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Modernism in architecture essay
Modernism in architecture
Modern architecture in the 19th century
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For the past one hundred years, cinemas remain one of the greatest community centres for amusement and entertainment for people of all ages. During this time span, there have been many dominant industrial, social, technological and artistic trends in cinema design. Three cinemas, all situated in California, are The Egyptian Theatre (1922), the Cinerama Dome (1963) and the Arclight Cinema (2015), see map in Fig 1. The California location has been selected in order to create a historical overview of this typology. According to The Oxford Dictionary of Architecture, typology is the study of symbolic representation of types, it is “the form or character that distinguishes a class or group of buildings or building type” (Stevens Curl, 2015, p 786). …show more content…
It embodies the distinctive characteristics of the mid-century modernist style and suburban roadside architecture popular during the 1960s. The dome is located at 6360 Sunset Boulevard in Hollywood, California. It was designed by Welton Becket and Associates and completed in 1963, see Fig 3. Becket’s design was inspired by Buckminster Fuller and the nation’s mid century obsession with landing on the moon. The Dome resembles a giant spacecraft and boasts futuristic floating stairways, a first for any movie theatre at the time. It was the first new theatre to be built in over 30 years in Hollywood, took 16 weeks to complete and cost just over $2 000 000, four times its budget according to the Arclight Cinemas YouTube clip, The Cinerama Dome - Short Documentary, 2013. The Cinerama Dome was the only concrete geodesic dome constructed in the world, according to Boxoffice, (1963, p 10), with a dome roof 140 metres in diameter. It was composed of 316 pre-cast concrete panels, most of which are hexagonal and pentagonal shapes in 16 different sizes, each weighing approximately 1450 …show more content…
It is the seventh multiplex cinema developed by the Arclight chain in Los Angeles and was completed in November 2015. A Multiplex cinema is defined as ‘a motion picture theatre with three or more separate auditoriums in the same physical structure, all sharing the same ticket booths and same entrance” (Kroon 2010, p 421). The cinema is located on the 3rd level of the Santa Monica Place shopping mall. The Macerich company, owners of Santa Monica Place, hired Jerde Architectural Design to complete the contemporary style complex. Jerde are an architectural design and urban planning firm from California. Their philosophy is “creating memorable and compelling public experiences within entertainment retail” (Lukas, 2013, p 25). The company prides themselves on creating projects to “revitalise districts and create new public realms” and their work involves designing memorable places that people love to visit and go back to (Lukas, 2013, p26). The third level above Bloomingdale’s was a seldom used venue rented for events and parties. The cinema is close to the beach community of Santa Monica and the famous Santa Monica Pier. The area is always crowded and many tourists visit the area. Santa Monica was
Hollywood is not simply a point on a map; it is a representation of the human experience. As with any other location, though, Hollywood’s history can be traced and analyzed up to present day. In 1887, Harvey Henderson Wilcox established a 120-acre ranch in an area northwest of Los Angeles, naming it “Hollywood” (Basinger 15). From then on, Hollywood grew from one man’s family to over 5,000 people in 1910. By then, residents around the ranch incorporated it as a municipality, using the name Hollywood for their village. While they voted to become part of the Los Angeles district, their village was also attracting motion-picture companies drawn in by the diverse geography of the mountains and oceanside (15). The Los Angeles area continues to flourish, now containing over nine million people, an overwhelming statistic compared to Wilcox’s original, family unit (U.S. Census Bureau 1). However, these facts only s...
Paramount, one of the big five Hollywood studio corporations, controlled the most amount of theatres in the United States during the 1930s and 40s. This meant they had an advantage when the economy in the US turned around after the great depression. This being said, many more factors come into play when defining to what extent the studio is a typical representation of a major Hollywood studio corporation in the 1930s and 40s. In this essay I will be going in depth into what extent Paramount is a representation of other key studios in Hollywood in the 1930s and 40s. I will be discussing how Paramount’s methods as a corporation such as exhibition, distribution, star system and genre to see how it is a typical representative of a Hollywood studio corporation. I will be using material such as Richard B. Jewel’s The Golden Age of Cinema, Hollywood 1929 – 1945 to go into detail in explaining my points.
Janey Place and Lowell Peterson article “Some Visual Motifs of Film Noir” establishes noir as a visual style and not a ...
