...om, Harold, and John Gerlach. Bloom's Modern Critical Views: Gabriel Garcia Marquez. New York, NC: Infobase Publishing, 1999. Web. .
Christopher, J. (2011, July). The Life and Influence of Gabriel Garcia Marquez - Yahoo Voices - voices.yahoo.com. Retrieved 2014, from http://voices.yahoo.com/the-life-influence-gabriel-garcia-marquez-8776677.html
Both Virginia Woolf and Garcia Marquez in their books Orlando and One Hundred Years of Solitude respectively used almost the same styles to enhance and bring out the significance of the story. Virginia Woolf writes of Orlando, the protagonist in her story, a young man of around thirty six years who metamorphosed over a couple of days from a man to a woman. Woolf’s writing depicted very important issues in life that included gender issues and self awareness and knowledge. The book captures the love relationships of the protagonist and with the end of his love affair with the princess from Russia; he became destitute and embarked on writing until when he realized that he was foolishly depicted in one of the poems by Nicholas Green.
The Amistad
The Amistad was a Spanish ship built in Baltimore for the purpose of transporting slaves. For three years, it sailed the high seas delivering its cargo to various locations. But in August of 1838, a scandalous injustice was uncovered after the ship was seized by an American vessel, the USS Washington, a coast guard ship under the command of Lt. Thomas R. Gedney. Lt. Gedney and his crew towed the Amistad into a New England harbor in Connecticut where soon many controversies amounted and drama would unfold.
For 63 days, the Amistad had been drifting toward the American shoreline.
Historical Themes of Garcia Marquez's One Hundred Years of Solitude
Garcia Marquez has said that "One Hundred Years of Solitude is not a history of Latin America, it is a metaphor for Latin America" (Dreifus 1983:1974). The historical themes include conquest and colonization, settlement and scientific discovery, civil wars, foreign economic intervention, technological change, and finally the decay and disappearance of a long-established way of life.
The original Spanish conquest is alluded to when, in the first chapter, Jose Arcadio Buendia finds an old suit of armor and the remains of a galleon, mysteriously stranded several kilometers from the sea. The early Spanish colonization and the devastating pirate raids of the English sailor, Sir Francis Drake, are referred to in the second chapter. Subsequently, no more is made of this theme.
In Love in the Time of Cholera, Gabriel Garcia Marquez takes a complete turn from the usual notion that love comes straight from the heart. The story follows the journey of Florentino Ariza in reclaiming the unrequited love from Fermina Daza, wife of Dr. Juvenal Urbino. The three protagonists share different views about love but share Marquez 's underlying principle that love is a driving force in a person 's life. The author shows that the actions of the each protagonist depend on their perspective on love. Fermina Daza 's interprets love as a means of achieving utmost self-satisfaction. At first, she shows affection towards Florentino, in defiance of her father 's disapproval of Florentino. Fermina only loved Florentino to rebel against her father 's decision. Also,
Pablo Neruda's place of birth, Chile, provided a constant geographical and emotional center for his poetry and political concerns. He was born on the 12th of July 1904. Neruda lived a successful life filled with poetic and political events before his death on the 23rd of September 1973, aged 69. Throughout the 69 years, Neruda won many prizes and awards regarding his poetry. He won the International Peace Prize in 1950, the Stalin and Lenin Peace Prizes in 1953, and the Nobel Prize for Literature in 1971. Pablo Neruda published around 50 books and several poems. His poems mostly focused on love, nature, fiction, public, and personal poetry. He also wrote about politics due to the high position he held as a Diplomat, such as, The Consul of Spanish Immigration, Consul General in Mexico, Senator of Chile's Republic, Chilean Ambassador to France, and a nomination for Chile's President. According to The Academy of American Poets, "Neruda was named Chilean consul in Buenos Aires, Argentina, in 1933. While there, he began a friendship with the visiting Spanish poet Federico García Lorca.".
Gabriel García Márquez, a Colombian author who specializes upon story themes exchanging realistic events with elements of the impossible, magical realism. In the circumstances and environment in which he was raised, his influences derived upon tales of a superstitious reality, stories involving unexplainable elements. Márquez, born in the late 1920s, eldest of twelve children, developed under the care of his maternal grandparents. As a child, his grandmother provided him with the knowledge and exposed him the the world of magical realism in stories with her stylistic, straightforward spoken word. His inspirations and views revolves around the culture and environment around him, as his background and knowledge
People do not pride themselves on being like their mother or father. But ancestors traits pass down through families, tying them together. The Buendia family, from Gabriel Garcia Marquez's “One Hundred Years of Solitude”, is a perfect example of the mystical doom that follows through generations. Nobel Prize Winner, Marquez weaves a tale about life in Macadona and the strange and twisted Buendia family line. The story addresses mysterious dark magic, death, and horrifying tales of incest, debauchery, and love. Throughout the story, Marquez creates Macadona as if time was repeating itself. Each generation making the same fateful choices as their relatives. In this story the protagonists have many differences in their fates. However; they all share unifying facts that tie them together in the hundred years of solitude.
Magic Realism in One Hundred Years of Solitude by Gabriel Garcia Marquez
In One Hundred Years of Solitude, Gabriel García Márquez uses “magic realism,” to depict how human beings deal with their self-created solitude. “Magic realism” [Note that the German art critic Franz Roh coined the term “magic realism” in 1925 to describe "a magic insight into reality”][1] is the art of captivating something that in the real world would not be possible and manufacturing it to be believable.