th century American history--the peak of slavery in the South and Reconstruction--and how the former influenced the attitudes present in the latter. The Reconstruction period features Negro men and women desperately trying to distance themselves from a past of brutal hardships that tainted their souls and livelihoods. W.E.B. Du bois addresses the black man 's hesitating, powerless, and self-deprecating nature and the narrative of Harriet Jacobs demonstrates that the institution of slavery was instrumental in fostering this attitude.
Deborah Gray White’s Ar’n’t I a Woman? details the grueling experiences of the African American female slaves on Southern plantations. White resented the fact that African American women were nearly invisible throughout historical text, because many historians failed to see them as important contributors to America’s social, economic, or political development (3). Despite limited historical sources, she was determined to establish the African American woman as an intricate part of American history, and thus, White first published her novel in 1985. However, the novel has since been revised to include newly revealed sources that have been worked into the novel. Ar’n’t I a Woman? presents African American females’ struggle with race and gender through the years of slavery and Reconstruction. The novel also depicts the courage behind the female slave resistance to the sexual, racial, and psychological subjugation they faced at the hands of slave masters and their wives. The study argues that “slave women were not submissive, subordinate, or prudish and that they were not expected to be (22).” Essentially, White declares the unique and complex nature of the prejudices endured by African American females, and contends that the oppression of their community were unlike those of the black male or white female communities.
In Harriet Jacobs Incidents in the Life of a Slave Girl, the author subjects the reader to a dystopian slave narrative based on a true story of a woman’s struggle for self-identity, self-preservation and freedom. This non-fictional personal account chronicles the journey of Harriet Jacobs (1813-1897) life of servitude and degradation in the state of North Carolina to the shackle-free promise land of liberty in the North. The reoccurring theme throughout that I strive to exploit is how the women’s sphere, known as the Cult of True Womanhood (Domesticity), is a corrupt concept that is full of white bias and privilege that has been compromised by the harsh oppression of slavery’s racial barrier. Women and the female race are falling for man’s