If you are into percussion and authentic Caribbean Reggae Soca music; you will like ‘Chris Garcia’ ‘chutney Bacchanal’; however, if you want to take a musical look into some of the arch realities that confront the less achieved in the Caribbean by extension, you will be absolutely fascinated by the message in the music. Never before has one song addressed issues such as Soca music, head on as is done by ‘chutney Bacchanal’. Taking an analytical look at this song will magnify the points made by Chris Garcia and highlight his relation to today’s reality. People in the Caribbean do adapt to issues that comes along with Soca music as part of their culture.
1. http://www.Countrystudies.us/Caribbean-islands.
2. http://www.caribbean-beat.com/issue-22/chutney-phenomenon.
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I had a very small understanding of Soca music and so I started to research and with much perseverance; I can say I have acquired a lot of knowledge of Soca music. Chris Garcia gave an explanation of his song by giving his commitment to and belief in a higher power. Be it in the face of the trials and tribulations faced daily, as he believes that he (the Father) knows and understands all things.
Chris Garcia broke on to the local music scene with his 1996 instant classic “Chutney Bacchanal. It was written by Chris Garcia and composed by him. Chris Garcia, stated, “In all of my music I try to deal with the idea of the human condition, and our place in the universe; I touched on it in Chutney Bacchanal when I said “this is what it sounds like to me; Chadey burcuh chundey burgayjaydey burgungee.” The ‘it’ refers to where we fit in the grand design of whatever higher power is out
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The song is about a woman from India who wanted to hear a verse of the song in Hindi language. The ladies in the video were dressed like Indians and wore ornaments on their faces, hair, hands and feet. The lead vocalist starts off by dancing without shirt and later down in the video he was dressed in full black with glitters on his shirt and he had long hair and a piercing in one of his ear lobes. The colors of the females’ garments were pink and green, yellow and black, gold and blue. The music sounded like that of calypso tune.
3. www.lateoclocknews.com/chris-garcia-to-be-honored
4. www.wiki.chutney_music.com A woman come down from India
Tell me she love up the soca
Want to sing aH verse in Hindi
So she grab hold of my guitar
Then start to deliver
And this is what it sound like to me
This is what it sound like
Jamming on me whole night
This is what it sounds like to mee.
This verse is basically giving us an idea about the a woman who came from India who told Chris Garcia how much she loved soca and wanted him to sing his chutney song in
For centuries, music has been defined by history, time, and place. To address this statement, Tom Zè, an influential songwriter during the Tropicália Movement, produced the revolutionary “Fabrication Defect” to challenge oppression as a result from the poor political and social conditions. On the other hand, David Ramsey discusses, in mixtape vignettes, the role of music to survive in New Orleans’ violent setting. Furthermore, “The Land where the Blues Began”, by Alan Lomax, is a film and perfect example to understand under what musical conditions profound ways of communication are made to stand the hard work of cotton plantations. As a result, music plays a crucial role in the sources’ cultures and its creation relies on particular conditions such as the social
Fluorescent turquoise waters, a vibrant city culture, as well as an unending supply of mimosas and sunburns within a resort, benefits the common wealthy couple looking for a swell time. When people imagine the Caribbean, they probably visualize the soft sands of the Spice Island Beach Resort. Many people see the Caribbean as relaxing paradise. What people don’t understand, are the years of history hidden behind the mask of many resorts. In the book entitled “Empire’s Crossroads: A History of the Caribbean from Columbus to the Present Day”, Author Carrie Gibson differentiates how people view the Caribbean nowadays, by altering their visualization with four-hundred pages of rich history and culture, that argues the ideology about the Caribbean
Canciones de arargue, or songs of bitterness – was the original name for the creolized form Bachata. Many closely associate Bachata with the other Caribbean styles of the African diaspora such as merengue and son. In Intro to Music Cultures of the World we were tasked with attending a world music concert. I chose to attend a Bachata concert because I already had an interest in Caribbean music. The concert was not as I had expected, but was rather intriguing and thoroughly enjoyable. In this report I hope to analyze Bachata’s roots, report on its concert style, and compare it to another piece in the genre.
