Cirque du Soleil (French for "Circus of the Sun," in English pronounced /sɜrk duː soʊˈleɪ/) is an entertainment company. Based in Montréal, Québec, Canada and located in the inner-city area of Saint-Michel, it was founded in Baie-Saint-Paul in 1984 by two former street performers, Guy Laliberté and Daniel Gauthier.[1]
Initially named Les Échassiers, they toured Quebec in 1980 as a performing troupe and encountered financial hardship that was relieved by a government grant in 1983 as part of the 450th anniversary celebrations of Jacques Cartier's discovery of Canada.[2] Le Grand Tour du Cirque du Soleil was a success in 1984, and after securing a second year of funding, Laliberté hired Guy Caron from the National Circus School to re-create it as a "proper circus". No ring and no animals helped make Cirque du Soleil the modern circus ("Cirque Nouveau"/New Circus) that it is today.[3]
Each show is a synthesis of circus styles from around the world, with its own central theme and storyline. They draw the audience into the performance through continuous live music, with performers rather than stagehands changing the props, and by having no curtains. After critical and financial successes (Los Angeles Arts Festival) and failures in the late 1980s, Nouvelle Expérience was created – with the direction of Franco Dragone – which not only made Cirque profitable by 1990, but allowed it to create new shows.[4]
Cirque expanded rapidly through the 1990s and 2000s, going from one show with 73 employees in 1984 to approximately 3,500 employees from over 40 countries producing 15 shows over every continent, with an estimated annual revenue exceeding US$600 million.[2][5] The multiple permanent Las Vegas shows alone play to more than 9,000 people...
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...ence, so that they would both feel part of a larger show. Whereas in a traditional circus the artist could go past the curtain and drop his role, Dragone had created an environment where the artist had to remain in character for the full length of the production.[4]
Although Dragone was given full control over the show, Laliberté oversaw the entire production. He was in favor of Dragone's new ideas. Inspired by Jules Verne's "La Chasse au Météore", Dragone's concept for the show was that each of the performers were playing the parts of jewels spread around the Earth.[4]
Nouvelle Expérience turned out to be Cirque du Soleil's most popular show up to that point and would continue running until 1993. It spent one of those years at The Mirage Resort and Hotel on the Las Vegas Strip. By the end of 1990, Cirque was profitable again and was prepared to start a new show.[4]
In his book Terre des Hommes (1939, translated as Man and His World), Antoine de St. Exupéry wrote that "to be a man is to feel that through one's own contribution, one helps to build the world." This is the quote that inspired the theme for the Montreal exposition, also named Man and His World, after the novel's title. The 1967 exposition was supposed to take place in the USSR, on the 50th anniversary of the Russian Revolution. Although permission was given to the Soviets in 1960, they backed out in 1962. Jean Drapeau, Montreal's ambitious mayor, proposed that the fair be held in his city. A site was selected on the St. Lawrence River in order to avoid the costly expropriation of land. Only the Ile Sainte-Hélène and Mackay Pier, where the Cité du Havre would be located, existed originally; the other islands had to be built. The Ile Notre Dâme was built out of mudflats, and the Ile Sainte-Hélène was extended to make room for La Ronde. These modifications in infrastructure expanded the fair's size to 1000 acres.
...re as same as the audience use in their everyday life. Easily connecting to the audience, with visual, audio and performer’s performance” one can imagine himself/herself in performer’s shoes.
Juvenal (Decimus Iunius Iuvenalis) is known as the man who first introduced the concept of “Bread and Circuses.” In his poem in the book: IV Satire X: Wrong Desire is the Source of Suffering. He was a wise man and made many insightful poems. With his wisdom he realized what was happening and he made this poem. The Poem describes how the people have accepted free inhuman entertainment and slow destruction of civic duty of a common man. With that he came up with the phrase “Bread and Circuses”. He got the bread from the free food that emperor provided at the coliseum, and the circuses came from free entertainment from the gladiator fights.
Spectacular Show On Earth to attract as many ‘rubes’ as possible, to outdo The Ringling
...ighted crowds at Montreal in 1967. This endurance of the idea of the Midway is a testament to its charisma, its power, and the high place amusement holds in the eye of society.
Las Vegas has a variety of different shows to check out. One of their greatest popular shows is Cirque du Soleil. There are eight different types of the show to see. Cirque du Soleil features a group of acrobats doing shocking tricks and stunts that will have you leaving the show with your mind blown. Also, have you ever wanted to hear Celine Dion? If you come to Vegas, that remains possible. The Grammy Award-winning
The stage that hosted the creation of illusion for those attending ballet after 1827 in its “golden age” (Guest, 1) introduced a new world, but one that could not be reached. These illusions were expressed through performance as “moods of Romanticism.” (5) The Romantic period of the early 19th century emphasized the alienation of an individual, the spectacle of that isolation, and the Romantic ideal that perfection remains mysterious and unattainable, as opposed to the late 18th century’s Enlightenment ideals that held rationality and tangible beings most profound. The spectacle of an estranged, supernatural being embodies these elements of Romanticism, as was represented in Romantic ballet. Coralli and Perrot’s 1841 ballet, Giselle, incorporated these Romantic elements into “each one of (the ballet’s) component parts - scenic design…choreography and dance style” (7), as well as with innovations in narrative. These narratives began to project women as powerful representations of the ethereal, supernatural being, as is specifically shown in the character of Giselle in Coralli and Perrot’s ballet. Through the novelties of Romantic visual presentation in scenery, movement, and narrative, the golden age of ballet was able to effectively “(reveal) the unattainable” (7) and supernatural.
