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Cleopatra's legacy
Critical analysis of cleopatra's life
Critical analysis of cleopatra's life
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Roller's biography on Cleopatra opens, “Few personalities from classical antiquity are more familiar yet more poorly grasped than Cleopatra VII, queen of Egypt.”1 This is by far the best statement to describe how Cleopatra has been displayed in culture and most recently by the film industry. The personality of Cleopatra has changed throughout film from the childlike portrayal played by Vivien Liegh to the seductress played by Leonor Varela. Cleopatra's transformation in film is the product of a male driven society and how the bias of historical sources can be used to distort the truth and create an image that does not accurately describe the personality and character of a historical figure. History has been documented by men and since it …show more content…
Plutarch's description of Cleopatra in Mark Antony states: For her beauty, as we are told, was in itself not altogether incomparable, nor such as to strike those who saw her; but converse with her had an irresistible charm, and her presence, combined with the persuasiveness of her discourse and the character which was somehow diffused about her behavior towards others, had something stimulating about it. There was sweetness also in the tones of her voice; and her tongue, like an instrument of many strings, she could readily turn to whatever language she …show more content…
The use of sex as a political tool is most likely not for from the truth but it was not as one sided as the Romans paint it out to be. Cleopatra's liaisons with Caesar and Antony were as beneficial to them as it was to Cleopatra and to paint her as the vixen that destroyed their lives does a disservice to the political environment that these men both found themselves in. Cleopatra needed heirs and both of these men needed the wealth and resources that Egypt could provide them. Cleopatra's ambition to enlarge her empire was as advantageous to her as it was to Antony so to proclaim that she was influencing him does not take into account the reality that Antony found himself in. Cleopatra may have always been associated with a man but her ability to maneuver in a male driven world and have her story told and retold throughout history shows how remarkable of a women she truly
Changing social habits of a contemporary society have seen Cleopatra depicted in many different ways. Whilst few artefacts remain of the true image of Cleopatra, we see from her portrait on the coins (Fear, 2008, p, 21 Fig 1.4) that despite being no legendary beauty, she had the power to captivate two of the greatest Romans of her time. Cleopatra consummated her union with Julius Caesar, which strengthened her grip on the throne, following his assassination; she formed alliance with Mark Antony, in opposition to Octavian, a coalition that would lead to her downfall as both Antony and Cleopatra’s combined forces would be defeated against Octavian in the battle of Actium in 31 BCE. (Fear, 2008, p.7)
After the completion of the book, it had let me to believe the book was written for the general audience. Although the author provided many resources, the information was taken from literature that was written during the time. Therefore, some of the quotes were biased either against or favored Cleopatra. For an example of bias against her, the Jewish historian Flavius Josephus called her a “wicked creature, who was a slave to her lusts, but she still imagined that she wanted everything she could think of, and did her utmost to gain it…. As for Antony, he was so entirely overcome by this woman that… he was some way or other bewitched to do whatever she would have him do.” On the contrary, here is an example of bias in favor of Cleopatra: “a princess well versed in the sciences, disposed to the study of philosophy and counting scholars among her intimate friends. She was the author of works on medicine, charms, and other divisions of the natural sciences.” This was taken from a tenth-century Arab historian Al Masudi. The author allowed his readers to conclude their own interpretation of Cleopatra by stating both sides of the story.
