Cheap Stunts
Topic: Using basic techniques combined with creative thinking to achieve stunts and special FX, in low-budget film making.
This paper has been written with the low budget film maker in mind. Seeing as though I am personally used to working with little or no money to produce a film or a video, I have always searched, through nessicity, for new ways to create effective looking stunts, special effects, and in general unique looking shots, devices and ‘looks’ in my movies.
Of course stunts and special FX may not be your cup of tea when it comes to making or watching a film, and this is fair enough. If a dialogue laden script and endless two shots and close-ups take your fancy, then I’m sure you don’t need to be told how to achieve this. It is simply a matter of writing the script, then setting up the camera and shooting it, generally speaking.
However when it comes to low budget film making these days I feel that the film maker must make a special effort to produce a movie that is unique and interesting for an audience to experience. This does not necessarily mean that the film maker must load the film with cheap stunts, blood and guts to grab an audience’s attention. However they should at least try to create something that is very original and makes the audience question how they achieved the results that they did, even if the movie does consist of only ‘two shots’ and ‘close-ups’. In the case of this type of movie (two shot/close-up style), the obvious place to start with ‘creative thinking’ is when writing the script. However this should be fundamental to any script, story or idea.
First of all, whoever you are, you must realise that it isn’t money that makes a good film, it is the idea and how that idea is achieved in creative ways. Of course it’s a great thing if you do have a little bit of money to put towards a film, however, throwing around creativity will always win over throwing around a ton of cash at a film, I believe anyway. You probably already have realised this, but for the uninitiated, this is the core theme of this paper; use your creativity where possible, not your money.
There are many techniques used in films that help to strengthn the plot and rmphasize a certain theme. Usually, to most viewers, these camera techniques go seemingly unnoticed. Yet, this ability to fly under the radar ensures the success of the style, as smooth transitions and clear storytelling are hallmarks of the editing process known as continuity editing. One approach of continuity editing is known as point of view editing. Basically, the viewer is able to see a scene from a character’s perspective. Notably, point of view editing plays a significant role in the film Notorious. With the repetition of point of view throughout the film, Notorious utilizes point of view as a vital aspect of the film, as it provides clues to the viewer, heightens
Movie makers have agendas. They get their ideas across by using cinematic techniques and styles which make us view a certain subject in the light that they put it in. I will discuss the differing techniques used by the makers of "Stepping Razor" and describe what the overall impression of the movie has on the viewer, and what the agenda of the director is.
As a small child, about two years old, Lizzie's mother died. Her father, Andrew, married again. Lizzie did not like her stepmother even though she did not really remember her real mother at all. She never really accepted her stepmother as the person who raised her. And then one afternoon they were robber sunk in the house a...
With his down-the-rabbit-hole approach to design and obsessive attention to detail, Wes Anderson, writer, director and auteur, is best known for his highly stylized movies. His extremely visual, nostalgic worlds give meaning to the stories in his films, contrary to popular critical beliefs that he values style over substance. Through an analysis of his work, I plan to show that design can instead, give substance to style.
Analyze a film shot or scene to explain how filmmakers use cinematic techniques to tell a story, develop characters, create atmosphere, and evoke emotions.
...successful collaboration of sound, colour, camera positioning and lighting are instrumental in portraying these themes. The techniques used heighten the suspense, drama and mood of each scene and enhance the film in order to convey to the spectator the intended messages.
Computer generated imagery has evolved and spread throughout cinematography and the film world like wildfire. Although computer generated imagery offers countless creative opportunities, the art form of special effects makeup should be practiced and preserved, as just that- an art form. Most people have begun to describe special effects makeup as anachronistic. Considering how long special effects makeup has been around, people are convinced that its existence is coming to an end.
With the discovery of techniques such as continuous editing, multiple camera angles, montage editing, and more, silent filmmaking developed from simple minute-long films to some of the most beautiful, awe-inspiring films that have ever been created—in only a few decades. In Visions of Light, someone alluded that if the invention of sound had come along a mere ten years later, visual storytelling would be years ahead of what it is today. This statement rings true. When looking at the immense amount of progress that was made during the silent era of films, one must consider where the art of film has been, where it is, and where it is
Christopher Nolan: Filming Techniques and Characterization Starting from a young age, director and writer Christopher Nolan has been focusing and creating film since the age of 7. Nolan always has a unique touch to his film. This includes often using non-linear story telling throughout his films, his frequent uses of symmetric image composition, a use of unconventional and deep characters, his surprising and twistful plots and Nolan commitment to sticking to traditional film as oppose to the use of digital. Nolan likes to use a non-linear story telling when it comes to his films.
Pasley, Kay. “The Long-Term Effects Of Divorce.” Stepfamilies 16.1 (1996): 11. MAS Ultra – School Edition.Web. 26 Feb. 2014.
With this short but very interesting and informative class I have just scratched the surface of the what it takes to make a full fleged film. It takes much more than I had presumed to make a movie in Hollywood. The number of people that it takes to make a minute of a movie let alone the entire movie was astonishing to me. There are many things that it takes to start making a movie but without an idea of some sort there is no movie to be made.
Films are created to tell a story, to tell an effective story a broad range of techniques needs to be used in a successful way (Brown, 2012.) The ‘Two Pills’ scene from the film The Matrix (1999) uses these techniques in a way that creates a strong representation of the characters and storyline. The techniques used include cinematography, the soundtrack and the editing. In addition, mise-en-scéne is used to enhance the narrative through dialogue, costume, setting and lighting to create a highly emotional reaction from the audience.
Growing up in the south during the civil right movement between the late fifties and early sixties as an African American was tough. As a black person you went through a lot of racial profiling, discrimination and of course racism throughout the south just because they wanted a change and was tired of being miss treated by the whites. Superiority meant a lot to the whites so; they were not going to allow the blacks to take over in any kind of way. So, blacks and people known as the minorities took their chances to try to make a change because their rights were not be protected as in the first Amendment said it would. Many people were threatened, beaten and harassed by a group known as Ku Klux Klan trying to fight for what was right like voting privilege. Although, they struggled to get their voice heard it was worth the probable cause even if that meant putting their life in danger.
“Entertainment has to come hand in hand with a little bit of medicine, some people go to the movies to be reminded that everything’s okay. I don’t make those kinds of movies. That, to me, is a lie. Everything’s not okay.” - David Fincher. David Fincher is the director that I am choosing to homage for a number of reasons. I personally find his movies to be some of the deepest, most well made, and beautiful films in recent memory. However it is Fincher’s take on story telling and filmmaking in general that causes me to admire his films so much. This quote exemplifies that, and is something that I whole-heartedly agree with. I am and have always been extremely opinionated and open about my views on the world and I believe that artists have a responsibility to do what they can with their art to help improve the culture that they are helping to create. In this paper I will try to outline exactly how Fincher creates the masterpieces that he does and what I can take from that and apply to my films.
Offering the unique ability to visually and audibly convey a story, films remain a cornerstone in modern society. Combined with a viewer’s desire to escape the everyday parameters of life, and the excitement of enthralling themselves deep into another world, many people enjoy what films stand to offer. With the rising popularity of films across the world, the amount of film makers increases every day. Many technological innovations mark the advancement of film making, but the essential process remains the same. Pre-production accounts for everything taken place before any shooting occurs, followed by the actual production of the film, post-production will then consist of piecing the film together, and finally the film must reach an audience. Each step of this process contributes to the final product, and does so in a unique right. The process of film making will now start chronologically, stemming from the idea of the story, producing that story into a film, editing that footage together, and finally delivering that story to its viewers.