Chinese Culture
Last week, I watched a programme about China and Chinese culture. It
was really an amazing program about an amazing country, China.
Throughout this program, I could envision Chinavividly, with its
people and culture. China, located in East Asia is the third largest
country in the world in terms of area and the most populous nation,
with a population of more than 1 billion, or nearly one-forth of the
world's total population.
After 1949, traditional Chinese culture was replaced by a new intended
to serve the masses and help build socialism. Painting, poetry
fiction, drama, opera, film and all sorts of arts are now used to
implement the government's political programmes.
The arts of Chinaencompass a large and diverse body of material
spanning two millennia. From Neolithic pottery to posters produced by
the communes Muhsien country in 1970's, its extent and artistic
variety make the idea of continuity just an illusion.
During the 2000 years preceding the revolution of 1912, Chinaevolved a
hierarchy of the arts that was but one aspect of the general structure
of its society. The literary arts were at the summit followed by
Calligraphy, the art of writing with brush and ink. Calligraphy's
status was sometimes shared by the art of playing the Chinese lute.
These arts were followed by painting, after which came chess and other
scholarly pursuits.
Manual crafts, including pottery, sculpture and every architecture,
were traditionally considered as products of mere artisans.
Calligraphy, the noblest of the visual arts, was the most direct
expression of that prodigious literacy that marked the elite of China.
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... These formed the basis of such superb novels as the anonymous "Chin
PingMei" (1582-96) translated as "The Golden Lotus". Fiction shaved
the influence of Chinese tradition and culture.
If we move to Chinese music we find a diversity of Chinese musical
forms. This diversity mirrors that of musical audience and of the
situations in which music plays a role. Chinese music has ancient
roots. It flourished as an art in the shag dynasty after the 14th
century BC, and its origins were surely earlier. Though remarkable for
its stagnant and has all the variety and richness to be expected in
the art of a vast, ancient, and populous land.
Discussion of Chinese culture is endless as it reflects an enchanting
world of beauty and art. That is why I have recorded the programme and
I will always cherish it in my videotape library.
From 100 CE to 600 CE the Chinese had many cultural and political life changes and continuities. A political change was in the end of the Classical Chinese period when the Han Dynasty fell. A cultural change during 100 CE to 600 CE was the paper invention that led to passing down cultural rituals. Not only were there changes but there was also continuities in the Chinese political and cultural life. An example of a cultural continuity is the increasing power of Buddhism. A political continuity is the ruler of the Chinese wanting the people to be protected with for instance The Great Wall of China.
...y extraordinarily beautiful, it was also a wealth of information about the people and culture of ancient China during his reign.
Schoenhals, Michael. China's Cultural Revolution, 1966-1969: Not a Dinner Party. Armonk, NY: M.E. Sharpe, 1996. Print.
Secondly, Emperor Huizong was a patron of arts and in his painting academy he highlighted 3 aspects of painting: realism, systematic study, and poetic idea. (source dri buku yg foto di library) These 3 aspects were clearly shown in Cranes above Kaifeng: Auspicious Cranes which indicates the amount of control Emperor Huizong had on the visualization of auspicious events.
The Cultural Revolution in China was led by Mao Zedong, due to this Liang and many others faced overwhelming obstacles in many aspects of their life such as work, family and everyday encounters, if affected everyone’s families life and education, Liang lets us experience his everyday struggles during this era, where the government determined almost every aspect of life.
China has gone through many changes in its history. Changes include economic, political, and social. In the early 1500 and throughout history, mostly all social classes followed Confucianism. Confucianism is a type of religion based on an ideal society (Chang 2012, 22). China was molded though Confucianism but that slowly deteriorated as years went on. One main group that has been a main part in these changes is the Chinese literati. The Chinese literati include the higher-class people such as officials and scholars. The Chinese literati were the dominant social class during the 1500’s but their power slowly decreased throughout history. Throughout my paper, I will explain the Chinese literati involvement as centuries passed.
