The ancient Chinese custom of footbinding caused severe life-long suffering for the Chinese women involved. When researching the subject of footbinding, one of the difficult things is finding factual knowledge written before the 20th century. Most of the historical data has been gathered from writings, drawings and photographs from the 19th and 20th centuries. Additionally, the research indicates that the historical documentation was mainly from missionary accounts and literature from various anti-footbinding societies. These groups had a bias because of their opposing viewpoints. The first documented reference to footbinding was from the Southern Tang Dynasty in Nanjing (Vento 1).
Although the history of footbinding is very vague it lasted for at least one thousand years.Early text referred to the Han Dynasty as people who preferred that the women have small feet (Vento, 1). Vento also acknowledged the first documented reference to actual binding of the feet was from the Tang Dynasty in Nanjing (1). Before the Sung Dynasty Binding was only slightly constricting, allowing for free movement, they were also thought to have used footbinding to suppress women. The Yuan Dynasty introduced binding into the central and southern parts of China. It may have been emphasized to draw a clear cultural distinction between the Chinese and their large footed conquerors, the Mongols.
Footbinding was most popular during the Ming Dynasty, if parents cared for their sons they would not go easy on their studies and if they cared for their daughters they would not go easy on their footbinding (Levy, 47-49). One recent study estimated that there are still one million women in China with bound feet. The last Chinese women, still living with bound feet in Hawaii, was in 1994 (Kam, D-6).There are many legends of how footbinding began, one such legend is Lady Yao, a dancer and concubine for Prince Li Yu, danced with such grace that the prince required her to bind her feet to resemble new moons all the time. Another, is that it began out of the sympathy for Empress Taki who had club feet (Aero, 112-113). Although it has not been proven how footbinding started, one of the biggest reasons the practice continued for over 1000 years was it's sexual appeal (Kam, D-1).Humans have shown they will do just about anything- good, evil, or in-between for sex. Footbinding is a very bold issue that many Chinese do not like to talk about.
I will be explaining the role of women in society in Bound Feet and Western Dress. The Chinese have traditions that are generations old and are very serious in their culture. These Chinese traditions have been deeply established. In Bound feet and Western Dress, a dispute between Chinese traditions and Westernization of Chinese women begin to emerge. The women in traditional China were treated unequally and were basically looked upon as property for their husband. The women were taken in by the husband’s family and had to always obey their husband and also had to take orders from the husband’s family as well.
The fast foot work in both Black Bottom and in tap dancing showed the similarities of the styles of dance. Although tap dance is less about the upper body, unlike Black Bottom and dances like the Charleston, and more about the movement of the feet and sound of the taps, there were obvious similarities between Black Bottom and tap. Tap dance and Black Bottom are fairly similar, only by adding metal plates to the bottom of shoes, creating “tap shoes”, the new style of dance was born. This style of dance however, focusing on the lower body movements and the sounds the tao shoes are making when they stick across the floor, is less about the movement of the arms and upper
“The Death of Woman Wang”, written by Chinese historian Jonathan Spence, is a book recounting the harsh realities facing citizens of Tancheng country, Shandong Province, Qing controlled China in the late 17th century. Using various primary sources, Spence describes some of the hardships and sorrow that the people of Tancheng faced. From natural disasters, poor leadership, banditry, and invasions, the citizens of Tancheng struggled to survive in a devastated and changing world around them. On its own, “Woman Wang” is an insightful snapshot of one of the worst-off counties in imperial Qing China, however when taking a step back and weaving in an understanding of long held Chinese traditions, there is a greater understanding what happened in
A need for both socialization and a sense of identity forge tight community bonds that many maintain throughout their life. Their life may center on religion, race, or even the socioeconomic class to which they belong. Communities reflect these aspects by grouping together individuals in similar situations and beliefs. Pang-Mei Natasha Chang’s Bound Feet & Western Dress expresses the importance of tradition and culture in community identification by detailing the life of the conventional Chang Yu-i and her relationship with a westernized Hsü Chih-mo. Susanna Kaysen depicts her personal struggles with finding the community that she belongs to in Girl, Interrupted. Both Yu-i and Kaysen learn that community is not assigned, rather it is chosen by a self motivated individual wanting inclusion. Community is formed from a group of people with similar goals and beliefs who obtain identity and strength in numbers. The member is forever bound to his or her community thus preserving the ideals in association which makes finding a new identity is impossible. The effect a community has on its constituents is profound in that it governs the way one looks at the world.
Some of the more fascinating documents of the Han period in ancient China were arguably those written by women. The writings were at once contradictory due to the fact that they appeared to destroy the common perceptions of women as uneducated and subservient creatures while simultaneously delivering messages through the texts that demonstrated a strict adherence to traditional values. Those are the paradoxical characteristics of prominent female scholar Ban Zhou’s work called Lesson for a Woman. Because modern opinions on the roles of women in society likely cloud the clear analysis of Zhou’s work, it is necessary to closely examine the Han’s societal norms and popular beliefs that contributed to establishing the author’s perspective and intent.