Released in 1997, Buena Vista Social Club immediately became an international success and won a Grammy Award in 1998. Around the world, especially in U.S. where the album was welcomed most heartily, Ry Cooder was considered the hero of Cuban music (Hernandez 65). Being the producer of the album, Cooder was assumed to discover a “lost treasure” in Cuban culture. However, Tanya Kateri Hernandez, in an article about Buena Vista Social Club, revealed that Juan de Marcos Gonzalez, not Cooder, was the person “who masterminded and facilitated the collaboration.” (Hernandez 62). Also in this article, it is noted that Juan de Marcos Gonzalez “implicitly acquiesced to Cooder’s propagation of the colonial myth for the purpose of ensuring the commercial success of the collaboration.” (Hernandez 64). Other musicians in the Buena Vista Social Club ensemble followed Gonzalez’s step, as there was hardly another choice for them.
In 1958, Jerry Lee Lewis performed two of his hit singles “Great Balls of Fire” and “Breathless” on the American Bandstand with Dick Clark. With his addition to the rock ‘n roll genre, these songs are classics which listeners have heard for the past several decades. The following analysis of the songs are important to me because my family members enjoy singing them during karaoke nights. In addition, the analysis will highlight important musical characteristics, an explanation of how the music added to the genre of rock ‘n roll, and the important social implications the songs had at the time. Finally, the analysis will provide a personal critical critique of the performance. If you wish to view the video, please click the following link: https://www.youtube.com/watch?v=j4NquCaWIQI
In this song, she sings about events that have oppressed the African American people and other ethnicities in the United States for many years. In the song she states (line 60) “Mafia with diplomas keeping us in a coma trying to own a piece, of the "American Corona”, The Revolving Door, Insanity every floor, Skyscraping, paper chasing, What are we working for? Empty traditions, Reaching social positions, Teaching ambition to support the family superstition?” In this part of the song she is saying that everyone today is trying to be successful and trying to accomplish the American dream. She says that trying too hard to be successful is toxic and it will mess with one’s traditions that he or she does. She also is saying that in some ways it will mess with one’s social abilities with one’s family and friends. Success is only good if one is doing good and feeling good in the end. It is not good when there is no good in involved. Therefore, that’s why she calls it
Reggae The Story Of Jamaican Music BBC Documentary. vols., 2012. Online. Internet. 22 Mar. 2014. . Available: http://www.youtube.com/watch?v=wv1Iy26qlLk&feature=youtube_gdata_player.
The world music phenomenon has been shaped and has evolved overtime. Its distribution has affected much of today’s music. Nueva Canción is one genre that has a deep historical story, of which gives us understanding of how the people and events of history influenced the way music is today by globalisation, migration and commodification and their political and social struggles of which they endured and found hope through their music. Many people worked together to get through this upheaval, and even when some were persecuted for what they stood for, they persevered. The music that came from this revolution is a testimony for their memorable work, making this genre of world music significant and worthy of recognition and respect.
The song starts out setting up a picture. The listener sees this person driving what seems to be a convertible through a dark desert road. The vehicle suggests that the speaker is wealthy and the time frame suggests that the actions about that are going to transpire will be illegal. People generally party at night also. The speaker then smells colitas, meaning “tail.” According to the management of The Eagles the word “colitas' was translated for them by their Mexican-American road manager as 'little buds'”(Adams). This bud refers to the end of a marijuana stalk that is actually stronger th...