Similar to the 1963 film Cleopatra, in Plutarch's The Life of Antony, sexism is maintained in the passage and compatible with its message. Through the author's portrayal of Cleopatra and Antony, he spreads the message that obsession with power is bad and the idea that manipulation and attempts at domination are signs of a bad ruler. Sexism is compatible with such messages because as indicated by Plutarch, Cleopatra utilizes sexist expectations of women in order to manipulate Antony through her aspirations of domination. Therefore, similar to the films Cleopatra and Quo Vadis, because Cleopatra is unsuccessful as she commits suicide in the end and is found "lying dead upon a golden couch," as well as is portrayed as an immoral ruler in Plutarch's Life of Antony, sexism is portrayed in the passage as a negative quality that leads to failure. (Plutarch, Life of Antony, 85) However, Plutarch differs in his treatment of sexism and attitude towards Cleopatra to the extent that he appears to place the fault with Cleopatra. While he maintains that sexism is a negative quality through his portrayal of Cleopatra playing into sexist expectations, by casting Cleopatra as a manipulative woman, Plutarch appears to be blaming Cleopatra for her own weaknesses as a ruler as well as for Antony's downfall. Although the film Cleopatra displayed how Cleopatra got power by using her sexuality and having Caesar and Antony fall in love with her, Plutarch Life of Antony portrays her as even more of a manipulator of men. For example, the author mentions that Cleopatra "pretended to be passionately in love with Antony herself, and reduced her body by slender diet; she put on a look of rapture when Antony drew near, and one of faintness and melancholy when h...
Despite Egypt’s provincial annexation to Rome after her death, Cleopatra managed to keep the Romans at bay for nearly twenty-two years. Unfortunately, much of her achievements have been disparaged and attributed to the utilization of her sexuality. To add, her image as a competent female ruler has been further distorted by the media and literature alike. Much of this misrepresentation can be accredited to the scarcity of reliable and unbiased accounts about her life. The Romans were afraid of Cleopatra’s power and the alliances she created with their generals. Therefore, accounts of her life in Roman scripture are not particularly in her favor.
Grochowski, Jonathan. "Cleopatra VII." World Changers. Pavlac's Women's History Site, 03 Jan 2008. Web. 11 Dec 2011.
The Romans were immensely furious with Cleopatra and had primary influence over what sources were left behind about her. So certainly this is going to lead to biases and inaccuracies in the depictions we have. Furthermore, we are all well aware of how Hollywood likes to dramatize and embellish stories in order to generate ticket sales and is not worried about the accuracy of the historical anecdote. Because of this and her popularity, our knowledge of Cleopatra has been flooded with twisted truths. When examining Cleopatra’s full reign beyond her love affairs, reveals Cleopatra put all of her effort forth in order to solve the conflict between Egypt and Rome and should be recognized for her masterminded and commanding leadership
After the assassination of Caesar, Cleopatra set her sights on Marc Anthony, who controlled the eastern Mediterranean. Her enemies labeled her a seductress, but seduction is part of diplomacy. Cleopatra knew how to entice, flatter and intimidate. When she goes to meet Mark Antony, she arrives in Tarsus on a barge dressed like Venus and surrounded by cupids. Newsweek describing the last queen of Egypt as an" independent, charismatic, ambitious woman. "She married her brothers when she needed them, she killed them when she was not," says Marie Arana in the Washington
Cleopatra is most often remembered as the lover of two Roman consuls, Julius Caesar and Mark Antony, thereby forever connecting the Egyptian queen to the history of Rome. The stories of her relationships with the two men do not always paint a flattering picture of Cleopatra, as her reported promiscuity and presumption give her a colorful reputation. Cleopatra is also sometimes seen as a misunderstood woman, someone who was never given a fair opportunity to be accepted as the wife of Marc Antony nor the mother of Caesar's child. Some historians and authors use the issue of Cleopatra's race as a reason that she was ostracized from Roman society, saying that the Romans were prejudiced against Egyptians, and despite Cleopatra's Greek background, would never accept her as a suitable mate for a Roman consul. This theory, however, is far outweighed by the numerous justifications the Roman people had for their distaste of Cleoaptra. It is not surprising that Cleopatra never found acceptance in Rome, as she offered nothing to the relationship between Egypt and Rome, she stood for everything they were against, and little by little, she succeeded in destroying parts of the society that the Roman people had worked to build.
