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How to cope with various man - made disasters
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Whoooooo! The winds were ferocious and howling too! A terrible storm comes out of the blue and leads the ship off course. Everyone is praying that their souls be spared! Crash! The next thing Crusoe knows, the sip is wrecked on a deserted island with no land anywhere near. He also realizes he is the only survivor of the deadly shipwreck. He leaves the boat and finds no sign of life anywhere. He returns back to the wreck twelve times to salvage guns, powder, food, and other important equipment. He finds goats on the island to eat along with a few familiar birds. He decided to set up a large wooden pole and started to make small v shaped cuts on it every day, so as not to lose track of time. The dreaded day he landed on the island was September 1st 1659. He never forgets that day. He started to build a shelter that is like a home and because he thought his gun powder might get wet he builds an underground cellar. He later expands the cellar so he could stay there in case of an emergency. I wouldn’t be able to imagine living on an island and not being afraid of everything. I...
“I had been born into a raging ocean where I swam relentlessly, flailing my arms in hope of rescue, of reaching a shoreline I never sighted. Never solid ground beneath me, never a resting place. I had lived with only the desperate hope to stay afloat; that and nothing more. But when at last I wrote my first words in the page, I felt an island rising beneath my feet like the back of a whale”.
In "thinking outside the idiot box", Dana Stevens responds to Steven Johnson's New York Times article in which Johnson believes that watching television makes you smarter. Indeed, Steven Johnson claimed that television shows have become more and more complex over the years in order to follow the viewers need for an interesting plot instead of an easy, linear story. However, Dana Stevens is opposed to this viewpoint. Stevens is not against television, he does not think it makes you smarter nor that it is poisenous for the brain, he simply states that the viewer should watch television intelligently. That is to say that, viewers should know how much television they should watch and what to watch as well.
A common person’s knowledge about sea disasters comes from what they have read in books and articles, and what they see on TV and in movies. The average person does not get to experience the fury of a hurricane while on a boat. In order to capture the audience’s attention, consideration to details and vivid descriptions are needed to paint a realistic picture in their minds. For this reason, the stories have to provide all of the intricate details. In The Perfect Storm, the story starts out with a radio call, not a dramatic scene that immediately foreshadows the possibility of danger. Rather than describing the storm and its fury, the only mention of the setting is of the visibility and the height of waves. However, in “The Wreck of the Hesperus”, the poem begins by stating there is a hurricane possible right away. The current weather conditions are pointed out to the reader as shown in the following quote.
Rainsford begins his epic struggle for survival after falling overboard when he recklessly stood on the...
Timothy Brook’s book, The Confusions of Pleasure: Commerce and Culture in Ming China is a detailed account of the three centuries of the Ming Dynasty in China. The book allows an opportunity to view this prominent time period of Chinese history. Confusions of Pleasure not only chronicles the economic development during the Ming dynasty, but also the resulting cultural and social changes that transform the gentry and merchant class. Brook’s insights highlight the divide between the Ming dynasty’s idealized beliefs, and the realities of its economic expansion and its effects. Brook describes this gap through the use of several first hand accounts of individuals with various social statuses.
To begin, survival is the key in every ones mindset. You only live once as most people say. However, with Jack and Ralph and the rest of the boys, they all seemed that all hope was lost. They had been stranded in the island for months, hoping that one day, someone will find them and return them home. Ralph was the most panicked person in the group simply because he hadn’t cut his hair and it was growing. He also did not shower at all, and he did not shave or eat as much simply due to the lack of surviving. He had given up on the hope for rescue, until in chapter 12, he, along with Jack and the rest of the boys, were saved by an officer which saw the destruction and the vicious bodies of the ...
The island itself is boat-shaped, and in the opening scenes the island has the glamour of a new-found paradise(."On Lord of the Flies."). Ralph and the others are now in an unknown but beautiful place. Before finding the conch, Ralph was swimming and having fun in the warm ocean waters. The island “can be a wonderful place, as the littluns discover by day when they are bathing in the lagoon pool or eating fruit from the trees”("Themes and Construction: Lord of the Flies") But soon after lighting the first fire, it transforms the island, now half of the island is burned to the ground showing what always becomes of humans; the innocence goes away. At night the littluns cry out in fear because they now know that the island isn 't perfect; it 's a scary place. They become accustomed to the mirages, 'and ignored them, just as they ignored the miraculous, throbbing stars '("On Lord of the Flies"). The beauty of the earthly paradise grows stale to their eyes. At the end, when the boys are hunting Ralph, they set the island on fire again to try and smoke him out of his hiding spot. The succeed in doing so but the fire is now uncontrollable. It is spreading everywhere. Ironically, the fire actually gets them saved, as a passing by ship notices it and comes to help. But, now the past paradise has become a fiery pit of destruction; a living
Jack decides to set fire to the island to force Ralph out of hiding. Jack was the perpetrator of all three deaths that happened on the island. He systematically removes forces opposing him. Ralph realizes that man is not a kind creature by nature.
