Christopher Reeve's Story
Throughbred, Eastern Express, balked at a rail jump, pitching his
rider forward. Reeve's hands were tangled in the horse's bridle and he
landed head first, fracturing the uppermost vertebrae in his spine.
Reeve was instantly paralyzed from the neck down and unable to
breathe. Prompt medical attention saved his life and delicate surgery
stabilized the shattered C1-C2 vertebrae and literally reattached
Reeve's head to his spine.
After 6 months at Kessler Rehabilitation Institute in New Jersey,
Reeve returned to his home in Bedford, New York, where Dana had begun
major renovations to accomodate his needs and those of his electric
wheelchair which he operates by sipping or puffing on a straw.
Ironically, this most self-reliant and active of men was now facing
life almost completely immobilized and dependent on others for his
most basic needs. In addition, his condition puts him at constant risk
for related illnesses--pneumonia, infections, blood clots, wounds that
do not heal, and a dangerous condition involving blood pressure known
as autonomic disreflexia--all of which Reeve would experience in the
coming years.
Even while at Kessler, Christopher Reeve began to use the
international interest in his situation to increase public awareness
about spinal cord injury and to raise money for research into a cure.
A 20/20 interview with Barbara Walters drew huge ratings and many
other television appearances would follow. Never a man to turn from a
challenge, Reeve accepted invitations to appear at the Academy Awards
in 1996, to host the Paralympics in Atlanta, and to speak at the
Democratic Convention in Au...
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...ries on public television about American freedom
that is set to begin airing in early 2003. On May 3, 2002 the U.S.
government opened the National Health Promotion and Information Center
for People With Paralysis, known as the Christopher and Dana Reeve
Paralysis Resource Center through a non-competitive cooperative
agreement awarded to the Christopher Reeve Paralysis Foundation. CRPF
was designated in 2000 to establish the center through a line item in
the Centers for Disease Control and Prevention budget and officially
named the recipient of the cooperative agreement in May 2001. The
official purpose of the center is to develop and expand national
efforts for the prevention of secondary conditions and complications,
and to improve outcomes and the quality of life for people living with
paralysis from multiple causes.
The Hero’s Journey is a basic template utilized by writers everywhere. Joseph Campbell, an American scholar, analyzed an abundance of myths and literature and decided that almost all of them followed a template that has around twelve steps. He would call these steps the Hero’s Journey. The steps to the Hero’s Journey are a hero is born into ordinary circumstances, call to adventure/action, refusal of call, a push to go on the journey, aid by mentor, a crossing of the threshold, the hero is tested, defeat of a villain, possible prize, hero goes home. The Hero’s Journey is more or less the same journey every time. It is a circular pattern used in stories or myths.
In Davis Guggenheim’s documentary Waiting for Superman, he exposes mainly a one-sided argument against teachers unions, by stating the unions are a “menace and an impediment to reform.” His documentary explores the tragic ways in which the American public education system is failing the nation's children, and explores the roles that charter schools and education reformers could play in offering hope for the future. Statistics show our nation’s student dropout rates, diminishing science scores, math scores, and schools closing due to lack of funding, but numbers fail to represent the names and faces of the children whose entire futures are at stake due to the inability to enact change. Bianca, Emily, Anthony, Daisy, and Francisco are five students who deserve a better opportunity in education. By investigating how the current system is actually obstructing their education instead of bolstering it, Guggenheim opens the door to considering possible options for transformation and improvement. Guggenheim uses certain cinematic elements like interviews and cartoons, to influence an emotional response from the viewers and manipulate their opinion for the argument against its portrayal of unions.
Joseph Campbell studied ancient greek mythology for many years. Joseph filled each stage of the journey very well. He accepted all the challenges he got and all the help he needed. He really knew how to fulfill all those stages. Like everyone goes through a heroic journey everyone has to have a story to tell. My story is very contrasty from Joseph’s because he really knew what all the stages meant. My hero's journey consists of my threshold crossing which was when I started depending on myself more than I did on others, my helpers/mentors like my parents, teachers,my sister and many more influential people in my life and my rewards were getting awards in school, having a nice family, and many friends.
“The journey of the hero is about the courage to seek the depths; the image of creative rebirth; the eternal cycle of change within us; the uncanny discovery that the seeker is the mystery which the seeker seeks to know. The hero journey is a symbol that binds, in the original sense of the word, two distant ideas, and the spiritual quest of the ancients with the modern search for identity always the one, shape-shifting yet marvelously constant story that we find.” (Phil Cousineau) The Hero's Journey has been engaged in stories for an immemorial amount of time. These stories target typical connections that help us relate to ourselves as well as the “real world”.