The atmosphere entertainment program at the Paris Las Vegas should, at its base, reflect the duality of the property: the artistry and classicism of the French methods of entertaining and living with the sensual allure and thrilling vibe of the Las Vegas Strip. Orion Productions proposes three variable programs, all which can be interchanged and combined to accommodate for high and lower traffic days and special casino and hotel promotions. Both male and female dancers will be enlisted for the program, to capture the romantic ambiance of a Parisian interlude or getaway. Each one of the performers will be chosen by Paris Las Vegas’ management through a casting call, and only performers expressly selected by management will be featured in the entertainment program.
Les Misérables (1862), a novel set in early nineteenth century France, presents a story of obsessions in honor, love, and duty, and through it redemption and salvation. It is the story of the poor Jean Valjean, condemned to an unfair amount of time in prison and a life on the run for stealing a loaf of bread for his starving family. The kind act of forgiveness from a Bishop with whom Jean Valjean stays one night, changes the course in which he chooses to live his life. Under a different identity, he becomes wealthy from a business he starts and later is elected mayor of the small town of Montreuil. He falls madly in love with Fantine, one of the workers in his factory. Because Fantine, one of the very poorest and most pitiful residents of Montreuil, has a child born out of wedlock, Jean Valjean as the respected mayor must keep his love for her a secret. When Fantine dies unexpectedly, Jean Valjean vows he will raise her daughter Cosette, and shield her from all the evils in the world. Through all of this, Jean Valjean is being pursued by Javert, a policeman whose entire life has been dedicated to finding Jean Valjean. While running from Javert, Jean Valjean and Cosette find themselves in Paris in the middle of the 1832 Revolution. As Cosette matures, she falls in love with Marius, a young revolutionist. Despite the objections of Jean Valjean, Cosette continues to secretly visit Marius at night. During the revolution, Marius is injured badly and Jean Valjean, after finding a love note from Marius to Cosette, quickly comes to the rescue of the wounded gentleman. Eventually Jean Valjean and Marius' Grandfather consent to the wedding of Cosette and Marius. In this novel, "there is a point at which...
It was New Year’s Day and the year was 1866, the building was the grandiose Turner Opera House. William M and Joseph M Turner od West Carrolton built the oldest standing Theater still in existence in Dayton, Ohio. The theater cost 225,000 dollars when first opened. The Turner Opera House on 138 North Main St. caught the attention of Daytonians and the rest of the country. The Victoria Theater has definitely had its ups and downs and trials and tribulations over the last 146 years. Having survived floods, fires and tragedies the Victoria Theater is still standing and is a prominent historical building in Dayton, Ohio.
The Circus Maximus was a large place in Greece. The Circus Maximus was a horse chariot race running around a track. Almost like our NASCAR races today, these races where the biggest attraction in the day of the Greece. The citizens were greatly involved in the racing of the Circus Maximus.("Circus Maximus princeton.edu") Because so many people were involved with these races, they had to find a way to seat all of these people. ("Circus Maximus aviewoncities.com”) This was the first time they invented stadiums. There were also other events held in the Circus Maximus. These events were held for a long time and were eventually ended around 549 BC. The Circus Maximus reflected the values of ancient Rome for entertainment and competition in ancient Roman culture.
When you first enter the theater, you are immediately in awe of the strongest aspect of this production: the set. The stage features a life-sized enchanted forest with “tress” as tall as the ceiling and a lit-up backdrop of a twilight sky. The tress would move around throughout the performance to make way for different scenes. In front of your very eyes, an enchanted forest would turn into the outside of a charming house with a lit porch and a well. The twilight sky would turn to a starlit sky and a soft spotlight simulating moonlight would compliment the faint sound of crickets. Suddenly the house and tress move around and you’re in a town with a little cart selling baguettes, or a lush dining room with Victorian wallpaper, a chandelier, and china displayed on the walls. The world shakes once again and now you’re in, inevitably, a ballroom. A white Victorian gate opens up to become the walls of the ballroom, and a white marble bridge and staircase appear for the outside of the castle. Adults and children alike were in awe of the craftsmanship and technology.
We're here!" The moment immediately after that, when the whole cast laughs directly at the audience, pointing at them in glee, is nearly unbearable for an audience, as shown b! y the riot after the first performance, when the audience not only ripped the seats out of the theater, but stole the popcorn. Pirandello also used a technique he inherited from the "Cirque de Soleil," involving a trapeze hung from the catwalk.
If someone were to ask people ever wanted to see almost every artist from any genre of music in one place? Of course, anyone would say yes, because most people haven't been to an event like the huge one that happens in California each year. This is an event many people save up all year to attend just maybe once in their life time. The Coachella Music and Arts Festival, it is one of the most talked about festivals that this generation knows about. It is like a whole new world for most people each time they attend.
On peut voir aujourd’hui le grand changement de perspectif à-propos de la tour Eiffel. Aussi le grand changement de visiteurs, maintenait dans les millions. La tour est répliquée tout autour du monde et connu par presque toutes. A cause des reproductions de toutes sortes, la tour est l’un des objets les plus populaires du monde. La tour Eiffel est multipliée à l’infini sous les formes les plus variées. Objets d’art, souvenirs ou création originales, on en trouve dans le monde entier.