First there was the ground that wasn’t as firm as I thought it was; my right sneaker falling victim to the deceptive scattered branches that littered the floor, probably only inches thick, allowing water to creep in and wet my sock. Then there were the dead branches that I tried to use as a bridge to avoid this, which snapped under my overbearing 150 pounds. And of course every branch was connected to the last by a series of intricate spider webs; every one I ducked to get under just happened to have a neighbor right underneath. The list goes on. But the small wound where the palm of my hand met my thumb didn’t seem like it would be a big deal until I was back in the boat. I didn’t realize that it would trigger such intense emotions and drag me so deep into a pit of despair.
It was a warm rainy June night the humidity was high which made it even harder to breathe on the crammed boat. My family was asleep on the constantly rocking boat suddenly the boat shook, but my family was still fast asleep. I couldn’t seem to fall asleep so I got up and stepped out on the cold wet steel boats upper deck to get some air. When I got outside I realized that it was pouring bucket sized rain. I saw increasingly large waves crash furiously against the lower deck. Hard water droplets pelted my face, I could taste the salt water in my mouth from the spray of the ocean. Suddenly A massive wave slammed hard against the ship and almost swallowed the boat. Wind gusts started kicking up. I held onto the rail grasping it as if it were my prized possession. Suddenly I was blown
Crusoe accepts the challenge to survive, but not only does he survive, but he also expands and discovers new qualities about himself. In the beginning of his time on the island, Crusoe feels exceedingly secluded. He fears savages and wild beasts on the island, and he stays high up in a tree. Lacking a "weapon to hunt and kill creatures for his sustenance" (Defoe, 47), he is susceptible. Defoe believed that "the nature of man resides in the capacity for improvement in the context of a material world" (Seidel, 59), and this becomes apparent in his novel. The tools that Crusoe possesses from the ship carry out this notion, improving his life on the island dramatically. He progresses quickly, and no longer feels as isolated as he did before on the island. Crusoe uses his tools to build a protective fence and a room inside a cave. He then builds a farm where he raises goats and grows a corn crop. Later, his ambitions take him to the other side of the island where he builds a country home. Also, with the weapons that Crusoe creates, he saves Friday from cannibals, and makes him his servant. Because of his tools, his supply becomes more than sufficient for survival. He comes to learn that if he works with his surroundings instead of wallowing in the fact that he has no longer got what he thinks he needs, he able to find and use everything he needs in order to carry out life.
When Robinson Crusoe gets shipwrecked and stranded on a desolate island “I am cast upon a horrible desolate island void of all hope of recovery” p.91, in the Caribbean he first considers it a place of captivity holding him back from his dreams and wishes like a prison, but when he is finally able to leave it some twenty-eight years later to return home to England he yearns to return back to the island. Why? You may ask yourself, read on and I will answer that question. Crusoe grows to enjoy being the ruler of his own world, he also becomes antisocial, and starts to enjoy being alone. When he returns home to England he finds no one waiting for him, and he feels lost.
(A) The sexual and aggressive drives are primary; a drive is not a behavior, only biological impulses. (B) Darwin argued that reproductive success is the key to survival and evolution, so natural selection is wholly based on sexual gratification.
Daniel Defoe has frequently been considered the father of realism in regards to his novel, Robinson Crusoe. In the preface of the novel, the events are described as being “just history of fact” (Defoe and Richetti ). This sets the tone for the story to be presented as factual, while it is in of itself truly fiction. This is the first time that a narrative fictional novel has been written in a way that the story is represented as the truth. Realistic elements and precise details are presented unprecedented; the events that unfold in the novel resonate with readers of the middle-class in such a way that it seems as if the stories could be written about themselves. Defoe did not write his novel for the learned, he wrote it for the large public of tradesmen, apprentices and shopkeepers (Häusermann 439-456).