Hung Liu is successful in creating a juxtaposing image that tells a story about the many aspects of her Chinese origins. According to the painting, not all life in China is surrounded by beauty and elegance, like many believe it to be based on the traditional historical customs. Liu makes her point using a brilliant yet subtle progression, moving from the ideal to reality. Making use of the various principles and elements of art in her work creates a careful visual composition that benefit and support the painting’s achievements as a whole. This oil painting, being approximately 13 years old now, will hold a special place in Chinese history for the rest of its existence. The ideas Hung Liu portrays in Interregnum may help reform a social movement in the country by making her viewers socially aware of the cruel conditions the Chinese are facing under Communist rule, and this is all made possible through the assimilation of the principles and
Today marriage is defined by the Merriam-Webster dictionary as the relationship between a husband and a wife or a similar relationship between people of the same sex. For the purposes of this paper, it will focus on marriage between a man and a woman and how marriage is differently defined between the American and Chinese cultures. This paper will discuss the cultural differences found between the American and Chinese culture with emphasis on age and mate-selection. The cultural differences between American and Chinese culture related to marriage practices shows that Americans value individualism and Chinese historically value collectivism.
The most distinctive features of Chinese civilization were in the Song period. This was the scholar-official class certified through highly competitive civil service examinations. These elite were better educated than others in Chinese history. Aristocratic habits and prejudices largely disappeared when examination system was fully developed. This system came to be considered the normal ladder to success. The invention of printing should be given a little credit. The art of carving words and pictures into wooden blocks was developed by Tang craftsmen. They would ink the blocks then press paper onto them. An entire page of text and illustrations was held on each block. In the eleventh century movable type, on piece of type for each character, was invented. In China whole-block printing was cheaper. The spread of literacy was
Chinese-Americans authors Amy Tan and Gish Jen have both grappled with the idea of mixed identity in America. For them, a generational problem develops over time, and cultural displacement occurs as family lines expand. While this is not the problem in and of itself, indeed, it is natural for current culture to gain foothold over distant culture, it serves as the backdrop for the disorientation that occurs between generations. In their novels, Tan and Jen pinpoint the cause of this unbalance in the active dismissal of Chinese mothers by their Chinese-American children.
This is not surprising in view of the fact that Chinese culture values stability and continuity over change. This may be, in part, due to the continuous practice of imitating the ancients as a form of respecting antiquity and authority, a concept instilled by Confucianism (art and imitation). Another possible explanation for this could be that the anatomical or scientific approach was never emphasized in Chinese art, such as in Ancient Greek art. And because principles of light and shade, perspective and proportion of realism were not emphasized (the use of line is the defining technique in Chinese ink painting), there was never a “desperate revolt against vision” or a need for “non-objective art” (Tu). Thus throughout the years, Chinese painters were able to keep ahold of representational images as the basis for
The Great Proletarian Cultural Revolution, beginning as a campaign targeted at removing Chairman Mao Zedong's political opponents, was a time when practically every aspect of Chinese society was in pandemonium. From 1966 through 1969, Mao encouraged revolutionary committees, including the red guards, to take power from the Chinese Communist party authorities of the state. The Red Guards, the majority being young adults, rose up against their teachers, parents, and neighbors. Following Mao and his ideas, The Red Guard's main goal was to eliminate all remnants of the old culture in China. They were the 'frontline implementers' who produced havoc, used bloody force, punished supposed 'counter revolutionists', and overthrew government officials, all in order to support their 'beloved leader'.
The United States and China are two very large countries that have cultures that are well known throughout the world. There are many differences between the United States and China, but there are many contributing factors that shape the cultures of these two countries. Language is universal, but there are different meanings and sounds, which vary from one culture to another. In China, citizens speak many languages, but about 94% speak the Chinese language. The difference in dialects was overcome by the written word and eventually a version of Mandrin became the “official speech” (The Cambridge Illustrated History of China, 1996, p.304).
there are three mythical beings called the Three Pure Ones. These beings were worshiped as
The History of Chinese Music The history and development of Chinese music through different time periods from when it began.