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main themes seen in the freedom writers
main themes seen in the freedom writers
main themes seen in the freedom writers
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Children’s literature is, as Peter Hunt argued, a ‘remarkable area of writing: it is one of the roots of western culture, it is enjoyed passionately by adults as well as children, and it has exercised huge talents over hundreds of years’. Children’s literature is good quality books for children from birth to adolescence, coating topics about importance and interests to children of those ages, through prose and poetry, fiction and non-fiction. Children’s literature is probably the most exciting and vibrant of all literary studies, and its wide range of texts, from novels to picture books, and from oral forms to multimedia and the internet, presents a huge challenge. The important theme in children’s literature is the tension between the popular and the prestigious, or in other …show more content…
Philip Pullman’s His Dark Materials, the popular fantasy trilogy novel talks about the journey and adventures of an adolescent protagonist Lyra through parallel worlds, this novel explores the relationship between stories, and religious identity by building the concept or idea of religious narrative identity. Margaret and Michael Rustin considers Northern lights as an examination of domestic family relationships. Pullman influenced by the idea or the concept of the myth of the fall from John Milton’s ‘Lost Paradis’. Pullman discussed in Northern Lights many themes such as, love, religion, fantasy, science, domestic family atmosphere, realism, and the religious authority on society. He put all his ideologies in Northern Lights, concepts of freedom that takes you to the knowledge, the importance of sex to maturation, and how can a child transmit from innocent to experience. Pullman embodies himself and his ideologies in Lyra’s character, also he called Lyra ’Eve again’ to reinforce her role as disobedient liberator of humanity through knowledge. “His Dark Materials” concerns the nature of
...ia J. Campbell. New York: Twayne Publishers, 1996. 39-65. Rpt. in Children's Literature Review. Ed. Scot Peacock. Vol. 82. Detroit: Gale, 2003. Literature Resources from Gale. Web. 14 Jan. 2014.
Children literature is a term that refers to the texts written for children. The artist uses creative ways to ensure that children are provided with educational books, touching on a variety of themes. This paper will include comparison of two characters from the two texts, “Hana's Suitcase: A True Story,” authored by Karen Levine and “Charlotte’s Web,” written by E.B. White, with the aim of understanding ways in which problems are solvable as indicated by selected characters.
In conclusion, critical evaluation of what makes a book good or bad depends on the selection criteria and agenda of those making the evaluation. The prizes have been criticised through the years and the selection committees have risen to this by changing the selection process, even if this change has been slow. Children’s Literature is in flux due to the ever-changing ideas and perceptions of childhood. Children’s books seen as prestigious today may become, like Blyton, unpalatable to the critics of tomorrow.
After a four week survey of a multitude of children’s book authors and illustrators, and learning to analyze their works and the methods used to make them effective literary pieces for children, it is certainly appropriate to apply these new skills to evaluate a single author’s works. Specifically, this paper focuses on the life and works of Ezra Jack Keats, a writer and illustrator of books for children who single handedly expanded the point of view of the genre to include the experiences of multicultural children with his Caldecott Award winning book “Snowy Day.” The creation of Peter as a character is ground breaking in and of itself, but after reading the text the reader is driven to wonder why “Peter” was created. Was he a vehicle for political commentary as some might suggest or was he simply another “childhood” that had; until that time, been ignored? If so, what inspired him to move in this direction?
Whalley, J. (2009) ‘Texts and Pictures: A History’ in Montgomery H and Watson N (eds), Children’s Literature Classic Texts and Contemporary Trends, Basingstoke, Palgrave Macmillan in association with Open University, pp.299-310
Griffith, John, and Charles Frey. Classics of Children's Literature. 6th ed. New Jersey: Pearson Prentice Hall, 2005. 21-29, 322-374. Print.
It has always been amazing to realize how well the literature I read as a child has stayed with me through the years. It takes an exceptional writer to compose a narrative that maintains a storyline on the same level of a child's understanding; it takes everything short of a miracle to keep a child's interest. However, that undertaking has been accomplished by many skilled authors, and continues to be an area of growth in the literary world. Only this year the New York Times has given the genre of children's literature the credit it deserves by creating a separate best-sellers list just for outstanding children's books. Yet, on another level, children's literature is not only for the young. I believe that the mark of a brilliant children's author is the age range of those who get pleasure from the stories; the wider the range, the better.
In conclusion, Herbert Kohl in his works Should We Burn Babar? Essays on Children’s Literature and the Power of Stories, provides a reflection of more than a little uncertainty and contradiction on the issues surrounding the selection of children literature. He is aware that no one can ever be certain of how a child can respond to literature, especially to content that mature audiences could perceive as problematic. On the other hand, Adam Gopnik’s argument in his essay Freeing the Elephants: What Babar Brought brings to fore the different ways of understanding the context in which Jean Brunhoff’s Babar books were written. All in all, the two writers’ arguments underline the different interpretations of literature materials.
Peter hunt’s ‘Instruction and Delight’ provides a starting point for the study of children’s literature, challenging assumptions made about writing for children and they are trivial, fast and easy. Children’s literature is a conservative and reading it just to escape from the harsh realities of adulthood. It’s probably the most exciting for all literary studies, and a wide range of texts, from novels and stories to picture books , and from oral forms to multimedia and the internet , so it presents a major challenge and can be considered for many reasons. It is important because it is integrated into the cultural, educational and social thinking for the success of the publishing and media, and it is important to our personal development. Things that may seem simple at fist, how children understand the texts, how these differ from the
of millions of people did not happen I know that it did, and I know
For children’s literature the Golden Age was a time of reform and new beginnings. The Golden Age opened the doors for an interesting read where adults are not present. The literature that was intended for children during this period introduced a world of literature in which children were the protagonist. These stories not only take children on remarkable journeys though time but they also address many issues of social class in regards to children. The Golden Age reflects greatly the Victorian era where children were left to become orphans because their parents could not support them financially or because their parents just did not want them. The Golden age welcomed children into a society that they were once neglected by. It was not until religion rebuked the evil out of children that they became acceptable by society and as a result were allowed to be portrayed in books.
... (eds), Children’s Literature Classic Text and Contemporary Trends, Basingstoke, Palgrave Macmillan in association with Open University
A children book is an extremely substantial and significant form of literature. It educates, affects and amuses at the same time. Although its main audience are the small children, the majority of adults in fact enjoy this type of literature as much as children do. This can be explained by the capacity of children literature to deal with great themes and topics that are too large for adult fiction. (Philip Pullman) For its great importance, the style and technique by which it is produced, is a major concern for both of the authors and critics. One technique has a particular impact in the children book, that is to say, illustration. Bearing the visual nature of children in mind, we understand that their books should be delivered with
Literature has been part of society since pen met paper. It has recorded history, retold fables, and entertained adults for centuries. Literature intended for children, however, is a recent development. Though children’s literature is young, the texts can be separated into two categories by age. The exact splitting point is debatable, but as technology revolutionized in the mid-twentieth century is the dividing point between classic and contemporary. Today’s children’s literature is extraordinarily different from the classics that it evolved from, but yet as classic was transformed into modern, the literature kept many common features.
Northern Light`s is the first novel of Philip Pullman`s trilogy. his dark materials was published in 1995. One of the most original elements of Pullman’s trilogy is the daemons. Within Lyra’s world, ever single human has a daemon, observable version of the soul that takes on an animal form. In creating the daemon, Pullman draws on feudal traditions in which witches and wizards have animal “familiars,” creatures active with some unreasonable spirit who can carry messages from the witch or wizard to the world beyond. In this essay , I will discuss the theme of growing up through the novel , and I will focus theme for main the character is lyra