Years later during the Ming and Ch’ing eras it became wide spread among all status levels. Footbinding is a mutilation of the feet by wrapping them up weeks upon weeks to force them into the shape of a lotus flower and keep them at a length of three inches. (p.366) “Small feet became a prestige item to such an extent that a girl without them could not achieve a good marriage arrangement and was subjected to the disrespect and taunts of the community.” (p.364). Eventually lower-class women began using binding to find wealthy husbands.
Traditions in Chinese culture are long-rooted and are taken very seriously from generation to generation. However, there must always be room for modern change in order for society to grow and strive across the globe. In Bound Feet and Western Dress the conflict between Chinese traditions and modern change arises. With this conflict it is important to discuss the different meanings of liberation for men and women and they way in which Chang Yu-I was able to obtain liberation throughout her life.
A club known as the Whitey’s Lindy Hoppers possibly began this trend in 1935 when they formed their group of 12 dancers (Swingin’). This group of dancers began, and performed the majority of their lifetime as a group in the Savoy Ballroom. They created the Lindy Hop quite simply, using movements from the Charleston as well as basic tap movements. And because of their dance, they had the opportunity to perform both on Broadway, and even in some movies. First, two partners would dance around together in various ways. Then, the man would complete a series of lifts with the girl, usually ending with them apart. Finally, a section of solo footwork would occur to bring the couple back
The Sioux Grass Dance is considered to be the most popular style of Native American Music. As one dances to this music, they follow a pattern known as “toe-heel.” This consists of the individual placing the left foot in front of the right and repeating with the other foot. Each male dancer makes many personal variations of this dance resulting in a so...
Also in China girls are made to bind there feet up at an early age so
Breakdancing was born as a result of the song “Get on the Good Foot” by James Brown when it was featured on television. People would attempt to copy his moves in their living rooms. Clive Campbell, or more famously known as DJ Kool Herc, is credited with evolving breakdancing. Breakdancing started with fancy footwork and intricate tricks such as head spinning. Breakdancing became popular in dance and disco clubs. As breakdancing further evolved, there was the addition of groundwork with moves like handgliding, windmilling, and headspinning. This addition of groundwork helped shape what we know breakdancing to be today (Bedinghaus).
The Folklorico group presentation I was honored to observed was the “Grupo Folklorico Juventud” from North Salinas High School. I decided to attend to this presentation because I use to be part of this Folklorico group. I also enjoy watching the dances for the reason that I believe they are beyond beautiful. It is amazing how a simple dance could transmit so much information while representing a region from Mexico. From my observation experienced, I noticed every region has different movements and customs for a reason. While observing the presentation I noticed most women used long skirts to create different shapes. They usually create the eight shape, half a circle or an entire circle which is created when the dancer does an entire spin while holding and moving their skirt. The skirt is also moved in different levels, such as high, medium, and low. The two levels that are used in most of the dances is the high and the medium level. While dancing the men and women usually do the same steps and movements. All the dances include “zapateados” which are known as foot dances or stomps. The “zapateados” are usually done with different parts of the feet such as the toe, heel and the sole of the feet. The dances include “zapateados” with different sections of the feet because every part creates a different sound. Most of the dances also include jumps and turns. It is extremely important for the
Examples of cultural constructions can be seen throughout history in several forms such as gender, relationships, and marriage. “Cultural construction of gender emphasizes that different cultures have distinctive ideas about males and females and use these ideas to define manhood/masculinity and womanhood/femininity.” (Humanity, 239) In many cultures gender roles are a great way to gain an understanding of just how different the construction of gender can be amongst individual cultures. The video The Women’s Kingdom provides an example of an uncommon gender role, which is seen in the Wujiao Village where the Mosuo women are the last matriarchy in the country and have been around for over one thousand years. Unlike other rural Chinese villages where many girls are degraded and abandoned at birth, Mosuo woman are proud and run the households where the men simply assist in what they need. The view of gender as a cultural construct ...
In the medieval times, footwear started to become more of an indication of social status. Those who were able to wear shoes that were more impractical meant they did not have a laborio...
The feature of Chinese corporal punishment was torture which causes physical injury or amputation in criminals, and the characteristics of the penalty presented gradually through time. Corporal punishment has been China since BC 2000 ago, but the maturation period were in the Zhou dynasty (BC1046-BC249). There were four kinds of corporal punishment: “Mo” which is lettering on offenders’ body, “Yi” which is cut off the criminal’s nose, “Fei” which is to cut off the foot of lawbreakers, and finally, “Gong” which is castrate the criminals. Those penalties were aiming to create an amputation, humiliation and suffering on the wrongdoers (Fu,1993,p.109). Nevertheless, those penalties were abrogated after the Nan-bei dynasty (AD420-AD589), and the main corporal punishment became physical injury, such as flogging. Even though the punishment still intend to humiliate and torture the convict, it is less bloody and unrecoverable.