Cleopatra was immediately established from the second she burst out of the womb as a member of the royal family of the Ptolemy's; the family which had controlled the Egyptian throne since the rule of Ptolemy I which began in 323 BC. She was born the daughter of Ptolemy XII, King of Egypt, in 69 BC, her full name being Cleopatra VII, or "Thea Philopator" in Greek: a name, which literally translates to "a goddess loving her father." She did most definitely loved her father, so dearly, in fact, that he granted the throne to Cleopatra upon his death in 51 BC. From the moment she set foot on the throne, co-ruling Egypt with her brother and obligatory husband Ptolemy XIII, she was intent upon coercing her, and only her, influence upon all of Egypt. More specifically, she wished to possess a less influential bridegroom so that she could impose more of her ideas and policies upon Egypt. It is for this reason that Cleopatra initiated one of the most notorious and controversial relationships of all time with one of the most prominent figures in history; Julius Caesar. Caesar fell in love with Cleopatra from the moment he saw her. Even though she was not known to be exceptionally beautiful, it is derived from many accounts that she was the definition of a wicked temptress, the defining characteristic that obviously won Caesar's heart. Naturally, Caesar aided Cleopatra after Ptolemy XIII's advisors had driven her from the throne, and declared war upon Ptolemy XIII. Caesar and Cleopatra were victorious and Cleopatra returned safely to the throne. Shortly after the coup, Cleopatra was noticeably pregnant. The product of this pregnancy was a son, named Caesarion, who is widely believed to belong to Caesar.
Because of the time period in which Cleopatra lived not very much is known of her. In ancient times there was record keeping. Although many of the accounts written down were not preserved well enough to be available to this day.
In this research paper I will be writing about Cleopatra VII. Her early life, family and her relationships’. Cleopatra VII was born around 69 BC and was the daughter of Ptolemy XII Auletes and Cleopatra V of Egypt. Her parents got married in the year 79 BC. Her father Ptolemy XII Auletes was the king of Egypt during 80-58 B.C. and 55-51 B.C. He was born in 117 BC and was also known as the “Piper” because he played the flute. He died in 51 BC, Alexandria, Egypt from being exiled. Her mother Cleopatra V was the queen of Egypt, born in 95 BC. She vanished around the time of Cleopatra’s birth in 69 BC then died in 57 BC. Some people believe she was either murdered or that she may have died while giving birth. (“Cleopatras Family”)
...forever be up to interpretation. Even Plutarch himself stated in his writings that “in the truth of the matter, no one knows” ("The Unsolved Death of Cleopatra") . Hopefully though, with the known information on her past one could see that this great ruler can not simply be seen as someone so weak willed as to cave to Octavian’s threats. Even with her last breath one could imagine her fighting back against her attackers, still ever so unyielding to the control of others.
Around 69 B.C, one of the most famous female rulers ever known was born, she was Cleopatra. She was the descendent of the Egyptian ruler, Ptolemy XII, and she would eventually became the queen of ancient Egypt herself. She was known for being extremely intelligent and very charming, and because of this many romans feared her and viewed her as a threat. When her father died the throne of Egypt was left to her and her brother, Ptolemy XIII, and rivalry formed between the two, making her even more determined to become the sole ruler of Egypt. Cleopatra had trained all her life to be the successor of Egypt and she hungered for power. Like her father, she tried to have peace with Rome and maybe even have power over them. She would gain her power by having Caesar one and only son, Caesarion, the loyalty of Marc Antony, a well-known general who was popular among the troops in Rome, and of course by using her intelligence and Egypt’s resources. Cleopatra was a successful ruler because she had a thirst for power.
That was the past, here and now in the present, we go to the Cinema, which is full of special effects, computerised graphics, and exciting camera shots, which all goes towards creating a typical Hollywood blockbuster film. With ‘Antony and Cleopatra this is not necessary as it is still more effective on the stage than on screen, which is due to the elaborate language used, which tests our imagination.
I begin my study of the comparison of Cleopatra and Octavia with Plutarch's The Life of Marcus Antonius, a so-called "historical text." Although Plutarch's writing is perhaps our most trusted source on Cleopatra, his "factual" manuscript is by no means unbiased. Plutarch, as we will see with Shakespeare, Mankiewicz, Dryden, and Fielding in the ensuing pages, presents Cleopatra as the opposite of Octavia. While Octavia represents the Roman ideal of a woman, Cleopatra is a self-seeking Egyp...