“She say she don’t like bamboo/but she don’t mind meh cane/She say cane juice real sweet/it does reach to she brain” are song lyrics from the calypso song “Sweet Cane Juice” sung in Roger McTair’s short story, “Visiting”. According to Britannica Encyclopedia, calypso is “a type of folk song primarily from Trinidad though sung elsewhere in the southern and eastern Caribbean islands. The subject of a calypso text, usually witty and satiric, is a local and topical event of political and social import, and the tone is one of allusion, mockery, and double entendre”. This music genre is one of the most important traditions in Caribbean music history. Calypso music was developed from 19th-Century black slaves that were used to work sugar plantations in Trinidad (Lagassé, Paul 1). Slaves were not allowed to talk to one another, so instead they sung music to communicate. In present society, “calypso songs continue to be used in the traditional pre-Lenten carnival” in Trinidad. (Lagassé, Paul 1) Roger McTair is able to successfully write Caribbean literature because Trinidad is his native country. “Visiting” gives the reader an idea of Caribbean politics as well as the demonstration of calypso music bringing humans together.
As the Hispanic Caribbean has evolved it has managed to grow and thrive beyond belief, whether one is discussing art, music or just the culture alone the Hispanic Caribbean is truly reaping the benefits of allowing themselves to be influenced by many other cultures. While the Hispanic Caribbean is thriving they are still facing the many new found struggles that come along with the territory of becoming more affluent as well as more accepting to other cultures and their beliefs. Often with the growth of large proportions comes many problems, problems also can come about when incorporating of different cultures as a whole as well as just bringing in their beliefs and mannerisms. None the less it can be argued that the struggles being faced in
As one moves past the initial onslaught of rhythmic beats that calypso has to offer, it is difficult to miss the way in which it reverberates with negative and demoralizing images of women to their male counterparts. Whether it is within the lyrics of Sparrow’s “Drunk and Disorderly” or Square One’s “My Ding-a Ling”, an ample number of verses are often dedicated to making lewd comments about the female body and the suggestive body language described through thinly veiled rhymes and puns, can be offensive depending on the listener. The half naked models being displayed on the various album covers of calypso, soca and rap mix tapes further reinforces these negative connotations. This bandwagon has been jumped upon by many, including the rap genre in the last two decades, wanting to capitalize on a marketing strategy that generally purports to flag consumer attention, playing on their sense of eroticism. The sections titled “Music, Sex, Sexism” and “Woman Rising” within Peter Manuel’s text: Caribbean Currents, dive into the many issues surrounding gender within music as well as female portrayal specifically in calypso. Observations can be made simply by reading through the textual comparisons. Many aspects of this subject area allude to the fact that the issue of gender portrayal in music can be construed differently depending on who the critical listener happens to be. With the increased awareness and heightened sensitivity to the way in which females are portrayed in popular media, it is important to reflect on the impact these lyrics have on male-female relationships within the communities who most often enjoy this music genre.
The Latin American music scene is an amazingly diverse, engaging and entertaining music culture. Thomas (2011) explains, “…Latin American music has engaged in ongoing dialogue and cultural exchange that has profoundly affected music making in Europe and the United States and, more recently, in Africa and Asia as well”. This paper will be describing different aspects of the music culture from its musical features, to the historical aspect of this interesting music culture. Also, I will discuss a personal experience with Latin American music. After researching the music culture, I attended a concert performed by Boogat, an Emmy award nominated Latin American musician from Quebec who has toured all over North America. Latin American music culture
Music is a form of communication, letting others knows what is going on in the country, political, social or economic and any other problems the people of the Caribbean faced. With so many different ethnic backgrounds in the Caribbean, they are people with Asians, Indians, and Africans descents. This created a language and culture barrier but each ethnic background shared a common link music. Music bridged the gap between the different ethnicities Music is part of everyone’s culture especially here in the Caribbean. Our culture is recognized worldwide for its music. The Caribbean has different genres of music such as calypso, reggae, dance hall, zouk and many others. Our music has roots in both African and European cultures. The drum rhythm comes from the African in...
Music has played a role in society since the dawn of man. Said to be the beginning of communication in early civilization, music and dance have influenced how we think, act and treat members of our own society. Song and dance is used in rites of passage ceremonies such as births, weddings and funerals throughout the world. Jamaican and Yoruba cultures have made many contributions to our society. The uses of this music as a vehicle for political issues, values, and beliefs have been used by many musicians from different cultures. I intend to discuss the Contribution of these two contemporary cultures music and their effect on society.