The mythology of Superman is a paradigm that embodies the cultural reality of the era; constructed around an archetype of ideology, fantasies of human spiritual ambiguity, a religious messiah, and a semiotic representation of modernity. In further study, Superman can be identified to have specifically changed to adhere to American culture in three distinctive periods; midst the Great Depression and WWII, post WWII and finally the socially progressive change of the Vietnam period. In each chapter Superman was re-imagined to meet the definition of the period, a tool of propaganda over that of entertainment. Currently, America is entering a new phase of cultural shift, and thus Superman will be redefined to represent the ideologies of truth, justice, and the American way of that required era. Yet, the mere surface mythology of Superman has applications to cultural ideologies, questions of human freedom, dreams in a Freudian nature, and the complex relation of fantasy and reality which required introduction before in-depth research.
The show will be reproduced as a Hallmark Channel special and will air on December
Kant: Wow Darwin you either did not read the book, or you completely missed what was going on. Superman had superpowers that consisted of super hearing, super vision, super strength, and flying.
Watching a film, one can easily recognize plot, theme, characterization, etc., but not many realize what basic principle lies behind nearly every story conceived: the hero’s journey. This concept allows for a comprehensive, logical flow throughout a movie. Once the hero’s journey is thoroughly understood, anyone can pick out the elements in nearly every piece. The hero’s journey follows a simple outline. First the hero in question must have a disadvantaged childhood. Next the hero will find a mentor who wisely lays out his/her prophecy. Third the hero will go on a journey, either literal or figurative, to find him/herself. On this journey the hero will be discouraged and nearly quit his/her quest. Finally, the hero will fulfill the prophecy and find his/herself, realizing his/her full potential. This rubric may be easy to spot in epic action films, but if upon close inspection is found in a wide array of genres, some of which are fully surprising.
The Caped Crusader, the Dark Knight, Bruce Wayne, these are all aliases for an enigmatic character in popular culture most commonly known as Batman. While having his humble origins in the pulp magazines of the late 1930’s, over the span of his existence, he has expanded into a full-blown franchise. There have been 3 TV shows on him, 4 movies (1 more still in the making), various videogames, and over 20 comic book series that currently feature his name. Even after 60 years of being in print, it was a Batman issue that was the highest selling comic book of the last week of November, 2004. It is the aim of this project to explore the reasons why this one particular comic book superhero has managed to keep his relevance where so many others have faltered, with a focused look into how Batman artwork has changed over the sixty years of his existence.
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
The pressures of society and many factors against us can at times seem impossible to overcome, however, these limitations are only the ones we place on ourselves. Whether it’s during the adolescent years as Sherman Alexie explained in “The Joy of Reading and Writing: Superman and Me”, about the struggles of overcoming the stigma bound by his culture where “A smart Indian is a dangerous person, widely feared and ridiculed by Indians and non-Indians alike”, as well as having the courage to break free for his own benefit. In addition, this theme was also explored in the later years of adulthood as demonstrated in Malcolm X’s essay, “Learning to Read” where he’d become so frustrated while kept in prison, unable to quite express himself as he did
Many of us want to become a hero, a person with exceptional courage and strength. Macbeth desired this, but he wasn’t flawless. Macbeth was a man with many faults that led to his downfall. Starting out as a hero, Macbeth soon became a cowardly man, a tragic hero. Aristotle defined a tragic hero as a man who "falls into misfortune through some flaw” or simply a great man, who possesses a character flaw, which eventually causes their downfall. In the play Macbeth by William Shakespeare, Macbeth is a good example of a tragic hero. Macbeth is portrayed as a man who falls from his position of nobility due to a flaw in his character that eventually results in his tragic death. Macbeth, even though a great man, let the witches prophecies, influence of Lady Macbeth, and his ambitions get the best of him leading to his tragic death.
A tragic hero is defined as a person of high social rank, who has a tragic flaw or flaws that lead to their downfall. These heroes’ downfalls are usually either complete ruin or death. Tragic heroes face their downfall with courage and dignity. While many characters in Julius Caesar could fit these conditions, the person who fits the role of a tragic hero the best is Marcus Brutus. Brutus develops into a tragic hero throughout the play, and this is shown though his qualifications of a tragic hero, his high status, his tragic flaws, and his courage in the face of his death.
The Dark Knight Rises (2012) is a superhero epic of a scope hard to explain in a few short paragraphs. It is the third film in Christopher Nolan’s Batman trilogy. This film takes place over the course several months, primarily in the fictional Gotham City, an American city which had until recently been rife with crime and corruption which had made great progress in these areas due to the events in the previous films. The protagonist is Bruce Wayne (Christian Bale), the eponymous Dark Knight, who has retired his Batman alter ego after taking the fall for the crimes of Harvey Dent at the close of The Dark Knight.
Whether you call him Kal-El, Clark Joseph Kent or the Man of Steel, fans and non-alike know him the world over as Superman. Recently, this iconoclastic character was reintroduced to a new generation with the film Man of Steel and so began for some a look back to another era where a bold new dawn of superhero action movies was born with Superman The Movie. An inevitable debate ensued about whether a modern, technologically advanced and possibly more faithful adaptation could outshine the original, with all its nostalgia, including an inimitable portrayal of Superman given by the late Christopher Reeve. My aim is to find out whether I still believe a man can truly fly or if he is just simply wearing a costume.