He suggests that the use of “electronic imaging prevents imagining and promotes thinking about architecture rather than bring architects, contractors, clients and critics to think within architecture” (275). Inspired by Frascari, the strategy of technography is encouraged (278). This is a “different way of thinking about the relationship between a [working] drawing and a future building. Rather than “simply Cartesian, technical lines showing edges, corners and joints these technographic drawings reveal both the symbolic and instrumental representations of the future building.. it is to make visible what is invisible”. Ridgway remarks, “The fact that any of this could be considered contentious indicates that extent to which architects have become alienated from the heart of their profession” (279). He asserts, “Part of any technography must be an acknowledgement of the historical context of construction knowledge. This is not only so we can better understand our rich architectural ancestry, but because it re-establishes a connection with the origins of our profession in building” (279). Rather than a “miniature projected representation of an imagined building, details are drawn as poetic constructions themselves, following the logic of drawing and not building and representing the “built detail symbolically, in addition to instrumentally. The symbolic and practical are one and the same thing” (280). “What are the symbolic qualities we are trying to embody in our buildings and how would we represent them in drawings?” becomes the question (278). These drawing “may not be easy or straightforward to understand or interpret.
The emergence of home theatre allowed films to be released in a variety of formats and screened on various types of equipment. Studios began viewing conversion of film into multiple formats as a top priority. Though box-office numbers remained important markers of success it wasn’t the largest source of revenue...
As an Ancient Greek, one could expect to spend a fair amount of time in theatres for social and religious reasons. Thus, the design and construction of auditoriums was vital to the comfort and experience of viewers.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
4. Camera Cinemas (May 1993). "Questions And Answers Concerning The Proposed Downtown Theatre Complex And Its Impact On Camera Cinemas".
Movies have been one of the most popular pastimes for Americans for decades. They are the topics of conversation, a place for lovers to go on dates, and an industry that the general public seems to have a fascination for. However although we think of movies as another entertainment source, they were not always as socially accepted by the people. In 1904, Harry Davis opened the first freestanding moving-picture theater. Although he was met with much skepticism, his idea would have a lasting effect on America's culture. When they first opened, the people were not immediately accepting. Safety, cleanliness, and price were a few of the concerns the public had. After a few changes however, the "nickelodeons", as they were called, started booming. Flashing lights were put up wherever there was room on the façade of the buildings. Ventilation systems assured people that they were br...
The concept of ‘cinema of attractions’ encompasses the development of early cinema, its technology, industry and cultural context. The explanation of how it is perceived by early cinema audiences is closely related to the effects of history at that time. How Gunning coined the term ‘cinema of attractions’ pertains to the history of the film industry at the turn of the 20th century and his interpretation of the audience and their reaction film technology. Single shots, the process of creating a moving picture and the juxtaposition of limited techniques, coupled with a new invention of showing a moving picture.
Monuments such as the Dome of the Rock in Jerusalem and San Vitale in Ravenna, perform a great importance in Byzantine and Islamic architecture. Both of these structures did not exclusively represent the main place of worship, but most importantly as a symbol of achievement and growth within the current times of construction. Starting in 524, under the influence of Orthodox bishop Ecclesius, the development of San Vitale was to represent the achievements of the emperor Justinian. Julius Argentarius was the sponsor for this structure and it was dedicated by Bishop Maximian in 547. The Dome of the Rock is built on the Temple Mount in Jerusalem in 692 with the help of Abd al-Malik with the suspected intention to symbolize Islams influence in Jerusalem and its involvement in a highly Jewish and Christian supremacy. Although separated by over 100 yrs, both of these domes share multiple similarity's including a projected confidence of their originating culture.
“Types of films are commonly referred to as genres (pronounced “zahn-rahz”). The word genre is originally French and simply means kind or type.” (Bordwell & Thompson, 2004: 108). Genre groups films, which share similar filmic qualities and themes, into various subsections according to the type of film they are associated as.
Stanley, Robert H. The Movie Idiom: Film as a Popular Art Form. Illinois: Waveland Press, Inc. 2011. Print
Architecture has been known as the product of aesthetics, structure, and function that serves to address social needs, resolve environmental and humanitarian problems through built form. Architecture not only shelters, but also has the ability to consolidate boundaries within our society. It realizes the role by physically defining space and by imposing its symbolic, representative meaning onto our living environment. As Ludwig Wittgenstein once said, “Architecture immortalizes and glorifies something”. Indeed, architecture must be documentary and didac...
Many cultural enthusiasts, archaeologists, and architects have a common interest in theatre and its origins. People from a few decades back have located the remaining of the oldest theatres in Greece, England, France and some parts of minor Asia. Theatre was a part of people’s lives as it was one of the few sources of entertainment, and it was originated from when people collectively sit in a gathering and listen to a storyteller. There were performances done by different people present at that moment. Later on, this activity kept improving and innovating, and in the result, many theaters for entertaining purposes were built by emperors who ruled the countries or kingdom in those days. The design of these theatres